Wren’s mausoleum for Charles I and the cult of the Royal Martyr
'Architecture', observed Wren, 'has its political Use'. According to him, 'publick Buildings being the Ornament of a Country', architecture 'establishes a Nation' by making 'the People love their native Country, which Passion' was, he maintained, �...
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| Veröffentlicht in: | Architectural history 1984, Vol.27, p.36-49 |
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| creator | Beddard, R. A. |
| description | 'Architecture', observed Wren, 'has its political Use'. According to him, 'publick Buildings being the Ornament of a Country', architecture 'establishes a Nation' by making 'the People love their native Country, which Passion' was, he maintained, 'the Original of all great Actions in a Common-wealth'. To support his argument he cited the examples of foreign history: the cities of ancient Greece and the Low Countries, Rome, and Jerusalem.x But, had he chosen, he could have drawn examples from nearer home: from his part in rebuilding the City of London, or from his post as Surveyor- General to Charles and James II. He knew well what was expected of him and his art by the restored monarchy. |
| doi_str_mv | 10.2307/1568449 |
| format | Article |
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| ispartof | Architectural history, 1984, Vol.27, p.36-49 |
| issn | 0066-622X 2059-5670 |
| language | eng |
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| source | Jstor Complete Legacy; Periodicals Index Online |
| subjects | Architecture Cost estimates Design Mausoleums Monarchy Parliaments Political debate Protestantism Section 1: Royal Works and The Office of Works Sons Soul |
| title | Wren’s mausoleum for Charles I and the cult of the Royal Martyr |
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