A Mise-en-scène of the Shattered Habitus: The Effect of Social Mobility on Aesthetic Dispositions Towards Films
This article focuses on the effect of social mobility on aesthetic dispositions towards films. Central query is whether Bourdieu's idea of a rather static, class-based habitus—and its associated way of appropriating works of art as voiced in La Distinction (1984)—holds anno 2011. Or is his idea...
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Veröffentlicht in: | European sociological review 2013-02, Vol.29 (1), p.48-59 |
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Format: | Artikel |
Sprache: | eng |
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