Sound and Epistemology in Film
The "epistemological" issue of sound in film is examined. Sound in film should be evaluated in a context determined by the processes of perception engaged by its appearance.
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| Veröffentlicht in: | The Journal of aesthetics and art criticism 1989-10, Vol.47 (4), p.311-324 |
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| Format: | Artikel |
| Sprache: | eng |
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| container_end_page | 324 |
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| container_issue | 4 |
| container_start_page | 311 |
| container_title | The Journal of aesthetics and art criticism |
| container_volume | 47 |
| creator | Branigan, Edward |
| description | The "epistemological" issue of sound in film is examined. Sound in film should be evaluated in a context determined by the processes of perception engaged by its appearance. |
| doi_str_mv | 10.1111/1540_6245.jaac47.4.0311 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0021-8529 |
| ispartof | The Journal of aesthetics and art criticism, 1989-10, Vol.47 (4), p.311-324 |
| issn | 0021-8529 1540-6245 1540-6245 |
| language | eng |
| recordid | cdi_proquest_journals_740808291 |
| source | Periodicals Index Online; Jstor Complete Legacy |
| subjects | Acoustic data Acoustics Auditory perception Epistemology Film theory Motion pictures Movies Optical reflection Perceptions Philosophy Philosophy of art. Aesthetics Sound Time perception Verbs Visual perception |
| title | Sound and Epistemology in Film |
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