Connections with the Audience: Writing for a Scottish Theatre
Peter Arnott is a young playwright whose relatively brief working career has spanned a wide spectrum not only of Scottish theatrical outlets, but of the styles and approaches open to a politically committed writer in a community which has consistently and vehemently rejected Thatcherism, yet which h...
Gespeichert in:
Veröffentlicht in: | New theatre quarterly 1990-11, Vol.6 (24), p.318-334 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 334 |
---|---|
container_issue | 24 |
container_start_page | 318 |
container_title | New theatre quarterly |
container_volume | 6 |
creator | Arnott, Peter |
description | Peter Arnott is a young playwright whose relatively brief working career has spanned a wide spectrum not only of Scottish theatrical outlets, but of the styles and approaches open to a politically committed writer in a community which has consistently and vehemently rejected Thatcherism, yet which has to live within its political if not its cultural boundaries. Here, Peter Arnott talks with Greg Giesekam, of the Department of Theatre Studies in the University of Glasgow, about the development of his own thinking, and its relationship to his working methods and their theatrical applications. |
doi_str_mv | 10.1017/S0266464X00004887 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_miscellaneous_1035846344</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><cupid>10_1017_S0266464X00004887</cupid><sourcerecordid>6155533</sourcerecordid><originalsourceid>FETCH-LOGICAL-c254t-e0f759aab6e158dcadb14e2d65f067a7570480c6514f5db5344d9498374ec39f3</originalsourceid><addsrcrecordid>eNp1kE9LAzEQxYMoWKsfwNviyctqsvm3K3goxbaiKNKKvYU0O9umtrs1SVG_vSktIopzmcP83pvHQ-iU4AuCibwc4kwIJtgYx2F5LvdQizDJUiwI3UetzTnd3A_RkffzCOUZ4S103W3qGkywTe2TdxtmSZhB0lmXFmoDV8mLs8HW06RqXKKToWlCsH6WjGagg4NjdFDphYeT3W6j597NqDtI7x_7t93OfWoyzkIKuJK80HoigPC8NLqcEAZZKXiFhdSSyxgZG8EJq3g54ZSxsmBFTiUDQ4uKttH51nflmrc1-KCW1htYLHQNzdorginPmYi6iJ79QufN2tUxnSIFy4uCx0LaiGwh4xrvHVRq5exSu8_opDZ9qj99Rk261Vgf4ONboN2rEpJKrkT_SY3vHnjWGwhFI093P_Ry4mw5hR9J_v3yBfQHhIk</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>194899561</pqid></control><display><type>article</type><title>Connections with the Audience: Writing for a Scottish Theatre</title><source>Cambridge University Press Journals Complete</source><creator>Arnott, Peter</creator><creatorcontrib>Arnott, Peter</creatorcontrib><description>Peter Arnott is a young playwright whose relatively brief working career has spanned a wide spectrum not only of Scottish theatrical outlets, but of the styles and approaches open to a politically committed writer in a community which has consistently and vehemently rejected Thatcherism, yet which has to live within its political if not its cultural boundaries. Here, Peter Arnott talks with Greg Giesekam, of the Department of Theatre Studies in the University of Glasgow, about the development of his own thinking, and its relationship to his working methods and their theatrical applications.</description><identifier>ISSN: 0266-464X</identifier><identifier>EISSN: 1474-0613</identifier><identifier>DOI: 10.1017/S0266464X00004887</identifier><language>eng</language><publisher>Cambridge, UK: Cambridge University Press</publisher><subject>Arnott, Peter ; Audiences ; Dramatists ; Theater</subject><ispartof>New theatre quarterly, 1990-11, Vol.6 (24), p.318-334</ispartof><rights>Copyright © Cambridge University Press 1990</rights><rights>Copyright Cambridge University Press, Publishing Division Nov 1990</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.cambridge.org/core/product/identifier/S0266464X00004887/type/journal_article$$EHTML$$P50$$Gcambridge$$H</linktohtml><link.rule.ids>164,314,780,784,27924,27925,55628</link.rule.ids></links><search><creatorcontrib>Arnott, Peter</creatorcontrib><title>Connections with the Audience: Writing for a Scottish Theatre</title><title>New theatre quarterly</title><addtitle>New Theatre Quarterly</addtitle><description>Peter Arnott is a young playwright whose relatively brief working career has spanned a wide spectrum not only of Scottish theatrical outlets, but of the styles and approaches open to a politically committed writer in a community which has consistently and vehemently rejected Thatcherism, yet which has to live within its political if not its cultural boundaries. Here, Peter Arnott talks with Greg Giesekam, of the Department of Theatre Studies in the University of Glasgow, about the development of his own thinking, and its relationship to his working methods and their theatrical applications.</description><subject>Arnott, Peter</subject><subject>Audiences</subject><subject>Dramatists</subject><subject>Theater</subject><issn>0266-464X</issn><issn>1474-0613</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1990</creationdate><recordtype>article</recordtype><recordid>eNp1kE9LAzEQxYMoWKsfwNviyctqsvm3K3goxbaiKNKKvYU0O9umtrs1SVG_vSktIopzmcP83pvHQ-iU4AuCibwc4kwIJtgYx2F5LvdQizDJUiwI3UetzTnd3A_RkffzCOUZ4S103W3qGkywTe2TdxtmSZhB0lmXFmoDV8mLs8HW06RqXKKToWlCsH6WjGagg4NjdFDphYeT3W6j597NqDtI7x_7t93OfWoyzkIKuJK80HoigPC8NLqcEAZZKXiFhdSSyxgZG8EJq3g54ZSxsmBFTiUDQ4uKttH51nflmrc1-KCW1htYLHQNzdorginPmYi6iJ79QufN2tUxnSIFy4uCx0LaiGwh4xrvHVRq5exSu8_opDZ9qj99Rk261Vgf4ONboN2rEpJKrkT_SY3vHnjWGwhFI093P_Ry4mw5hR9J_v3yBfQHhIk</recordid><startdate>19901101</startdate><enddate>19901101</enddate><creator>Arnott, Peter</creator><general>Cambridge University Press</general><scope>BSCLL</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>C18</scope></search><sort><creationdate>19901101</creationdate><title>Connections with the Audience: Writing for a Scottish Theatre</title><author>Arnott, Peter</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c254t-e0f759aab6e158dcadb14e2d65f067a7570480c6514f5db5344d9498374ec39f3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1990</creationdate><topic>Arnott, Peter</topic><topic>Audiences</topic><topic>Dramatists</topic><topic>Theater</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Arnott, Peter</creatorcontrib><collection>Istex</collection><collection>CrossRef</collection><collection>Humanities Index</collection><jtitle>New theatre quarterly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Arnott, Peter</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Connections with the Audience: Writing for a Scottish Theatre</atitle><jtitle>New theatre quarterly</jtitle><addtitle>New Theatre Quarterly</addtitle><date>1990-11-01</date><risdate>1990</risdate><volume>6</volume><issue>24</issue><spage>318</spage><epage>334</epage><pages>318-334</pages><issn>0266-464X</issn><eissn>1474-0613</eissn><abstract>Peter Arnott is a young playwright whose relatively brief working career has spanned a wide spectrum not only of Scottish theatrical outlets, but of the styles and approaches open to a politically committed writer in a community which has consistently and vehemently rejected Thatcherism, yet which has to live within its political if not its cultural boundaries. Here, Peter Arnott talks with Greg Giesekam, of the Department of Theatre Studies in the University of Glasgow, about the development of his own thinking, and its relationship to his working methods and their theatrical applications.</abstract><cop>Cambridge, UK</cop><pub>Cambridge University Press</pub><doi>10.1017/S0266464X00004887</doi><tpages>17</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0266-464X |
ispartof | New theatre quarterly, 1990-11, Vol.6 (24), p.318-334 |
issn | 0266-464X 1474-0613 |
language | eng |
recordid | cdi_proquest_miscellaneous_1035846344 |
source | Cambridge University Press Journals Complete |
subjects | Arnott, Peter Audiences Dramatists Theater |
title | Connections with the Audience: Writing for a Scottish Theatre |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-26T10%3A29%3A33IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Connections%20with%20the%20Audience:%20Writing%20for%20a%20Scottish%20Theatre&rft.jtitle=New%20theatre%20quarterly&rft.au=Arnott,%20Peter&rft.date=1990-11-01&rft.volume=6&rft.issue=24&rft.spage=318&rft.epage=334&rft.pages=318-334&rft.issn=0266-464X&rft.eissn=1474-0613&rft_id=info:doi/10.1017/S0266464X00004887&rft_dat=%3Cproquest_cross%3E6155533%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=194899561&rft_id=info:pmid/&rft_cupid=10_1017_S0266464X00004887&rfr_iscdi=true |