Sasquatch Sunset
The American fascination with the legend of Bigfoot-or the Yeti, or Sasquatch-is both a punchline for a type of conspiracy minded "crazy talk" as well as a home-grown example of the human love of cryptids, semi-mythological animals appearing in folk cultures around the world and across the...
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| Veröffentlicht in: | The journal of religion and film 2024-04, Vol.28 (1), p.1-2 |
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| creator | Daschke, Dereck |
| description | The American fascination with the legend of Bigfoot-or the Yeti, or Sasquatch-is both a punchline for a type of conspiracy minded "crazy talk" as well as a home-grown example of the human love of cryptids, semi-mythological animals appearing in folk cultures around the world and across the centuries, from the phoenix to the Loch Ness monster to El Chupacabra. [...]whereas those as of yet "unreal" creatures are a kind of fun-house mirror version of real animals (birds, dinosaurs, and goats, respectively), the Sasquatch is an uncanny version of ourselves, as humans. [...]Sasquatch Sunset in many ways resembles nothing less than a fine nature documentary with stunning cinematography and enhanced by a remarkable score (by Austin "indietronica" band The Octopus Project); imagine March cf the Penguins (2005), but minus Morgan Freeman and plus Sasquatches. |
| doi_str_mv | 10.32873/uno.dc.jrf.28.01.08 |
| format | Article |
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| ispartof | The journal of religion and film, 2024-04, Vol.28 (1), p.1-2 |
| issn | 1092-1311 1092-1311 |
| language | eng |
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| source | Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals |
| subjects | Action & adventure films Comedies Motion pictures Movie reviews Zellner, Nathan |
| title | Sasquatch Sunset |
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