A Turning Point for Guohua?: Xu Beihong and Transformative Encounters With the Socialist Spirit, 1933–1953

This article investigates a transformative encounter between the Chinese artist Xu Beihong (徐悲鴻 1895–1953) and audiences in the Soviet Union during his 1933–1934 exhibitions of Chinese art in Europe. While Xu was exchanging perspectives and addressing questions about Chinese painting, a misreading o...

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Veröffentlicht in:	Twentieth-century China 2014-10, Vol.39 (3), p.216-244
1. Verfasser:	Du, Weihong
Format:	Artikel
Sprache:	eng
Schlagworte:	Artists Careers Collective memory Communism Culture Exhibitions Height Modernism Modernity Prestige Socialist realism Traditions
Online-Zugang:	Volltext
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