Animated satire and collective memory: reflecting on the American “history wars” with The Simpsons
Driven by the knowledge that how societies remember their past matters in the present, the field of collective memory studies has paid significant attention to the media’s role in contributing to the production of socially shared representations of history. The genre of satire, however, has so far r...
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Veröffentlicht in: | Humor (Berlin, Germany) Germany), 2023-10, Vol.36 (4), p.567-586 |
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description | Driven by the knowledge that how societies remember their past matters in the present, the field of collective memory studies has paid significant attention to the media’s role in contributing to the production of socially shared representations of history. The genre of satire, however, has so far remained largely neglected. My paper addresses this gap and argues that, compared to other forms of media, satire not only adds to the
of memories, but it also offers distinct rhetorical techniques to encourage audiences to
on the construction and maintenance of collective memories. I develop the argument about satire’s memory-reflexive function through a case study of how
– by deploying the fictional persona of Jebediah Springfield as a metaphor of the Founding Fathers – critically comments on America’s hyper-polarized “history wars” between conservatives and liberals. I argue that animated satire is a particularly powerful vehicle for reflection on collective memory, not only because it subverts audience expectations, but also because the unlimited storytelling potential of animation makes it possible to imitate the politics of collective remembering with a high degree of realism. |
doi_str_mv | 10.1515/humor-2022-0131 |
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of memories, but it also offers distinct rhetorical techniques to encourage audiences to
on the construction and maintenance of collective memories. I develop the argument about satire’s memory-reflexive function through a case study of how
– by deploying the fictional persona of Jebediah Springfield as a metaphor of the Founding Fathers – critically comments on America’s hyper-polarized “history wars” between conservatives and liberals. I argue that animated satire is a particularly powerful vehicle for reflection on collective memory, not only because it subverts audience expectations, but also because the unlimited storytelling potential of animation makes it possible to imitate the politics of collective remembering with a high degree of realism.</description><identifier>ISSN: 0933-1719</identifier><identifier>EISSN: 1613-3722</identifier><identifier>DOI: 10.1515/humor-2022-0131</identifier><language>eng</language><publisher>Berlin: De Gruyter</publisher><subject>animation ; Audiences ; Case studies ; Collective memory ; Founding ; History ; incongruity theory ; Mass media effects ; Mass media images ; Memories ; Metaphor ; satire ; Social criticism & satire ; Storytelling</subject><ispartof>Humor (Berlin, Germany), 2023-10, Vol.36 (4), p.567-586</ispartof><rights>2023 Walter de Gruyter GmbH, Berlin/Boston</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c318t-459e78efe8f6e2636f716b2e4d3fd7ed6c00780adcd29ff28da1176682f73f943</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.degruyter.com/document/doi/10.1515/humor-2022-0131/pdf$$EPDF$$P50$$Gwalterdegruyter$$H</linktopdf><linktohtml>$$Uhttps://www.degruyter.com/document/doi/10.1515/humor-2022-0131/html$$EHTML$$P50$$Gwalterdegruyter$$H</linktohtml><link.rule.ids>314,776,780,27901,27902,33751,66497,68281</link.rule.ids></links><search><creatorcontrib>Hellmann, Olli</creatorcontrib><title>Animated satire and collective memory: reflecting on the American “history wars” with The Simpsons</title><title>Humor (Berlin, Germany)</title><description>Driven by the knowledge that how societies remember their past matters in the present, the field of collective memory studies has paid significant attention to the media’s role in contributing to the production of socially shared representations of history. The genre of satire, however, has so far remained largely neglected. My paper addresses this gap and argues that, compared to other forms of media, satire not only adds to the
of memories, but it also offers distinct rhetorical techniques to encourage audiences to
on the construction and maintenance of collective memories. I develop the argument about satire’s memory-reflexive function through a case study of how
– by deploying the fictional persona of Jebediah Springfield as a metaphor of the Founding Fathers – critically comments on America’s hyper-polarized “history wars” between conservatives and liberals. I argue that animated satire is a particularly powerful vehicle for reflection on collective memory, not only because it subverts audience expectations, but also because the unlimited storytelling potential of animation makes it possible to imitate the politics of collective remembering with a high degree of realism.</description><subject>animation</subject><subject>Audiences</subject><subject>Case studies</subject><subject>Collective memory</subject><subject>Founding</subject><subject>History</subject><subject>incongruity theory</subject><subject>Mass media effects</subject><subject>Mass media images</subject><subject>Memories</subject><subject>Metaphor</subject><subject>satire</subject><subject>Social criticism & satire</subject><subject>Storytelling</subject><issn>0933-1719</issn><issn>1613-3722</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><sourceid>BHHNA</sourceid><recordid>eNp1kMtOwzAQRS0EEqWwZmuJdagfiZ0gsagqXlIlFpR1ZOJxkyqPYjtU3fVD4Of6JTgUiRWrGY3uvTNzELqk5JomNJmUfdPZiBHGIkI5PUIjKiiPuGTsGI1IxnlEJc1O0ZlzK0KIzOJkhMy0rRrlQWOnfGUBq1bjoqtrKHz1AbiBkLq9wRbMz6hd4q7FvgQ8bcBWhWrxfvdZVs4HGd4o6_a7L7ypfIkXQfRSNWvXte4cnRhVO7j4rWP0en-3mD1G8-eHp9l0HhWcpj6KkwxkCgZSI4AJLoyk4o1BrLnRErQowt0pUbrQLDOGpVpRKoVImZHcZDEfo6tD7tp27z04n6-63rZhZc5SmWRSJHRQTQ6qwnbOhdfytQ0U7DanJB9g5j8w8wFmPsAMjtuDY6NqD1bD0vbb0PzF_-cUcSIk_waf-oAR</recordid><startdate>20231026</startdate><enddate>20231026</enddate><creator>Hellmann, Olli</creator><general>De Gruyter</general><general>Mouton de Gruyter</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7U4</scope><scope>8BJ</scope><scope>BHHNA</scope><scope>DWI</scope><scope>FQK</scope><scope>JBE</scope><scope>WZK</scope></search><sort><creationdate>20231026</creationdate><title>Animated satire and collective memory: reflecting on the American “history wars” with The Simpsons</title><author>Hellmann, Olli</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c318t-459e78efe8f6e2636f716b2e4d3fd7ed6c00780adcd29ff28da1176682f73f943</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2023</creationdate><topic>animation</topic><topic>Audiences</topic><topic>Case studies</topic><topic>Collective memory</topic><topic>Founding</topic><topic>History</topic><topic>incongruity theory</topic><topic>Mass media effects</topic><topic>Mass media images</topic><topic>Memories</topic><topic>Metaphor</topic><topic>satire</topic><topic>Social criticism & satire</topic><topic>Storytelling</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Hellmann, Olli</creatorcontrib><collection>CrossRef</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><collection>Sociological Abstracts (Ovid)</collection><jtitle>Humor (Berlin, Germany)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Hellmann, Olli</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Animated satire and collective memory: reflecting on the American “history wars” with The Simpsons</atitle><jtitle>Humor (Berlin, Germany)</jtitle><date>2023-10-26</date><risdate>2023</risdate><volume>36</volume><issue>4</issue><spage>567</spage><epage>586</epage><pages>567-586</pages><issn>0933-1719</issn><eissn>1613-3722</eissn><abstract>Driven by the knowledge that how societies remember their past matters in the present, the field of collective memory studies has paid significant attention to the media’s role in contributing to the production of socially shared representations of history. The genre of satire, however, has so far remained largely neglected. My paper addresses this gap and argues that, compared to other forms of media, satire not only adds to the
of memories, but it also offers distinct rhetorical techniques to encourage audiences to
on the construction and maintenance of collective memories. I develop the argument about satire’s memory-reflexive function through a case study of how
– by deploying the fictional persona of Jebediah Springfield as a metaphor of the Founding Fathers – critically comments on America’s hyper-polarized “history wars” between conservatives and liberals. I argue that animated satire is a particularly powerful vehicle for reflection on collective memory, not only because it subverts audience expectations, but also because the unlimited storytelling potential of animation makes it possible to imitate the politics of collective remembering with a high degree of realism.</abstract><cop>Berlin</cop><pub>De Gruyter</pub><doi>10.1515/humor-2022-0131</doi><tpages>20</tpages><oa>free_for_read</oa></addata></record> |
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subjects | animation Audiences Case studies Collective memory Founding History incongruity theory Mass media effects Mass media images Memories Metaphor satire Social criticism & satire Storytelling |
title | Animated satire and collective memory: reflecting on the American “history wars” with The Simpsons |
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