The Gendering of Modernism
Women Artists and Writers: Modernist (im)positionings by Bridget Elliott and Jo‐Ann Wallace, London and New York: Routledge, 1994, 204 pp., 63 b. & w. illus., £15.99 Women artists and the Parisian avant‐Garde: Modernism and ‘feminine’ art, 1900 to the late 1920s, by Gill Perry, Manchester and Ne...
Gespeichert in:
Veröffentlicht in: | Art history 1996-12, Vol.19 (4), p.609-614 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Women Artists and Writers: Modernist (im)positionings by Bridget Elliott and Jo‐Ann Wallace, London and New York: Routledge, 1994, 204 pp., 63 b. & w. illus., £15.99
Women artists and the Parisian avant‐Garde: Modernism and ‘feminine’ art, 1900 to the late 1920s, by Gill Perry, Manchester and New York: University of Manchester Press, 1995, 186 pp., 32 col. plates, 71 b. & w. illus., £16.99
Seeing and Consciousness: Women, Class and Representation by Gen Doy, Oxford and Washington, DC: Berg Publishers, 1995, 205 pp., 54 b. & w. illus., £14.99 |
---|---|
ISSN: | 0141-6790 1467-8365 |
DOI: | 10.1111/j.1467-8365.1996.tb00689.x |