Post-Scriptum

Responses to Gabriel Chin's "Magic Realism as Metaphysics: Murakami Haruki and the Resistance of Reality Itself" by Salman Akhtar; to Ceyda Elgül's "Jorge Luis Borges in Turkish: Magical Realism in a Politically-and-Poetically Motivated Literary Field" by Kurosh Amoui;...

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Veröffentlicht in:Canadian review of comparative literature 2022-03, Vol.49 (1/2), p.1
Hauptverfasser: Akhtar, Salman, Amoui, Kurosh, Elgül, Ceyda, De Taeye, Lieselot, Banerjee, Sanjukta, Sancheti, Pooja, Planche, Jill, Ezenwa, Chinelo
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Sprache:eng
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Zusammenfassung:Responses to Gabriel Chin's "Magic Realism as Metaphysics: Murakami Haruki and the Resistance of Reality Itself" by Salman Akhtar; to Ceyda Elgül's "Jorge Luis Borges in Turkish: Magical Realism in a Politically-and-Poetically Motivated Literary Field" by Kurosh Amoui; to Thomas Nulley-Valdés's "Se Habla Español as 'McOndo 2.0': Post-Magical Realist Anthologies in Latin America" by Ceyda Elgül; to Ryan Milov-Córdoba's "Shahrazad's Enormous Wings: A Parable of Reception" by Lieselot De Taeye; to Pooja Sancheti's "Women, Violence, and Magical Realism in the Fiction of Mohammed Hanif" by Sanjukta Banerjee; to Lieselot De Taeye's "Living Presence in Postcolonial Congo: A Comparison between the Narrative Evocations of Ancestral Spirits in Jacques Bergeyck's Het stigma and Sony Labou Tansi's La vie et demie" by Pooja Sancheti; to Chinelo Ezenwa's "Rethinking Missionary Colonization in Tsitsi Dangarembga's Nervous Conditions" by Jill Planche; and to Angie Wong's "Simulacrum and SimulAsian: The Culture of Hollywood's Yellow Peril" by Chinelo Ezenwa.
ISSN:0319-051X