The Representation of Class Conflict in Cinema and Violation of the Fundamental Rights: A study in the context of Satyajit Ray's "Sadgati"
Ambedkar believed that the Constitution should be used as a tool for social reformation and that it would help in equalizing the gap between different classes. [...]he felt, was essential for social solidarity and national integration. In a scene, he was drinking water with a copper jug (lota) and h...
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Veröffentlicht in: | Global media journal 2023-01, Vol.21 (59), p.1-6 |
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description | Ambedkar believed that the Constitution should be used as a tool for social reformation and that it would help in equalizing the gap between different classes. [...]he felt, was essential for social solidarity and national integration. In a scene, he was drinking water with a copper jug (lota) and having lunch with stainless-steel utensils. [...]he comes with a copper pot (lota) and sprinkles the holy water for sanctifying the place, where Dukhi has died (Figure 1). Conceivably one of the most important functions of dress is to be able to provide identification of the wearer in terms of his/her background, social strata, economic worth, position in society, and occupation." |
doi_str_mv | 10.36648/1550-7521.21.59.345 |
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subjects | Aluminum Caste Copper Discourse analysis Drinking water Equal rights Mise-en-scene Motion pictures Ray, Satyajit (1921-1992) Social classes Society Stainless steels Standard of living Text analysis |
title | The Representation of Class Conflict in Cinema and Violation of the Fundamental Rights: A study in the context of Satyajit Ray's "Sadgati" |
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