الشِّاهد الشِّعري في كتابِ شذا العَرفِ في فنِّ الصَّرفِ لِلحَملاوي صُورُهُ وسياقاتُه
This research investigates the poetic witness in the book Shaza Al-Orf in the Art of Morphology, which is a topic that needs to be studied and collected to know (Al-Hamalawy) employment of poetic evidence and prove the morphological issues with them. know Sheikh (Al-Hamalawy) is considered one of th...
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Veröffentlicht in: | Zahrāʼ (Jakarta, Indonesia) Indonesia), 2023-01, Vol.20 (2) |
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description | This research investigates the poetic witness in the book Shaza Al-Orf in the Art of Morphology, which is a topic that needs to be studied and collected to know (Al-Hamalawy) employment of poetic evidence and prove the morphological issues with them. know Sheikh (Al-Hamalawy) is considered one of the prominent scholars of linguistics in the modern era and his authentic reference under investigation got widespread fame for language learners. In it, its author followed the approach of the ancients, so the poetic evidence came in it, either to indicate the regularity of a morphological rule or its abnormality from the ordinary, or to clarify the structure of a word, or to prove a morphological rule, just as in most of his poetic evidence - which amounted to eighty-seven witnesses - he was satisfied with mentioning (and saying), Or (and the saying of the poet) without attributing it to its owners, as the case of ancient authors. In the contexts of the poetic witness and the forms of his appearance in the book, he varied, and the images presented by his author differed, as he is either in one verse of al-Qaeda the subject of martyrdom, or in two verses, or in a half of a verse that has a completeness that is not mentioned, or a bifurcated witness that varied between one to three. |
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In it, its author followed the approach of the ancients, so the poetic evidence came in it, either to indicate the regularity of a morphological rule or its abnormality from the ordinary, or to clarify the structure of a word, or to prove a morphological rule, just as in most of his poetic evidence - which amounted to eighty-seven witnesses - he was satisfied with mentioning (and saying), Or (and the saying of the poet) without attributing it to its owners, as the case of ancient authors. In the contexts of the poetic witness and the forms of his appearance in the book, he varied, and the images presented by his author differed, as he is either in one verse of al-Qaeda the subject of martyrdom, or in two verses, or in a half of a verse that has a completeness that is not mentioned, or a bifurcated witness that varied between one to three.</description><identifier>ISSN: 2502-8871</identifier><identifier>EISSN: 2502-8871</identifier><identifier>DOI: 10.15408/zr.v20i2.32251</identifier><language>ara</language><publisher>Jakarta: Universitas Islam Negeri Syarif Hidayatullah Jakarta</publisher><subject>Evidence ; Language acquisition ; Linguistics ; Morphology ; Poetics ; Scholars ; Writers</subject><ispartof>Zahrāʼ (Jakarta, Indonesia), 2023-01, Vol.20 (2)</ispartof><rights>2023. This work is licensed under http://creativecommons.org/licenses/by-nc-sa/4.0/ (the “License”). 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In it, its author followed the approach of the ancients, so the poetic evidence came in it, either to indicate the regularity of a morphological rule or its abnormality from the ordinary, or to clarify the structure of a word, or to prove a morphological rule, just as in most of his poetic evidence - which amounted to eighty-seven witnesses - he was satisfied with mentioning (and saying), Or (and the saying of the poet) without attributing it to its owners, as the case of ancient authors. In the contexts of the poetic witness and the forms of his appearance in the book, he varied, and the images presented by his author differed, as he is either in one verse of al-Qaeda the subject of martyrdom, or in two verses, or in a half of a verse that has a completeness that is not mentioned, or a bifurcated witness that varied between one to three.</description><subject>Evidence</subject><subject>Language acquisition</subject><subject>Linguistics</subject><subject>Morphology</subject><subject>Poetics</subject><subject>Scholars</subject><subject>Writers</subject><issn>2502-8871</issn><issn>2502-8871</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><sourceid>BENPR</sourceid><recordid>eNpjYBA3NNAzNDUxsNCvKtIrMzLINNIzNjIyNWRi4DQyNTDStbAwN2RBYnMw8BYXZxkYGBhZmJuaWhpxMsy9sfxmy40tNyfenABktd9Yr4AksPPGxptdCjcbQUTzjVU3lt9YcXOCwo0tNzbcWA5Rt_NmH1BNI1AUoqrxZhtIJ0RyK5AJl265OQEotPZm381WIL38ZgdQOVBF_80OoIr-m-03-xWAzM03u4ByTUCbVoEEeRhY0xJzilN5oTQ3g7Kba4izh25BUX5haWpxSXxWfmlRHlAq3sjC0sTM0MjczNSYOFUAtQaTTA</recordid><startdate>20230101</startdate><enddate>20230101</enddate><creator>Abo Haneefa Omer Alshareef Ali Omer</creator><general>Universitas Islam Negeri Syarif Hidayatullah Jakarta</general><scope>7T9</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>LIQON</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope></search><sort><creationdate>20230101</creationdate><title>الشِّاهد الشِّعري في كتابِ شذا العَرفِ في فنِّ الصَّرفِ لِلحَملاوي صُورُهُ وسياقاتُه</title><author>Abo Haneefa Omer Alshareef Ali Omer</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_28946127653</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>ara</language><creationdate>2023</creationdate><topic>Evidence</topic><topic>Language acquisition</topic><topic>Linguistics</topic><topic>Morphology</topic><topic>Poetics</topic><topic>Scholars</topic><topic>Writers</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Abo Haneefa Omer Alshareef Ali Omer</creatorcontrib><collection>Linguistics and Language Behavior Abstracts (LLBA)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><jtitle>Zahrāʼ (Jakarta, Indonesia)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Abo Haneefa Omer Alshareef Ali Omer</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>الشِّاهد الشِّعري في كتابِ شذا العَرفِ في فنِّ الصَّرفِ لِلحَملاوي صُورُهُ وسياقاتُه</atitle><jtitle>Zahrāʼ (Jakarta, Indonesia)</jtitle><date>2023-01-01</date><risdate>2023</risdate><volume>20</volume><issue>2</issue><issn>2502-8871</issn><eissn>2502-8871</eissn><abstract>This research investigates the poetic witness in the book Shaza Al-Orf in the Art of Morphology, which is a topic that needs to be studied and collected to know (Al-Hamalawy) employment of poetic evidence and prove the morphological issues with them. know Sheikh (Al-Hamalawy) is considered one of the prominent scholars of linguistics in the modern era and his authentic reference under investigation got widespread fame for language learners. In it, its author followed the approach of the ancients, so the poetic evidence came in it, either to indicate the regularity of a morphological rule or its abnormality from the ordinary, or to clarify the structure of a word, or to prove a morphological rule, just as in most of his poetic evidence - which amounted to eighty-seven witnesses - he was satisfied with mentioning (and saying), Or (and the saying of the poet) without attributing it to its owners, as the case of ancient authors. In the contexts of the poetic witness and the forms of his appearance in the book, he varied, and the images presented by his author differed, as he is either in one verse of al-Qaeda the subject of martyrdom, or in two verses, or in a half of a verse that has a completeness that is not mentioned, or a bifurcated witness that varied between one to three.</abstract><cop>Jakarta</cop><pub>Universitas Islam Negeri Syarif Hidayatullah Jakarta</pub><doi>10.15408/zr.v20i2.32251</doi><oa>free_for_read</oa></addata></record> |
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subjects | Evidence Language acquisition Linguistics Morphology Poetics Scholars Writers |
title | الشِّاهد الشِّعري في كتابِ شذا العَرفِ في فنِّ الصَّرفِ لِلحَملاوي صُورُهُ وسياقاتُه |
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