Actual Art, Possible Art, and Art's Definition
Jerrold Levinson's theory of art is the most elaborated and the most clearly committed to the project of defining art. Much of the dispute about his theory has cantered on how precisely it is to be formulated. Currie discusses the theory.
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| Veröffentlicht in: | The Journal of aesthetics and art criticism 2010-06, Vol.68 (3), p.235-241 |
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| container_end_page | 241 |
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| container_issue | 3 |
| container_start_page | 235 |
| container_title | The Journal of aesthetics and art criticism |
| container_volume | 68 |
| creator | CURRIE, GREGORY |
| description | Jerrold Levinson's theory of art is the most elaborated and the most clearly committed to the project of defining art. Much of the dispute about his theory has cantered on how precisely it is to be formulated. Currie discusses the theory. |
| doi_str_mv | 10.1111/j.1540-6245.2010.01415.x |
| format | Article |
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| ispartof | The Journal of aesthetics and art criticism, 2010-06, Vol.68 (3), p.235-241 |
| issn | 0021-8529 1540-6245 |
| language | eng |
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| source | ARTbibliographies Modern; JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current); Wiley Online Library All Journals |
| subjects | Aesthetics Art criticism Art history Art objects Communities Conceptual art Intuition Metaphysics Musical aesthetics Philosophy Philosophy of art. Aesthetics Prior art Theory |
| title | Actual Art, Possible Art, and Art's Definition |
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