“The Collapse of Empires” in music of the twentieth century: France–Russia, Maurice Ravel–Igor Stravinsky

The First World War exerted a great influence on the course of twentieth-century history and transformed people’s perception of the world. The collapse of empires and the shipwreck of illusions found their reflection in various spheres of culture and art, including music. Scholars are familiar with how the trauma of war was reflected in the history of the works, lives, and collaboration of two outstanding composers of the twentieth century, Igor Stravinsky and Maurice Ravel. In this article, we explore how, from different perspectives, these composers expressed in music their perception of the war trauma as part of the wider common cultural and social tragedy known as “the collapse of empires”. At the center of our discussion is musical text as a reflection of social phenomena, and how these two composers presented the upheavals that took place in society and their spiritual reaction to them with the help of their musical expressivity. The article focuses on war themes and their reflection in the music of the first half of the twentieth century.