Does Music Induce Emotion? A Theoretical and Methodological Analysis
Is music ubiquitous in part because it is causally linked to emotion? In this article, a comprehensive theoretical and methodological reevaluation is presented of a classical problem: The direct induction of emotion by music (M→ E). The author's Prototypical Emotion-Episode Model (PEEM) is used...
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| Veröffentlicht in: | Psychology of aesthetics, creativity, and the arts creativity, and the arts, 2008-05, Vol.2 (2), p.115-129 |
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| container_title | Psychology of aesthetics, creativity, and the arts |
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| creator | Konečni, Vladimir J |
| description | Is music
ubiquitous in part because it is causally linked to emotion? In this article, a
comprehensive theoretical and methodological reevaluation is presented of a
classical problem: The direct induction of emotion by music (M→ E).
The author's Prototypical Emotion-Episode Model (PEEM) is used in the conceptual
critique. A close scrutiny of the major published studies, and the author's new
data regarding some substantive and methodological issues in several of these,
reveal weak support for the M→ E model. The conclusion seems justified
that music may induce low-grade basic emotions through mediators, such as dance
and cognitive associations to real-world events. However, it is
suggested-on the basis of the recently developed Aesthetic Trinity
Theory (ATT;
Konečni,
2005
) and its further development in the present
article-that
being moved
and
aesthetic
awe
, often accompanied by
thrills
, may be the most
genuine and profound music-related emotional states. |
| doi_str_mv | 10.1037/1931-3896.2.2.115 |
| format | Article |
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ubiquitous in part because it is causally linked to emotion? In this article, a
comprehensive theoretical and methodological reevaluation is presented of a
classical problem: The direct induction of emotion by music (M→ E).
The author's Prototypical Emotion-Episode Model (PEEM) is used in the conceptual
critique. A close scrutiny of the major published studies, and the author's new
data regarding some substantive and methodological issues in several of these,
reveal weak support for the M→ E model. The conclusion seems justified
that music may induce low-grade basic emotions through mediators, such as dance
and cognitive associations to real-world events. However, it is
suggested-on the basis of the recently developed Aesthetic Trinity
Theory (ATT;
Konečni,
2005
) and its further development in the present
article-that
being moved
and
aesthetic
awe
, often accompanied by
thrills
, may be the most
genuine and profound music-related emotional states.</description><identifier>ISSN: 1931-3896</identifier><identifier>EISSN: 1931-390X</identifier><identifier>DOI: 10.1037/1931-3896.2.2.115</identifier><language>eng</language><publisher>American Psychological Association</publisher><subject>Aesthetics ; Causality ; Emotional Responses ; Emotional States ; Human ; Music</subject><ispartof>Psychology of aesthetics, creativity, and the arts, 2008-05, Vol.2 (2), p.115-129</ispartof><rights>2008 American Psychological Association</rights><rights>2008, American Psychological Association</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-a250t-74a6b8168bceba7caa14d99ce4e4d4474812632a489ec1f363a5a846e80179683</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,27923,27924</link.rule.ids></links><search><contributor>Kaufman, James C</contributor><contributor>Smith, Jeffrey K</contributor><contributor>Smith, Lisa F</contributor><creatorcontrib>Konečni, Vladimir J</creatorcontrib><title>Does Music Induce Emotion? A Theoretical and Methodological Analysis</title><title>Psychology of aesthetics, creativity, and the arts</title><description>Is music
ubiquitous in part because it is causally linked to emotion? In this article, a
comprehensive theoretical and methodological reevaluation is presented of a
classical problem: The direct induction of emotion by music (M→ E).
The author's Prototypical Emotion-Episode Model (PEEM) is used in the conceptual
critique. A close scrutiny of the major published studies, and the author's new
data regarding some substantive and methodological issues in several of these,
reveal weak support for the M→ E model. The conclusion seems justified
that music may induce low-grade basic emotions through mediators, such as dance
and cognitive associations to real-world events. However, it is
suggested-on the basis of the recently developed Aesthetic Trinity
Theory (ATT;
Konečni,
2005
) and its further development in the present
article-that
being moved
and
aesthetic
awe
, often accompanied by
thrills
, may be the most
genuine and profound music-related emotional states.</description><subject>Aesthetics</subject><subject>Causality</subject><subject>Emotional Responses</subject><subject>Emotional States</subject><subject>Human</subject><subject>Music</subject><issn>1931-3896</issn><issn>1931-390X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2008</creationdate><recordtype>article</recordtype><recordid>eNptkFFLwzAQx4MoOKcfwLeib0Jn0qRp-iRjmzrY8GWCb-GW3lxH19Skfdi3N7MKCnIPd_zvd8fdn5BrRkeM8uye5ZzFXOVylIRgLD0hg17L6dvpTx365-TC-x2lIuOJHJDp1KKPlp0vTTSvi85gNNvbtrT1QzSOVlu0DtvSQBVBXURLbLe2sJV9_5LGNVQHX_pLcraByuPVdx6S18fZavIcL16e5pPxIoYkpW2cCZBrxaRaG1xDZgCYKPLcoEBRCJEJxRLJExAqR8M2XHJIQQmJirIsl4oPyU2_t3H2o0Pf6p3tXDjCa8lESpM0owFiPWSc9d7hRjeu3IM7aEb10St99EIfvdBJiOBVmLnrZ6AB3fiDAReertCbzjmsWw0GfsG3_8N_qE-cVXZK</recordid><startdate>200805</startdate><enddate>200805</enddate><creator>Konečni, Vladimir J</creator><general>American Psychological Association</general><general>Educational Publishing Foundation</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7RZ</scope><scope>PSYQQ</scope></search><sort><creationdate>200805</creationdate><title>Does Music Induce Emotion? A Theoretical and Methodological Analysis</title><author>Konečni, Vladimir J</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a250t-74a6b8168bceba7caa14d99ce4e4d4474812632a489ec1f363a5a846e80179683</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2008</creationdate><topic>Aesthetics</topic><topic>Causality</topic><topic>Emotional Responses</topic><topic>Emotional States</topic><topic>Human</topic><topic>Music</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Konečni, Vladimir J</creatorcontrib><collection>CrossRef</collection><collection>PsycArticles (via ProQuest)</collection><collection>ProQuest One Psychology</collection><jtitle>Psychology of aesthetics, creativity, and the arts</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Konečni, Vladimir J</au><au>Kaufman, James C</au><au>Smith, Jeffrey K</au><au>Smith, Lisa F</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Does Music Induce Emotion? A Theoretical and Methodological Analysis</atitle><jtitle>Psychology of aesthetics, creativity, and the arts</jtitle><date>2008-05</date><risdate>2008</risdate><volume>2</volume><issue>2</issue><spage>115</spage><epage>129</epage><pages>115-129</pages><issn>1931-3896</issn><eissn>1931-390X</eissn><abstract>Is music
ubiquitous in part because it is causally linked to emotion? In this article, a
comprehensive theoretical and methodological reevaluation is presented of a
classical problem: The direct induction of emotion by music (M→ E).
The author's Prototypical Emotion-Episode Model (PEEM) is used in the conceptual
critique. A close scrutiny of the major published studies, and the author's new
data regarding some substantive and methodological issues in several of these,
reveal weak support for the M→ E model. The conclusion seems justified
that music may induce low-grade basic emotions through mediators, such as dance
and cognitive associations to real-world events. However, it is
suggested-on the basis of the recently developed Aesthetic Trinity
Theory (ATT;
Konečni,
2005
) and its further development in the present
article-that
being moved
and
aesthetic
awe
, often accompanied by
thrills
, may be the most
genuine and profound music-related emotional states.</abstract><pub>American Psychological Association</pub><doi>10.1037/1931-3896.2.2.115</doi><tpages>15</tpages></addata></record> |
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| ispartof | Psychology of aesthetics, creativity, and the arts, 2008-05, Vol.2 (2), p.115-129 |
| issn | 1931-3896 1931-390X |
| language | eng |
| recordid | cdi_proquest_journals_614502570 |
| source | PsycARTICLES |
| subjects | Aesthetics Causality Emotional Responses Emotional States Human Music |
| title | Does Music Induce Emotion? A Theoretical and Methodological Analysis |
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