A Parametric, Temporal Model of Musical Tension
tension in music is a high-level concept that is difficult to formalize due to its complex, multidimensional nature. This paper proposes a quantitative model of musical tension that takes into account the dynamic, temporal aspects of listening. The model is based on data from two experiments. The fi...
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Veröffentlicht in: | Music perception 2012-04, Vol.29 (4), p.387-428 |
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description | tension in music is a high-level concept that is
difficult to formalize due to its complex, multidimensional nature. This paper proposes a quantitative model of musical tension that takes into account the dynamic, temporal aspects of listening. The model is based on data from two experiments. The first was a web-based study that was designed to examine how individual musical parameters contribute directly to a listener's overall perception of tension and how those parameters interact. The second study was an in-lab experiment in which listeners were asked to provide continuous responses to longer, more complex musical stimuli. Both studies took into account a number of musical parameters including harmony, pitch height, melodic expectation, dynamics, onset frequency, tempo, meter, rhythmic regularity, and syncopation. As an initial step, linear and nonlinear models were explored for predicting tension given analytical descriptions of various musical parameters. These models were tested on the continuous-response data from Experiment 2 and shown to be insufficient. An alternate model was proposed based on the notion of a moving perceptual window in time and the concept of trend salience. High correlation with empirical data indicates that this parametric, temporal model accurately predicts tension judgments for complex musical stimuli. |
doi_str_mv | 10.1525/mp.2012.29.4.387 |
format | Article |
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difficult to formalize due to its complex, multidimensional nature. This paper proposes a quantitative model of musical tension that takes into account the dynamic, temporal aspects of listening. The model is based on data from two experiments. The first was a web-based study that was designed to examine how individual musical parameters contribute directly to a listener's overall perception of tension and how those parameters interact. The second study was an in-lab experiment in which listeners were asked to provide continuous responses to longer, more complex musical stimuli. Both studies took into account a number of musical parameters including harmony, pitch height, melodic expectation, dynamics, onset frequency, tempo, meter, rhythmic regularity, and syncopation. As an initial step, linear and nonlinear models were explored for predicting tension given analytical descriptions of various musical parameters. These models were tested on the continuous-response data from Experiment 2 and shown to be insufficient. An alternate model was proposed based on the notion of a moving perceptual window in time and the concept of trend salience. High correlation with empirical data indicates that this parametric, temporal model accurately predicts tension judgments for complex musical stimuli.</description><identifier>ISSN: 0730-7829</identifier><identifier>EISSN: 1533-8312</identifier><identifier>DOI: 10.1525/mp.2012.29.4.387</identifier><language>eng</language><publisher>Berkeley: University of California Press</publisher><subject>Complexity ; Listening ; Music ; Musical meter ; Musical perception ; Musical pitch ; Musical rhythm ; Musicians ; Musicology ; Neuropsychology ; Parametric models ; Salience ; Sensory perception ; Sound pitch ; Tempo ; Tonal harmony</subject><ispartof>Music perception, 2012-04, Vol.29 (4), p.387-428</ispartof><rights>2012 by The Regents of the University of California</rights><rights>Copyright University of California Press Apr 2012</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c342t-4a61c5f6f62da2e3335812c2921b1555c700642c7a1afc2111168f14e86d1aca3</citedby><cites>FETCH-LOGICAL-c342t-4a61c5f6f62da2e3335812c2921b1555c700642c7a1afc2111168f14e86d1aca3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,803,27923,27924</link.rule.ids></links><search><creatorcontrib>Farbood, Morwaread M.</creatorcontrib><title>A Parametric, Temporal Model of Musical Tension</title><title>Music perception</title><description>tension in music is a high-level concept that is
difficult to formalize due to its complex, multidimensional nature. This paper proposes a quantitative model of musical tension that takes into account the dynamic, temporal aspects of listening. The model is based on data from two experiments. The first was a web-based study that was designed to examine how individual musical parameters contribute directly to a listener's overall perception of tension and how those parameters interact. The second study was an in-lab experiment in which listeners were asked to provide continuous responses to longer, more complex musical stimuli. Both studies took into account a number of musical parameters including harmony, pitch height, melodic expectation, dynamics, onset frequency, tempo, meter, rhythmic regularity, and syncopation. As an initial step, linear and nonlinear models were explored for predicting tension given analytical descriptions of various musical parameters. These models were tested on the continuous-response data from Experiment 2 and shown to be insufficient. An alternate model was proposed based on the notion of a moving perceptual window in time and the concept of trend salience. High correlation with empirical data indicates that this parametric, temporal model accurately predicts tension judgments for complex musical stimuli.</description><subject>Complexity</subject><subject>Listening</subject><subject>Music</subject><subject>Musical meter</subject><subject>Musical perception</subject><subject>Musical pitch</subject><subject>Musical rhythm</subject><subject>Musicians</subject><subject>Musicology</subject><subject>Neuropsychology</subject><subject>Parametric models</subject><subject>Salience</subject><subject>Sensory perception</subject><subject>Sound pitch</subject><subject>Tempo</subject><subject>Tonal harmony</subject><issn>0730-7829</issn><issn>1533-8312</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2012</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>A3D</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><recordid>eNqFkD1PwzAQhi0EEqWwM0ZiYSCp7_yRZKwqvqRWMJTZMq4tpUriYCcD_x5XYWLhlpNOz3u6ewi5BVqAQLHqhgIpYIF1wQtWlWdkAYKxvGKA52RBS0bzssL6klzFeKQUGAq5IKt19q6D7uwYGvOQ7W03-KDbbOcPts28y3ZTbEwa7G0fG99fkwun22hvfvuSfDw97jcv-fbt-XWz3uaGcRxzriUY4aSTeNBoGWOiAjRYI3yCEMKUlEqOptSgnUFIJSsH3FbyANpotiT3894h-K_JxlF1TTS2bXVv_RQVpLc4MFnyhN79QY9-Cn26TgEFykpWS0wUnSkTfIzBOjWEptPhO0HqZFB1gzoZVFgrrpLBFMnnyDGOPvzP_wCSoG7g</recordid><startdate>20120401</startdate><enddate>20120401</enddate><creator>Farbood, Morwaread M.</creator><general>University of California Press</general><general>University of California Press Books Division</general><scope>AAYXX</scope><scope>CITATION</scope><scope>3V.</scope><scope>7XB</scope><scope>88G</scope><scope>8FI</scope><scope>8FJ</scope><scope>8FK</scope><scope>8G5</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>C18</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>FYUFA</scope><scope>GHDGH</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M2M</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PADUT</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PSYQQ</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>20120401</creationdate><title>A Parametric, Temporal Model of Musical Tension</title><author>Farbood, Morwaread M.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c342t-4a61c5f6f62da2e3335812c2921b1555c700642c7a1afc2111168f14e86d1aca3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2012</creationdate><topic>Complexity</topic><topic>Listening</topic><topic>Music</topic><topic>Musical meter</topic><topic>Musical perception</topic><topic>Musical pitch</topic><topic>Musical rhythm</topic><topic>Musicians</topic><topic>Musicology</topic><topic>Neuropsychology</topic><topic>Parametric models</topic><topic>Salience</topic><topic>Sensory perception</topic><topic>Sound pitch</topic><topic>Tempo</topic><topic>Tonal harmony</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Farbood, Morwaread M.</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Psychology Database (Alumni)</collection><collection>Hospital Premium Collection</collection><collection>Hospital Premium Collection (Alumni Edition)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>Music Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Humanities Index</collection><collection>ProQuest One Community College</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>Health Research Premium Collection</collection><collection>Health Research Premium Collection (Alumni)</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - 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difficult to formalize due to its complex, multidimensional nature. This paper proposes a quantitative model of musical tension that takes into account the dynamic, temporal aspects of listening. The model is based on data from two experiments. The first was a web-based study that was designed to examine how individual musical parameters contribute directly to a listener's overall perception of tension and how those parameters interact. The second study was an in-lab experiment in which listeners were asked to provide continuous responses to longer, more complex musical stimuli. Both studies took into account a number of musical parameters including harmony, pitch height, melodic expectation, dynamics, onset frequency, tempo, meter, rhythmic regularity, and syncopation. As an initial step, linear and nonlinear models were explored for predicting tension given analytical descriptions of various musical parameters. These models were tested on the continuous-response data from Experiment 2 and shown to be insufficient. An alternate model was proposed based on the notion of a moving perceptual window in time and the concept of trend salience. High correlation with empirical data indicates that this parametric, temporal model accurately predicts tension judgments for complex musical stimuli.</abstract><cop>Berkeley</cop><pub>University of California Press</pub><doi>10.1525/mp.2012.29.4.387</doi><tpages>42</tpages></addata></record> |
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subjects | Complexity Listening Music Musical meter Musical perception Musical pitch Musical rhythm Musicians Musicology Neuropsychology Parametric models Salience Sensory perception Sound pitch Tempo Tonal harmony |
title | A Parametric, Temporal Model of Musical Tension |
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