Making Rock Art: Correspondences, Rhythms, and Temporalities
Non-representational approaches (to rock art) have highlighted the relevance of making processes. Rhythm, temporality, and taskscapes emerge from every act of making, and are deeply engaged with the affective properties of these practices. In this paper, we outline a rhythm-analysis perspective to r...
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| Veröffentlicht in: | Journal of archaeological method and theory 2023-06, Vol.30 (2), p.611-635 |
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| container_title | Journal of archaeological method and theory |
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| creator | Troncoso, Andrés Armstrong, Felipe |
| description | Non-representational approaches (to rock art) have highlighted the relevance of making processes. Rhythm, temporality, and taskscapes emerge from every act of making, and are deeply engaged with the affective properties of these practices. In this paper, we outline a rhythm-analysis perspective to rock art discussing how it can shed light on the affective properties of this materiality, the emergence of landscapes, and the impact this practice had on the lived temporalities of the peoples that carried them out. We apply our approach to three case studies related to hunter-gatherer, agrarian, and Incaized communities in different areas of the Southern Andes. As a result, we discuss the relevance of approaching the relationship between making, rhythm, correspondences, and taskscapes to better understand rock art and avoid the pitfalls of an ahistorical relational perspective in archaeology. |
| doi_str_mv | 10.1007/s10816-022-09571-9 |
| format | Article |
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| subjects | Anthropology Archaeology Case studies Hunter-gatherers Petroglyphs Rhythm Social Sciences Time |
| title | Making Rock Art: Correspondences, Rhythms, and Temporalities |
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