Language and Diction: To Be or Not to Be: Notes on the Muted E, Part 1

In the first part of a series, Néron examines the long-standing controversy over the use of the muted "e" in French vocal music. Although the commonly perceived practice is that the muted "e" is sounded when singing, and silent when speaking, French composers and poets show littl...

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Veröffentlicht in:	Journal of singing 2012-03, Vol.68 (4), p.431-441
1. Verfasser:	Néron, Martin
Format:	Artikel
Sprache:	eng
Schlagworte:	Diction French Language French Music Musical Notation
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description	In the first part of a series, Néron examines the long-standing controversy over the use of the muted "e" in French vocal music. Although the commonly perceived practice is that the muted "e" is sounded when singing, and silent when speaking, French composers and poets show little consensus on this usage. It was not until the early 20th century that French composers began to develop notation to indicate whether or not a muted "e" should be voiced.
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identifier	ISSN: 1086-7732
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subjects	Diction French Language French Music Musical Notation
title	Language and Diction: To Be or Not to Be: Notes on the Muted E, Part 1
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