Unfinished Business: Reconfiguring History in Suzan-Lori Parks's "The Death of the Last Black Man in the Whole Entire World"

In "The Death of the Last Black Man in the Whole Entire World," Suzan-Lori Parks confronts historical events, questions stereotypes and debunks cultural myths. The ways in which Parks' play challenges social and theatrical structures, orthodoxies and definitions are examined.

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Bibliographische Detailangaben
Veröffentlicht in:Theatre journal (Washington, D.C.) D.C.), 1994-12, Vol.46 (4), p.447-461
Hauptverfasser: Rayner, Alice, Elam, Harry J.
Format: Artikel
Sprache:eng
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