Organic or Diffused: Can We Distinguish Human Art from AI-generated Images?

The advent of generative AI images has completely disrupted the art world. Distinguishing AI generated images from human art is a challenging problem whose impact is growing over time. A failure to address this problem allows bad actors to defraud individuals paying a premium for human art and compa...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:arXiv.org 2024-07
Hauptverfasser: Anna Yoo Jeong Ha, Passananti, Josephine, Ronik Bhaskar, Shan, Shawn, Reid Southen, Zheng, Haitao, Zhao, Ben Y
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue
container_start_page
container_title arXiv.org
container_volume
creator Anna Yoo Jeong Ha
Passananti, Josephine
Ronik Bhaskar
Shan, Shawn
Reid Southen
Zheng, Haitao
Zhao, Ben Y
description The advent of generative AI images has completely disrupted the art world. Distinguishing AI generated images from human art is a challenging problem whose impact is growing over time. A failure to address this problem allows bad actors to defraud individuals paying a premium for human art and companies whose stated policies forbid AI imagery. It is also critical for content owners to establish copyright, and for model trainers interested in curating training data in order to avoid potential model collapse. There are several different approaches to distinguishing human art from AI images, including classifiers trained by supervised learning, research tools targeting diffusion models, and identification by professional artists using their knowledge of artistic techniques. In this paper, we seek to understand how well these approaches can perform against today's modern generative models in both benign and adversarial settings. We curate real human art across 7 styles, generate matching images from 5 generative models, and apply 8 detectors (5 automated detectors and 3 different human groups including 180 crowdworkers, 4000+ professional artists, and 13 expert artists experienced at detecting AI). Both Hive and expert artists do very well, but make mistakes in different ways (Hive is weaker against adversarial perturbations while Expert artists produce higher false positives). We believe these weaknesses will remain as models continue to evolve, and use our data to demonstrate why a combined team of human and automated detectors provides the best combination of accuracy and robustness.
format Article
fullrecord <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_2922662023</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2922662023</sourcerecordid><originalsourceid>FETCH-proquest_journals_29226620233</originalsourceid><addsrcrecordid>eNqNjrsKwjAYRoMgWLTvEHAuxL-2XhYpVWlxcBEcS7B_YopNNJf3N4MP4HTgnG_4JiSBPF9l2zXAjKTODYwxKDdQFHlCLlcruVYPaiw9KiGCw35Pa67pHaNwXmkZlHvSJoxRVtZTYc1IqzaTqNFyjz1tRy7RHRZkKvjLYfrjnCzPp1vdZG9rPgGd7wYTrI6pgx1AWQKLz_5bfQFCMzuE</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2922662023</pqid></control><display><type>article</type><title>Organic or Diffused: Can We Distinguish Human Art from AI-generated Images?</title><source>Free E- Journals</source><creator>Anna Yoo Jeong Ha ; Passananti, Josephine ; Ronik Bhaskar ; Shan, Shawn ; Reid Southen ; Zheng, Haitao ; Zhao, Ben Y</creator><creatorcontrib>Anna Yoo Jeong Ha ; Passananti, Josephine ; Ronik Bhaskar ; Shan, Shawn ; Reid Southen ; Zheng, Haitao ; Zhao, Ben Y</creatorcontrib><description>The advent of generative AI images has completely disrupted the art world. Distinguishing AI generated images from human art is a challenging problem whose impact is growing over time. A failure to address this problem allows bad actors to defraud individuals paying a premium for human art and companies whose stated policies forbid AI imagery. It is also critical for content owners to establish copyright, and for model trainers interested in curating training data in order to avoid potential model collapse. There are several different approaches to distinguishing human art from AI images, including classifiers trained by supervised learning, research tools targeting diffusion models, and identification by professional artists using their knowledge of artistic techniques. In this paper, we seek to understand how well these approaches can perform against today's modern generative models in both benign and adversarial settings. We curate real human art across 7 styles, generate matching images from 5 generative models, and apply 8 detectors (5 automated detectors and 3 different human groups including 180 crowdworkers, 4000+ professional artists, and 13 expert artists experienced at detecting AI). Both Hive and expert artists do very well, but make mistakes in different ways (Hive is weaker against adversarial perturbations while Expert artists produce higher false positives). We believe these weaknesses will remain as models continue to evolve, and use our data to demonstrate why a combined team of human and automated detectors provides the best combination of accuracy and robustness.</description><identifier>EISSN: 2331-8422</identifier><language>eng</language><publisher>Ithaca: Cornell University Library, arXiv.org</publisher><subject>Artists ; Automation ; Detectors ; Generative artificial intelligence ; Machine learning ; Sensors ; Supervised learning</subject><ispartof>arXiv.org, 2024-07</ispartof><rights>2024. This work is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>776,780</link.rule.ids></links><search><creatorcontrib>Anna Yoo Jeong Ha</creatorcontrib><creatorcontrib>Passananti, Josephine</creatorcontrib><creatorcontrib>Ronik Bhaskar</creatorcontrib><creatorcontrib>Shan, Shawn</creatorcontrib><creatorcontrib>Reid Southen</creatorcontrib><creatorcontrib>Zheng, Haitao</creatorcontrib><creatorcontrib>Zhao, Ben Y</creatorcontrib><title>Organic or Diffused: Can We Distinguish Human Art from AI-generated Images?</title><title>arXiv.org</title><description>The advent of generative AI images has completely disrupted the art world. Distinguishing AI generated images from human art is a challenging problem whose impact is growing over time. A failure to address this problem allows bad actors to defraud individuals paying a premium for human art and companies whose stated policies forbid AI imagery. It is also critical for content owners to establish copyright, and for model trainers interested in curating training data in order to avoid potential model collapse. There are several different approaches to distinguishing human art from AI images, including classifiers trained by supervised learning, research tools targeting diffusion models, and identification by professional artists using their knowledge of artistic techniques. In this paper, we seek to understand how well these approaches can perform against today's modern generative models in both benign and adversarial settings. We curate real human art across 7 styles, generate matching images from 5 generative models, and apply 8 detectors (5 automated detectors and 3 different human groups including 180 crowdworkers, 4000+ professional artists, and 13 expert artists experienced at detecting AI). Both Hive and expert artists do very well, but make mistakes in different ways (Hive is weaker against adversarial perturbations while Expert artists produce higher false positives). We believe these weaknesses will remain as models continue to evolve, and use our data to demonstrate why a combined team of human and automated detectors provides the best combination of accuracy and robustness.</description><subject>Artists</subject><subject>Automation</subject><subject>Detectors</subject><subject>Generative artificial intelligence</subject><subject>Machine learning</subject><subject>Sensors</subject><subject>Supervised learning</subject><issn>2331-8422</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2024</creationdate><recordtype>article</recordtype><sourceid>BENPR</sourceid><recordid>eNqNjrsKwjAYRoMgWLTvEHAuxL-2XhYpVWlxcBEcS7B_YopNNJf3N4MP4HTgnG_4JiSBPF9l2zXAjKTODYwxKDdQFHlCLlcruVYPaiw9KiGCw35Pa67pHaNwXmkZlHvSJoxRVtZTYc1IqzaTqNFyjz1tRy7RHRZkKvjLYfrjnCzPp1vdZG9rPgGd7wYTrI6pgx1AWQKLz_5bfQFCMzuE</recordid><startdate>20240702</startdate><enddate>20240702</enddate><creator>Anna Yoo Jeong Ha</creator><creator>Passananti, Josephine</creator><creator>Ronik Bhaskar</creator><creator>Shan, Shawn</creator><creator>Reid Southen</creator><creator>Zheng, Haitao</creator><creator>Zhao, Ben Y</creator><general>Cornell University Library, arXiv.org</general><scope>8FE</scope><scope>8FG</scope><scope>ABJCF</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BGLVJ</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>HCIFZ</scope><scope>L6V</scope><scope>M7S</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PTHSS</scope></search><sort><creationdate>20240702</creationdate><title>Organic or Diffused: Can We Distinguish Human Art from AI-generated Images?</title><author>Anna Yoo Jeong Ha ; Passananti, Josephine ; Ronik Bhaskar ; Shan, Shawn ; Reid Southen ; Zheng, Haitao ; Zhao, Ben Y</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_29226620233</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2024</creationdate><topic>Artists</topic><topic>Automation</topic><topic>Detectors</topic><topic>Generative artificial intelligence</topic><topic>Machine learning</topic><topic>Sensors</topic><topic>Supervised learning</topic><toplevel>online_resources</toplevel><creatorcontrib>Anna Yoo Jeong Ha</creatorcontrib><creatorcontrib>Passananti, Josephine</creatorcontrib><creatorcontrib>Ronik Bhaskar</creatorcontrib><creatorcontrib>Shan, Shawn</creatorcontrib><creatorcontrib>Reid Southen</creatorcontrib><creatorcontrib>Zheng, Haitao</creatorcontrib><creatorcontrib>Zhao, Ben Y</creatorcontrib><collection>ProQuest SciTech Collection</collection><collection>ProQuest Technology Collection</collection><collection>Materials Science &amp; Engineering Collection</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Technology Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>SciTech Premium Collection</collection><collection>ProQuest Engineering Collection</collection><collection>Engineering Database</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>Engineering Collection</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Anna Yoo Jeong Ha</au><au>Passananti, Josephine</au><au>Ronik Bhaskar</au><au>Shan, Shawn</au><au>Reid Southen</au><au>Zheng, Haitao</au><au>Zhao, Ben Y</au><format>book</format><genre>document</genre><ristype>GEN</ristype><atitle>Organic or Diffused: Can We Distinguish Human Art from AI-generated Images?</atitle><jtitle>arXiv.org</jtitle><date>2024-07-02</date><risdate>2024</risdate><eissn>2331-8422</eissn><abstract>The advent of generative AI images has completely disrupted the art world. Distinguishing AI generated images from human art is a challenging problem whose impact is growing over time. A failure to address this problem allows bad actors to defraud individuals paying a premium for human art and companies whose stated policies forbid AI imagery. It is also critical for content owners to establish copyright, and for model trainers interested in curating training data in order to avoid potential model collapse. There are several different approaches to distinguishing human art from AI images, including classifiers trained by supervised learning, research tools targeting diffusion models, and identification by professional artists using their knowledge of artistic techniques. In this paper, we seek to understand how well these approaches can perform against today's modern generative models in both benign and adversarial settings. We curate real human art across 7 styles, generate matching images from 5 generative models, and apply 8 detectors (5 automated detectors and 3 different human groups including 180 crowdworkers, 4000+ professional artists, and 13 expert artists experienced at detecting AI). Both Hive and expert artists do very well, but make mistakes in different ways (Hive is weaker against adversarial perturbations while Expert artists produce higher false positives). We believe these weaknesses will remain as models continue to evolve, and use our data to demonstrate why a combined team of human and automated detectors provides the best combination of accuracy and robustness.</abstract><cop>Ithaca</cop><pub>Cornell University Library, arXiv.org</pub><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier EISSN: 2331-8422
ispartof arXiv.org, 2024-07
issn 2331-8422
language eng
recordid cdi_proquest_journals_2922662023
source Free E- Journals
subjects Artists
Automation
Detectors
Generative artificial intelligence
Machine learning
Sensors
Supervised learning
title Organic or Diffused: Can We Distinguish Human Art from AI-generated Images?
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-02T05%3A31%3A44IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=document&rft.atitle=Organic%20or%20Diffused:%20Can%20We%20Distinguish%20Human%20Art%20from%20AI-generated%20Images?&rft.jtitle=arXiv.org&rft.au=Anna%20Yoo%20Jeong%20Ha&rft.date=2024-07-02&rft.eissn=2331-8422&rft_id=info:doi/&rft_dat=%3Cproquest%3E2922662023%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2922662023&rft_id=info:pmid/&rfr_iscdi=true