Phrase Formation in Post-Tonal Music
Gespeichert in:
Veröffentlicht in: | Journal of music theory 1984-10, Vol.28 (2), p.167-190, Article 167 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 190 |
---|---|
container_issue | 2 |
container_start_page | 167 |
container_title | Journal of music theory |
container_volume | 28 |
creator | Hasty, Christopher F. |
description | |
doi_str_mv | 10.2307/843531 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_740932153</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>843531</jstor_id><sourcerecordid>843531</sourcerecordid><originalsourceid>FETCH-LOGICAL-c228t-32213ede8ff38554cccb0b31a016a85b94583854f94b174621c0df298c14ac913</originalsourceid><addsrcrecordid>eNp10DFPwzAQBWALgUQp8AdYIkBMBO7sc2OPqKKAVESHMkeOm4hEbVxsZ-DfE0jFAGK64X16Oj3GThFuuIDsVpGQAvfYCDVhmpHO9tkIgPOUa9CH7CiEBgCINI3Y5eLNm1AmM-c3JtauTeo2WbgQ06VrzTp57kJtj9lBZdahPNndMXud3S-nj-n85eFpejdPLecqpoJzFOWqVFUllJRkrS2gEGgAJ0bJQpNUfUCVpgIzmnC0sKq4VhbJWI1izM6H3q13710ZYt64zvdvhDwj0IKjFD26-A-hQECFWvJeXQ3KeheCL6t86-uN8R85Qv41Uz7M1MPrX9DW8XuJ6E29_svPBt6E6PxP6S79BCBSbQ0</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1310181952</pqid></control><display><type>article</type><title>Phrase Formation in Post-Tonal Music</title><source>Periodicals Index Online</source><source>Jstor Complete Legacy</source><creator>Hasty, Christopher F.</creator><creatorcontrib>Hasty, Christopher F.</creatorcontrib><identifier>ISSN: 0022-2909</identifier><identifier>EISSN: 1941-7497</identifier><identifier>DOI: 10.2307/843531</identifier><language>eng</language><publisher>New Haven: Yale University</publisher><subject>Ambiguity ; Atonal theory ; Constituent relations ; Memory ; Musical perception ; Musical phrases ; Musical register ; Time perception ; Variation forms ; Violas</subject><ispartof>Journal of music theory, 1984-10, Vol.28 (2), p.167-190, Article 167</ispartof><rights>Copyright 1984 Yale University</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c228t-32213ede8ff38554cccb0b31a016a85b94583854f94b174621c0df298c14ac913</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/843531$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/843531$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,778,782,801,27852,27907,27908,58000,58233</link.rule.ids></links><search><creatorcontrib>Hasty, Christopher F.</creatorcontrib><title>Phrase Formation in Post-Tonal Music</title><title>Journal of music theory</title><subject>Ambiguity</subject><subject>Atonal theory</subject><subject>Constituent relations</subject><subject>Memory</subject><subject>Musical perception</subject><subject>Musical phrases</subject><subject>Musical register</subject><subject>Time perception</subject><subject>Variation forms</subject><subject>Violas</subject><issn>0022-2909</issn><issn>1941-7497</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1984</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp10DFPwzAQBWALgUQp8AdYIkBMBO7sc2OPqKKAVESHMkeOm4hEbVxsZ-DfE0jFAGK64X16Oj3GThFuuIDsVpGQAvfYCDVhmpHO9tkIgPOUa9CH7CiEBgCINI3Y5eLNm1AmM-c3JtauTeo2WbgQ06VrzTp57kJtj9lBZdahPNndMXud3S-nj-n85eFpejdPLecqpoJzFOWqVFUllJRkrS2gEGgAJ0bJQpNUfUCVpgIzmnC0sKq4VhbJWI1izM6H3q13710ZYt64zvdvhDwj0IKjFD26-A-hQECFWvJeXQ3KeheCL6t86-uN8R85Qv41Uz7M1MPrX9DW8XuJ6E29_svPBt6E6PxP6S79BCBSbQ0</recordid><startdate>19841001</startdate><enddate>19841001</enddate><creator>Hasty, Christopher F.</creator><general>Yale University</general><general>Yale School of Music</general><general>Duke University Press, NC & IL</general><scope>AAYXX</scope><scope>CITATION</scope><scope>GYTRX</scope><scope>HAGHG</scope><scope>IOIBA</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope></search><sort><creationdate>19841001</creationdate><title>Phrase Formation in Post-Tonal Music</title><author>Hasty, Christopher F.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c228t-32213ede8ff38554cccb0b31a016a85b94583854f94b174621c0df298c14ac913</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1984</creationdate><topic>Ambiguity</topic><topic>Atonal theory</topic><topic>Constituent relations</topic><topic>Memory</topic><topic>Musical perception</topic><topic>Musical phrases</topic><topic>Musical register</topic><topic>Time perception</topic><topic>Variation forms</topic><topic>Violas</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Hasty, Christopher F.</creatorcontrib><collection>CrossRef</collection><collection>Periodicals Index Online Segment 11</collection><collection>Periodicals Index Online Segment 12</collection><collection>Periodicals Index Online Segment 29</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><jtitle>Journal of music theory</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Hasty, Christopher F.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Phrase Formation in Post-Tonal Music</atitle><jtitle>Journal of music theory</jtitle><date>1984-10-01</date><risdate>1984</risdate><volume>28</volume><issue>2</issue><spage>167</spage><epage>190</epage><pages>167-190</pages><artnum>167</artnum><issn>0022-2909</issn><eissn>1941-7497</eissn><cop>New Haven</cop><pub>Yale University</pub><doi>10.2307/843531</doi><tpages>24</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0022-2909 |
ispartof | Journal of music theory, 1984-10, Vol.28 (2), p.167-190, Article 167 |
issn | 0022-2909 1941-7497 |
language | eng |
recordid | cdi_proquest_journals_740932153 |
source | Periodicals Index Online; Jstor Complete Legacy |
subjects | Ambiguity Atonal theory Constituent relations Memory Musical perception Musical phrases Musical register Time perception Variation forms Violas |
title | Phrase Formation in Post-Tonal Music |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-16T19%3A26%3A47IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Phrase%20Formation%20in%20Post-Tonal%20Music&rft.jtitle=Journal%20of%20music%20theory&rft.au=Hasty,%20Christopher%20F.&rft.date=1984-10-01&rft.volume=28&rft.issue=2&rft.spage=167&rft.epage=190&rft.pages=167-190&rft.artnum=167&rft.issn=0022-2909&rft.eissn=1941-7497&rft_id=info:doi/10.2307/843531&rft_dat=%3Cjstor_proqu%3E843531%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1310181952&rft_id=info:pmid/&rft_jstor_id=843531&rfr_iscdi=true |