Victor Hugo's Theatrical Royalties during his Exile Years
It is commonly known that Victor Hugo felt only contempt and hatred for Napoleon III and his Second Empire, so readers of Hugo's History of a Crime might easily expect that the Emperor's vengeful wrath would fall on the poet. However, far from trying to destroy Hugo financially, Napoleon n...
Gespeichert in:
Veröffentlicht in: | Theatre research international 1982, Vol.7 (2), p.132-137 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 137 |
---|---|
container_issue | 2 |
container_start_page | 132 |
container_title | Theatre research international |
container_volume | 7 |
creator | Horn, Pierre L. |
description | It is commonly known that Victor Hugo felt only contempt and hatred for Napoleon III and his Second Empire, so readers of Hugo's History of a Crime might easily expect that the Emperor's vengeful wrath would fall on the poet. However, far from trying to destroy Hugo financially, Napoleon not only allowed the sale of numerous of his masterpieces in France (with the exception of Châtiments and other writings considered insulting to the regime) but he did not interfere with the performance of the Hugolian repertoire on the stage of Parisian theatres. |
doi_str_mv | 10.1017/S0307883300002856 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_740661676</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><cupid>10_1017_S0307883300002856</cupid><sourcerecordid>1292951953</sourcerecordid><originalsourceid>FETCH-LOGICAL-c249t-fa0e575633b8d4500c330ae372167ebce41f40b716aa4c73a2613c7a78a69b3b3</originalsourceid><addsrcrecordid>eNp1kE9PAjEQxRujiYh-AG8bPXhabbf_do-GIBiJRkSip2a2dKG4sNjuJvDtLYEYE8Nc5vB-773JIHRJ8C3BRN69YYplmlKKwyQpF0eoRZhkMRYyOUatrRxv9VN05v08QKngooWysdV15aJ-M61ufDSaGaid1VBGw2oDZW2NjyaNs8tpNLM-6q5taaJPA86fo5MCSm8u9ruN3h-6o04_Hrz0Hjv3g1gnLKvjArDhkgtK83TCOMY63AiGyoQIaXJtGCkYziURAExLCokgVEuQKYgspzlto6td7spV343xtZpXjVuGSiUZFiLEiABdH4JIkiUZJxmngSI7SrvKe2cKtXJ2AW6jCFbbN6p_bwyeeOexvjbrXwO4LyUklVyJ3qv6eOaD4Wj8pMaBp_sOWOTOTqbmzykHW34AyuqAtg</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1292951953</pqid></control><display><type>article</type><title>Victor Hugo's Theatrical Royalties during his Exile Years</title><source>Cambridge Journals</source><source>Periodicals Index Online</source><creator>Horn, Pierre L.</creator><creatorcontrib>Horn, Pierre L.</creatorcontrib><description>It is commonly known that Victor Hugo felt only contempt and hatred for Napoleon III and his Second Empire, so readers of Hugo's History of a Crime might easily expect that the Emperor's vengeful wrath would fall on the poet. However, far from trying to destroy Hugo financially, Napoleon not only allowed the sale of numerous of his masterpieces in France (with the exception of Châtiments and other writings considered insulting to the regime) but he did not interfere with the performance of the Hugolian repertoire on the stage of Parisian theatres.</description><identifier>ISSN: 0307-8833</identifier><identifier>EISSN: 1474-0672</identifier><identifier>DOI: 10.1017/S0307883300002856</identifier><language>eng</language><publisher>Cambridge, UK: Cambridge University Press</publisher><ispartof>Theatre research international, 1982, Vol.7 (2), p.132-137</ispartof><rights>Copyright © International Federation for Theatre Research 1982</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.cambridge.org/core/product/identifier/S0307883300002856/type/journal_article$$EHTML$$P50$$Gcambridge$$H</linktohtml><link.rule.ids>164,315,782,786,4026,27876,27930,27931,27932,55635</link.rule.ids></links><search><creatorcontrib>Horn, Pierre L.</creatorcontrib><title>Victor Hugo's Theatrical Royalties during his Exile Years</title><title>Theatre research international</title><addtitle>Theatre Research International</addtitle><description>It is commonly known that Victor Hugo felt only contempt and hatred for Napoleon III and his Second Empire, so readers of Hugo's History of a Crime might easily expect that the Emperor's vengeful wrath would fall on the poet. However, far from trying to destroy Hugo financially, Napoleon not only allowed the sale of numerous of his masterpieces in France (with the exception of Châtiments and other writings considered insulting to the regime) but he did not interfere with the performance of the Hugolian repertoire on the stage of Parisian theatres.</description><issn>0307-8833</issn><issn>1474-0672</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1982</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp1kE9PAjEQxRujiYh-AG8bPXhabbf_do-GIBiJRkSip2a2dKG4sNjuJvDtLYEYE8Nc5vB-773JIHRJ8C3BRN69YYplmlKKwyQpF0eoRZhkMRYyOUatrRxv9VN05v08QKngooWysdV15aJ-M61ufDSaGaid1VBGw2oDZW2NjyaNs8tpNLM-6q5taaJPA86fo5MCSm8u9ruN3h-6o04_Hrz0Hjv3g1gnLKvjArDhkgtK83TCOMY63AiGyoQIaXJtGCkYziURAExLCokgVEuQKYgspzlto6td7spV343xtZpXjVuGSiUZFiLEiABdH4JIkiUZJxmngSI7SrvKe2cKtXJ2AW6jCFbbN6p_bwyeeOexvjbrXwO4LyUklVyJ3qv6eOaD4Wj8pMaBp_sOWOTOTqbmzykHW34AyuqAtg</recordid><startdate>1982</startdate><enddate>1982</enddate><creator>Horn, Pierre L.</creator><general>Cambridge University Press</general><general>Oxford University Press</general><scope>BSCLL</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>HBMBR</scope><scope>ICWRT</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>C18</scope></search><sort><creationdate>1982</creationdate><title>Victor Hugo's Theatrical Royalties during his Exile Years</title><author>Horn, Pierre L.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c249t-fa0e575633b8d4500c330ae372167ebce41f40b716aa4c73a2613c7a78a69b3b3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1982</creationdate><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Horn, Pierre L.</creatorcontrib><collection>Istex</collection><collection>CrossRef</collection><collection>Periodicals Index Online Segment 14</collection><collection>Periodicals Index Online Segment 28</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Humanities Index</collection><jtitle>Theatre research international</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Horn, Pierre L.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Victor Hugo's Theatrical Royalties during his Exile Years</atitle><jtitle>Theatre research international</jtitle><addtitle>Theatre Research International</addtitle><date>1982</date><risdate>1982</risdate><volume>7</volume><issue>2</issue><spage>132</spage><epage>137</epage><pages>132-137</pages><issn>0307-8833</issn><eissn>1474-0672</eissn><abstract>It is commonly known that Victor Hugo felt only contempt and hatred for Napoleon III and his Second Empire, so readers of Hugo's History of a Crime might easily expect that the Emperor's vengeful wrath would fall on the poet. However, far from trying to destroy Hugo financially, Napoleon not only allowed the sale of numerous of his masterpieces in France (with the exception of Châtiments and other writings considered insulting to the regime) but he did not interfere with the performance of the Hugolian repertoire on the stage of Parisian theatres.</abstract><cop>Cambridge, UK</cop><pub>Cambridge University Press</pub><doi>10.1017/S0307883300002856</doi><tpages>6</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0307-8833 |
ispartof | Theatre research international, 1982, Vol.7 (2), p.132-137 |
issn | 0307-8833 1474-0672 |
language | eng |
recordid | cdi_proquest_journals_740661676 |
source | Cambridge Journals; Periodicals Index Online |
title | Victor Hugo's Theatrical Royalties during his Exile Years |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-04T01%3A22%3A59IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Victor%20Hugo's%20Theatrical%20Royalties%20during%20his%20Exile%20Years&rft.jtitle=Theatre%20research%20international&rft.au=Horn,%20Pierre%20L.&rft.date=1982&rft.volume=7&rft.issue=2&rft.spage=132&rft.epage=137&rft.pages=132-137&rft.issn=0307-8833&rft.eissn=1474-0672&rft_id=info:doi/10.1017/S0307883300002856&rft_dat=%3Cproquest_cross%3E1292951953%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1292951953&rft_id=info:pmid/&rft_cupid=10_1017_S0307883300002856&rfr_iscdi=true |