Concentration of Modern Dancers While Performing Balancing Tasks
Concentration is an important process in building a dancer's foundation for performance—a learned process. One must be able to focus attention to a purpose, a motive, or an intent and simultaneously remove what is nonessential. To a dancer, concentration is the discovering of a personal awarene...
Gespeichert in:
Veröffentlicht in: | Dance research journal 1985-01, Vol.17 (1), p.21-26 |
---|---|
Hauptverfasser: | , , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 26 |
---|---|
container_issue | 1 |
container_start_page | 21 |
container_title | Dance research journal |
container_volume | 17 |
creator | Jette, Nadine Shick, Jacqueline Stoner, Lela June |
description | Concentration is an important process in building a dancer's foundation for performance—a learned process. One must be able to focus attention to a purpose, a motive, or an intent and simultaneously remove what is nonessential. To a dancer, concentration is the discovering of a personal awareness of movement, a kinesthetic awareness of the human body (internal focus). This kinesthetic awareness is focused on the conscious use of the center that controls movement, i.e., the center of mass (center of gravity). When the body performs in equilibrium, e.g., in balancing activities, it is necessary to sense energy going from that center and returning to that center. It is the control of the center that provides freedom in the use of the arms and legs, which gives the dancer an effortless carriage of the head, free of tension in the neck and shoulders. Bonsignore (1983) believes that balance is a dynamic concept in dance. The dancer must constantly be kinesthetically aware of the direction of energy as it flows through the body. Muscles are continuously responsive to the center of the body, making minute changes that will be reflected to the distal parts of the body (Hays, 1981). |
doi_str_mv | 10.2307/1478218 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_740768460</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><cupid>10_2307_1478218</cupid><jstor_id>1478218</jstor_id><sourcerecordid>1478218</sourcerecordid><originalsourceid>FETCH-LOGICAL-c303t-527086131df1ae2317d008f0d27254bc1f7cb0ce391c1dc7d5ee57cd6177ca6a3</originalsourceid><addsrcrecordid>eNp90E1LAzEQBuAgCtYq_oVFBfGwOpNkM7s3tX5CRQ8VvS1pktWt7aYm24P_3i3tQQQ9zTDzMC8MY_sIp1wAnaGknGO-wXpYSEgzKF43WQ9QFikpom22E-MEAFQmeY-dD3xjXNMG3da-SXyVPHjrQpNc6W4eYvLyXk9d8uRC5cOsbt6SSz3tVstupONH3GVblZ5Gt7euffZ8cz0a3KXDx9v7wcUwNQJEm2acIFco0FaoHRdIFiCvwHLimRwbrMiMwThRoEFryGbOZWSsQiKjlRZ9drC6Ow_-c-FiW078IjRdZEkSSOVSQYcO_0LICxIcpKJOHa-UCT7G4KpyHuqZDl8lQrn8Ybn-YSePVnISWx_-YSfrg3o2DrV9cz9yf9lvyL95lw</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1297320467</pqid></control><display><type>article</type><title>Concentration of Modern Dancers While Performing Balancing Tasks</title><source>Periodicals Index Online</source><source>JSTOR</source><creator>Jette, Nadine ; Shick, Jacqueline ; Stoner, Lela June</creator><creatorcontrib>Jette, Nadine ; Shick, Jacqueline ; Stoner, Lela June</creatorcontrib><description>Concentration is an important process in building a dancer's foundation for performance—a learned process. One must be able to focus attention to a purpose, a motive, or an intent and simultaneously remove what is nonessential. To a dancer, concentration is the discovering of a personal awareness of movement, a kinesthetic awareness of the human body (internal focus). This kinesthetic awareness is focused on the conscious use of the center that controls movement, i.e., the center of mass (center of gravity). When the body performs in equilibrium, e.g., in balancing activities, it is necessary to sense energy going from that center and returning to that center. It is the control of the center that provides freedom in the use of the arms and legs, which gives the dancer an effortless carriage of the head, free of tension in the neck and shoulders. Bonsignore (1983) believes that balance is a dynamic concept in dance. The dancer must constantly be kinesthetically aware of the direction of energy as it flows through the body. Muscles are continuously responsive to the center of the body, making minute changes that will be reflected to the distal parts of the body (Hays, 1981).</description><identifier>ISSN: 0149-7677</identifier><identifier>EISSN: 1940-509X</identifier><identifier>DOI: 10.2307/1478218</identifier><language>eng</language><publisher>New York, USA: Cambridge University Press</publisher><subject>Bodily awareness ; Dance ; Dance movement ; Hip ; Kinesthesia ; Legs ; Mental concentration ; Modern dance ; Pelvis ; Standard deviation</subject><ispartof>Dance research journal, 1985-01, Vol.17 (1), p.21-26</ispartof><rights>Copyright © Congress on Research in Dance 1985</rights><rights>Copyright 1985 The Congress on Research in Dance</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c303t-527086131df1ae2317d008f0d27254bc1f7cb0ce391c1dc7d5ee57cd6177ca6a3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/1478218$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/1478218$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27869,27924,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>Jette, Nadine</creatorcontrib><creatorcontrib>Shick, Jacqueline</creatorcontrib><creatorcontrib>Stoner, Lela June</creatorcontrib><title>Concentration of Modern Dancers While Performing Balancing Tasks</title><title>Dance research journal</title><addtitle>Dance Res. J</addtitle><description>Concentration is an important process in building a dancer's foundation for performance—a learned process. One must be able to focus attention to a purpose, a motive, or an intent and simultaneously remove what is nonessential. To a dancer, concentration is the discovering of a personal awareness of movement, a kinesthetic awareness of the human body (internal focus). This kinesthetic awareness is focused on the conscious use of the center that controls movement, i.e., the center of mass (center of gravity). When the body performs in equilibrium, e.g., in balancing activities, it is necessary to sense energy going from that center and returning to that center. It is the control of the center that provides freedom in the use of the arms and legs, which gives the dancer an effortless carriage of the head, free of tension in the neck and shoulders. Bonsignore (1983) believes that balance is a dynamic concept in dance. The dancer must constantly be kinesthetically aware of the direction of energy as it flows through the body. Muscles are continuously responsive to the center of the body, making minute changes that will be reflected to the distal parts of the body (Hays, 1981).</description><subject>Bodily awareness</subject><subject>Dance</subject><subject>Dance movement</subject><subject>Hip</subject><subject>Kinesthesia</subject><subject>Legs</subject><subject>Mental concentration</subject><subject>Modern dance</subject><subject>Pelvis</subject><subject>Standard deviation</subject><issn>0149-7677</issn><issn>1940-509X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1985</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp90E1LAzEQBuAgCtYq_oVFBfGwOpNkM7s3tX5CRQ8VvS1pktWt7aYm24P_3i3tQQQ9zTDzMC8MY_sIp1wAnaGknGO-wXpYSEgzKF43WQ9QFikpom22E-MEAFQmeY-dD3xjXNMG3da-SXyVPHjrQpNc6W4eYvLyXk9d8uRC5cOsbt6SSz3tVstupONH3GVblZ5Gt7euffZ8cz0a3KXDx9v7wcUwNQJEm2acIFco0FaoHRdIFiCvwHLimRwbrMiMwThRoEFryGbOZWSsQiKjlRZ9drC6Ow_-c-FiW078IjRdZEkSSOVSQYcO_0LICxIcpKJOHa-UCT7G4KpyHuqZDl8lQrn8Ybn-YSePVnISWx_-YSfrg3o2DrV9cz9yf9lvyL95lw</recordid><startdate>19850101</startdate><enddate>19850101</enddate><creator>Jette, Nadine</creator><creator>Shick, Jacqueline</creator><creator>Stoner, Lela June</creator><general>Cambridge University Press</general><general>Congress on Research in Dance</general><general>Committee on Research in Dance</general><scope>AAYXX</scope><scope>CITATION</scope><scope>FUVTR</scope><scope>ICWRT</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope></search><sort><creationdate>19850101</creationdate><title>Concentration of Modern Dancers While Performing Balancing Tasks</title><author>Jette, Nadine ; Shick, Jacqueline ; Stoner, Lela June</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c303t-527086131df1ae2317d008f0d27254bc1f7cb0ce391c1dc7d5ee57cd6177ca6a3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1985</creationdate><topic>Bodily awareness</topic><topic>Dance</topic><topic>Dance movement</topic><topic>Hip</topic><topic>Kinesthesia</topic><topic>Legs</topic><topic>Mental concentration</topic><topic>Modern dance</topic><topic>Pelvis</topic><topic>Standard deviation</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Jette, Nadine</creatorcontrib><creatorcontrib>Shick, Jacqueline</creatorcontrib><creatorcontrib>Stoner, Lela June</creatorcontrib><collection>CrossRef</collection><collection>Periodicals Index Online Segment 06</collection><collection>Periodicals Index Online Segment 28</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><jtitle>Dance research journal</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Jette, Nadine</au><au>Shick, Jacqueline</au><au>Stoner, Lela June</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Concentration of Modern Dancers While Performing Balancing Tasks</atitle><jtitle>Dance research journal</jtitle><addtitle>Dance Res. J</addtitle><date>1985-01-01</date><risdate>1985</risdate><volume>17</volume><issue>1</issue><spage>21</spage><epage>26</epage><pages>21-26</pages><issn>0149-7677</issn><eissn>1940-509X</eissn><abstract>Concentration is an important process in building a dancer's foundation for performance—a learned process. One must be able to focus attention to a purpose, a motive, or an intent and simultaneously remove what is nonessential. To a dancer, concentration is the discovering of a personal awareness of movement, a kinesthetic awareness of the human body (internal focus). This kinesthetic awareness is focused on the conscious use of the center that controls movement, i.e., the center of mass (center of gravity). When the body performs in equilibrium, e.g., in balancing activities, it is necessary to sense energy going from that center and returning to that center. It is the control of the center that provides freedom in the use of the arms and legs, which gives the dancer an effortless carriage of the head, free of tension in the neck and shoulders. Bonsignore (1983) believes that balance is a dynamic concept in dance. The dancer must constantly be kinesthetically aware of the direction of energy as it flows through the body. Muscles are continuously responsive to the center of the body, making minute changes that will be reflected to the distal parts of the body (Hays, 1981).</abstract><cop>New York, USA</cop><pub>Cambridge University Press</pub><doi>10.2307/1478218</doi><tpages>6</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0149-7677 |
ispartof | Dance research journal, 1985-01, Vol.17 (1), p.21-26 |
issn | 0149-7677 1940-509X |
language | eng |
recordid | cdi_proquest_journals_740768460 |
source | Periodicals Index Online; JSTOR |
subjects | Bodily awareness Dance Dance movement Hip Kinesthesia Legs Mental concentration Modern dance Pelvis Standard deviation |
title | Concentration of Modern Dancers While Performing Balancing Tasks |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-01T13%3A43%3A12IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Concentration%20of%20Modern%20Dancers%20While%20Performing%20Balancing%20Tasks&rft.jtitle=Dance%20research%20journal&rft.au=Jette,%20Nadine&rft.date=1985-01-01&rft.volume=17&rft.issue=1&rft.spage=21&rft.epage=26&rft.pages=21-26&rft.issn=0149-7677&rft.eissn=1940-509X&rft_id=info:doi/10.2307/1478218&rft_dat=%3Cjstor_proqu%3E1478218%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1297320467&rft_id=info:pmid/&rft_cupid=10_2307_1478218&rft_jstor_id=1478218&rfr_iscdi=true |