The Gendering of Modernism
Women Artists and Writers: Modernist (im)positionings by Bridget Elliott and Jo‐Ann Wallace, London and New York: Routledge, 1994, 204 pp., 63 b. & w. illus., £15.99 Women artists and the Parisian avant‐Garde: Modernism and ‘feminine’ art, 1900 to the late 1920s, by Gill Perry, Manchester and Ne...
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| Veröffentlicht in: | Art history 1996-12, Vol.19 (4), p.609-614 |
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| container_end_page | 614 |
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| container_issue | 4 |
| container_start_page | 609 |
| container_title | Art history |
| container_volume | 19 |
| creator | Witzling, Mara |
| description | Women Artists and Writers: Modernist (im)positionings by Bridget Elliott and Jo‐Ann Wallace, London and New York: Routledge, 1994, 204 pp., 63 b. & w. illus., £15.99
Women artists and the Parisian avant‐Garde: Modernism and ‘feminine’ art, 1900 to the late 1920s, by Gill Perry, Manchester and New York: University of Manchester Press, 1995, 186 pp., 32 col. plates, 71 b. & w. illus., £16.99
Seeing and Consciousness: Women, Class and Representation by Gen Doy, Oxford and Washington, DC: Berg Publishers, 1995, 205 pp., 54 b. & w. illus., £14.99 |
| doi_str_mv | 10.1111/j.1467-8365.1996.tb00689.x |
| format | Article |
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Women artists and the Parisian avant‐Garde: Modernism and ‘feminine’ art, 1900 to the late 1920s, by Gill Perry, Manchester and New York: University of Manchester Press, 1995, 186 pp., 32 col. plates, 71 b. & w. illus., £16.99
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| fulltext | fulltext |
| identifier | ISSN: 0141-6790 |
| ispartof | Art history, 1996-12, Vol.19 (4), p.609-614 |
| issn | 0141-6790 1467-8365 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_1036487079 |
| source | ARTbibliographies Modern; Oxford University Press Journals All Titles (1996-Current) |
| subjects | Art criticism Art history Feminism Nonfiction Visual artists Women Writers |
| title | The Gendering of Modernism |
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