MICHELANGELO'S BACCHUS AND THE ART OF SELF-FORMATION
This article argues that Michelangelo's Bacchus was conceived as a sculptural essay in the art of self‐formation as the artist undertook to establish his reputation in Rome, and that the innovative sculpture continued to function ‘auto‐biographically’ in later decades as it stood in the sculptu...
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Veröffentlicht in: | Art history 2006-06, Vol.29 (3), p.345-386 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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