A Jazz Aesthetic Reprise (on the Work of Tami Spry)
This performative piece serves as a tribute to Tami L. Spry upon her retirement from academic teaching. The piece is considered a reprise because it is based on a shortened version given on a panel at the International Congress of Qualitative Inquiry (2016) that celebrated the publication of her boo...
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| Veröffentlicht in: | Cultural studies, critical methodologies critical methodologies, 2024-06, Vol.24 (3), p.168-173 |
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| container_title | Cultural studies, critical methodologies |
| container_volume | 24 |
| creator | Alexander, Bryant Keith |
| description | This performative piece serves as a tribute to Tami L. Spry upon her retirement from academic teaching. The piece is considered a reprise because it is based on a shortened version given on a panel at the International Congress of Qualitative Inquiry (2016) that celebrated the publication of her book, Autoethnography and the Other: Unsettling Power through Utopian Performatives. A variation of this piece was presented at the 2022 National Communication Association Convention in New Orleans on the panel: “The Place of Performance and the Performance of Tami L. Spry.” The piece infuses citations in building an incomplete bibliography of her body of work. And like her body of work, this tribute text is a performance script. |
| doi_str_mv | 10.1177/15327086231201574 |
| format | Article |
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| identifier | ISSN: 1532-7086 |
| ispartof | Cultural studies, critical methodologies, 2024-06, Vol.24 (3), p.168-173 |
| issn | 1532-7086 1552-356X |
| language | eng |
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| source | SAGE Complete; Sociological Abstracts |
| subjects | Qualitative research Retirement Teaching |
| title | A Jazz Aesthetic Reprise (on the Work of Tami Spry) |
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