The Process of Modulation in Musical Collage
By exploiting the multivalent implications attendant on principles of quotation, disjunction and juxtaposition, musical collage works of the 1960s, like their analogues in the visual arts and literature, call into question traditional notions of unity. However, these compositions also incorporate ne...
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Veröffentlicht in: | Music analysis 2008-07, Vol.27 (2-3), p.295-336 |
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description | By exploiting the multivalent implications attendant on principles of quotation, disjunction and juxtaposition, musical collage works of the 1960s, like their analogues in the visual arts and literature, call into question traditional notions of unity. However, these compositions also incorporate new modes of continuity which lend a distinctive expressive force to music of this kind. The present article outlines organisational precepts which composers including Luciano Berio, George Rochberg and Bernd Alois Zimmermann have used to achieve a degree of syntactic mediation: overlap, chromatic insertion and rhythmic plasticity. The common occurrence of these principles in works exhibiting widely divergent stylistic predispositions indicates that they may constitute important technical aspects of this particular repertoire. |
doi_str_mv | 10.1111/j.1468-2249.2009.00285.x |
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However, these compositions also incorporate new modes of continuity which lend a distinctive expressive force to music of this kind. The present article outlines organisational precepts which composers including Luciano Berio, George Rochberg and Bernd Alois Zimmermann have used to achieve a degree of syntactic mediation: overlap, chromatic insertion and rhythmic plasticity. 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The common occurrence of these principles in works exhibiting widely divergent stylistic predispositions indicates that they may constitute important technical aspects of this particular repertoire.</description><subject>Berio, Luciano</subject><subject>Chromaticism</subject><subject>Collages</subject><subject>Compositional Techniques</subject><subject>Music analysis</subject><subject>Music publishing</subject><subject>Music rehearsal</subject><subject>Musical Analysis</subject><subject>Musical collage</subject><subject>Musical modulation</subject><subject>Musical rhythm</subject><subject>Postmodern music</subject><subject>Rehearsal</subject><subject>Rhythm</subject><subject>Rochberg, George</subject><subject>Sound pitch</subject><subject>Symphonies</subject><subject>Zimmermann, Bernd Alois</subject><issn>0262-5245</issn><issn>1468-2249</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2008</creationdate><recordtype>article</recordtype><recordid>eNo9UE1Lw0AQXUTBWv0JQvBs4ux39uChFq1C6we2CF6WdbvRxNit2QTbf29ipHOZGd57M7yHUIQhwW1dFAlmIo0JYSohACoBIClPNntosAP20QCIIDEnjB-ioxAKAOCA2QCdzz9c9Fh560KIfBbN_LIpTZ37VZSvolkTcmvKaOzL0ry7Y3SQmTK4k_8-RIub6_n4Np4-TO7Go2mcEyV4LBUlzhJGsozSN2VTbJbcYmGsM8AkdtIpgTNhucLpkjIhLZe2XUFZhrGkQ3TW311X_rtxodaFb6pV-1JLTrmkKbCWdNmTfvLSbfW6yr9MtdUYdJeLLnRnX3f2dZeL_stFb_Rs8Txqp1Z_2uuLUPtqp2cgQKQEWjzu8TzUbrPDTfWphaSS65f7iQaJn17FldKC_gKT1G66</recordid><startdate>200807</startdate><enddate>200807</enddate><creator>Losada, Catherine</creator><general>Blackwell Publishing Ltd</general><general>Wiley-Blackwell</general><general>Wiley Subscription Services, Inc</general><scope>BSCLL</scope></search><sort><creationdate>200807</creationdate><title>The Process of Modulation in Musical Collage</title><author>Losada, Catherine</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-i2965-7932ec242ff33b9c81ad5c16acea0471e7e961f6c5918d3467c57c6c509c41173</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2008</creationdate><topic>Berio, Luciano</topic><topic>Chromaticism</topic><topic>Collages</topic><topic>Compositional Techniques</topic><topic>Music analysis</topic><topic>Music publishing</topic><topic>Music rehearsal</topic><topic>Musical Analysis</topic><topic>Musical collage</topic><topic>Musical modulation</topic><topic>Musical rhythm</topic><topic>Postmodern music</topic><topic>Rehearsal</topic><topic>Rhythm</topic><topic>Rochberg, George</topic><topic>Sound pitch</topic><topic>Symphonies</topic><topic>Zimmermann, Bernd Alois</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Losada, Catherine</creatorcontrib><collection>Istex</collection><jtitle>Music analysis</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Losada, Catherine</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Process of Modulation in Musical Collage</atitle><jtitle>Music analysis</jtitle><date>2008-07</date><risdate>2008</risdate><volume>27</volume><issue>2-3</issue><spage>295</spage><epage>336</epage><pages>295-336</pages><issn>0262-5245</issn><eissn>1468-2249</eissn><abstract>By exploiting the multivalent implications attendant on principles of quotation, disjunction and juxtaposition, musical collage works of the 1960s, like their analogues in the visual arts and literature, call into question traditional notions of unity. 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subjects | Berio, Luciano Chromaticism Collages Compositional Techniques Music analysis Music publishing Music rehearsal Musical Analysis Musical collage Musical modulation Musical rhythm Postmodern music Rehearsal Rhythm Rochberg, George Sound pitch Symphonies Zimmermann, Bernd Alois |
title | The Process of Modulation in Musical Collage |
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