“Then to Death Walked, Softly Smiling”: Violence and Martyrdom in Modern Irish Republican Ballads
This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century....
Gespeichert in:
Veröffentlicht in: | Ethnomusicology 2017-07, Vol.61 (2), p.262-286 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 286 |
---|---|
container_issue | 2 |
container_start_page | 262 |
container_title | Ethnomusicology |
container_volume | 61 |
creator | Cadhla, Seán Ó |
description | This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republican violence, resulting in the deaths of all Republican militants (regardless of cause or context), ultimately portrayed as a form of heroic self-martyrdom. |
doi_str_mv | 10.5406/ethnomusicology.61.2.0262 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_3030880457</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>10.5406/ethnomusicology.61.2.0262</jstor_id><sourcerecordid>10.5406/ethnomusicology.61.2.0262</sourcerecordid><originalsourceid>FETCH-LOGICAL-c423t-57cdf1a2970220e342148c8a86f6f082017aa9307a2aa2b643b35fce40adb6f43</originalsourceid><addsrcrecordid>eNqN0MtKAzEUBuAgCtbLO0TcOmNuk5m6826hInhdhtNMxk5NkzGZWXTXB9GX80lsqbgQEVeHA_93DvwI7VGSZoLIQ9OOnZ92sdbe-udZKmnKUsIkW0M9RjOZ5ILm66hHCBUJLbjcRFsxTshyZ0UPmY_52_3YONx6fGagHeMnsC-mPMB3vmrtDN9Na1u754_5-xF-rL01ThsMrsTXENpZKP0U1w5f-9IEhwehjmN8a5puZGsNDp-AtVDGHbRRgY1m92tuo4eL8_vTq2R4czk4PR4mWjDeJlmuy4oC6-eEMWK4YFQUuoBCVrIiBSM0B-hzkgMDYCMp-IhnlTaCQDmSleDbaH91twn-tTOxVRPfBbd4qTjhpCiIyPJFqr9K6eBjDKZSTainEGaKErVsVf1oVUmqmFq2urDpyk5i68M3_AvI38B_PuUrWHYvpmuCiVHFRv9DfgJjnKkC</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>3030880457</pqid></control><display><type>article</type><title>“Then to Death Walked, Softly Smiling”: Violence and Martyrdom in Modern Irish Republican Ballads</title><source>JSTOR Archive Collection A-Z Listing</source><creator>Cadhla, Seán Ó</creator><creatorcontrib>Cadhla, Seán Ó</creatorcontrib><description>This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republican violence, resulting in the deaths of all Republican militants (regardless of cause or context), ultimately portrayed as a form of heroic self-martyrdom.</description><identifier>ISSN: 0014-1836</identifier><identifier>EISSN: 2156-7417</identifier><identifier>DOI: 10.5406/ethnomusicology.61.2.0262</identifier><language>eng</language><publisher>Champaign: University of Illinois Press</publisher><subject>Anthropology ; Ballads ; Death & dying ; Deaths ; Endurance ; Ethnic Studies ; Folksongs ; Hunger ; Irish politics ; Irish resistance ; Martyrdom ; Music ; Narratives ; Republicanism ; Selfsacrifice ; Violence</subject><ispartof>Ethnomusicology, 2017-07, Vol.61 (2), p.262-286</ispartof><rights>Copyright 2017 by the Board of Trustees of the University of Illinois</rights><rights>Copyright 2017 by the Board of Trustees of the University of Illinois 2017</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c423t-57cdf1a2970220e342148c8a86f6f082017aa9307a2aa2b643b35fce40adb6f43</citedby><cites>FETCH-LOGICAL-c423t-57cdf1a2970220e342148c8a86f6f082017aa9307a2aa2b643b35fce40adb6f43</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,803,27922,27923</link.rule.ids></links><search><creatorcontrib>Cadhla, Seán Ó</creatorcontrib><title>“Then to Death Walked, Softly Smiling”: Violence and Martyrdom in Modern Irish Republican Ballads</title><title>Ethnomusicology</title><description>This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republican violence, resulting in the deaths of all Republican militants (regardless of cause or context), ultimately portrayed as a form of heroic self-martyrdom.</description><subject>Anthropology</subject><subject>Ballads</subject><subject>Death & dying</subject><subject>Deaths</subject><subject>Endurance</subject><subject>Ethnic Studies</subject><subject>Folksongs</subject><subject>Hunger</subject><subject>Irish politics</subject><subject>Irish resistance</subject><subject>Martyrdom</subject><subject>Music</subject><subject>Narratives</subject><subject>Republicanism</subject><subject>Selfsacrifice</subject><subject>Violence</subject><issn>0014-1836</issn><issn>2156-7417</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2017</creationdate><recordtype>article</recordtype><recordid>eNqN0MtKAzEUBuAgCtbLO0TcOmNuk5m6826hInhdhtNMxk5NkzGZWXTXB9GX80lsqbgQEVeHA_93DvwI7VGSZoLIQ9OOnZ92sdbe-udZKmnKUsIkW0M9RjOZ5ILm66hHCBUJLbjcRFsxTshyZ0UPmY_52_3YONx6fGagHeMnsC-mPMB3vmrtDN9Na1u754_5-xF-rL01ThsMrsTXENpZKP0U1w5f-9IEhwehjmN8a5puZGsNDp-AtVDGHbRRgY1m92tuo4eL8_vTq2R4czk4PR4mWjDeJlmuy4oC6-eEMWK4YFQUuoBCVrIiBSM0B-hzkgMDYCMp-IhnlTaCQDmSleDbaH91twn-tTOxVRPfBbd4qTjhpCiIyPJFqr9K6eBjDKZSTainEGaKErVsVf1oVUmqmFq2urDpyk5i68M3_AvI38B_PuUrWHYvpmuCiVHFRv9DfgJjnKkC</recordid><startdate>20170701</startdate><enddate>20170701</enddate><creator>Cadhla, Seán Ó</creator><general>University of Illinois Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8BJ</scope><scope>FQK</scope><scope>JBE</scope></search><sort><creationdate>20170701</creationdate><title>“Then to Death Walked, Softly Smiling”: Violence and Martyrdom in Modern Irish Republican Ballads</title><author>Cadhla, Seán Ó</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c423t-57cdf1a2970220e342148c8a86f6f082017aa9307a2aa2b643b35fce40adb6f43</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2017</creationdate><topic>Anthropology</topic><topic>Ballads</topic><topic>Death & dying</topic><topic>Deaths</topic><topic>Endurance</topic><topic>Ethnic Studies</topic><topic>Folksongs</topic><topic>Hunger</topic><topic>Irish politics</topic><topic>Irish resistance</topic><topic>Martyrdom</topic><topic>Music</topic><topic>Narratives</topic><topic>Republicanism</topic><topic>Selfsacrifice</topic><topic>Violence</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Cadhla, Seán Ó</creatorcontrib><collection>CrossRef</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><jtitle>Ethnomusicology</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Cadhla, Seán Ó</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>“Then to Death Walked, Softly Smiling”: Violence and Martyrdom in Modern Irish Republican Ballads</atitle><jtitle>Ethnomusicology</jtitle><date>2017-07-01</date><risdate>2017</risdate><volume>61</volume><issue>2</issue><spage>262</spage><epage>286</epage><pages>262-286</pages><issn>0014-1836</issn><eissn>2156-7417</eissn><abstract>This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republican violence, resulting in the deaths of all Republican militants (regardless of cause or context), ultimately portrayed as a form of heroic self-martyrdom.</abstract><cop>Champaign</cop><pub>University of Illinois Press</pub><doi>10.5406/ethnomusicology.61.2.0262</doi><tpages>25</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0014-1836 |
ispartof | Ethnomusicology, 2017-07, Vol.61 (2), p.262-286 |
issn | 0014-1836 2156-7417 |
language | eng |
recordid | cdi_proquest_journals_3030880457 |
source | JSTOR Archive Collection A-Z Listing |
subjects | Anthropology Ballads Death & dying Deaths Endurance Ethnic Studies Folksongs Hunger Irish politics Irish resistance Martyrdom Music Narratives Republicanism Selfsacrifice Violence |
title | “Then to Death Walked, Softly Smiling”: Violence and Martyrdom in Modern Irish Republican Ballads |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-10T03%3A27%3A49IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=%E2%80%9CThen%20to%20Death%20Walked,%20Softly%20Smiling%E2%80%9D:%20Violence%20and%20Martyrdom%20in%20Modern%20Irish%20Republican%20Ballads&rft.jtitle=Ethnomusicology&rft.au=Cadhla,%20Se%C3%A1n%20%C3%93&rft.date=2017-07-01&rft.volume=61&rft.issue=2&rft.spage=262&rft.epage=286&rft.pages=262-286&rft.issn=0014-1836&rft.eissn=2156-7417&rft_id=info:doi/10.5406/ethnomusicology.61.2.0262&rft_dat=%3Cjstor_proqu%3E10.5406/ethnomusicology.61.2.0262%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=3030880457&rft_id=info:pmid/&rft_jstor_id=10.5406/ethnomusicology.61.2.0262&rfr_iscdi=true |