PROFILE – JESSIE MARINO
Much of Marino's interdisciplinary compositional work eschews conventional instrumentation, with scores that ask performers to use their bodies – using precisely articulated gestures, facial expressions and quotidian physical movements – both as an alternative and a complement to musical sounds...
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| Veröffentlicht in: | Tempo (London) 2023-01, Vol.77 (303), p.114-121 |
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| container_title | Tempo (London) |
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| creator | Moore, Thomas R. |
| description | Much of Marino's interdisciplinary compositional work eschews conventional instrumentation, with scores that ask performers to use their bodies – using precisely articulated gestures, facial expressions and quotidian physical movements – both as an alternative and a complement to musical sounds. Marino finds humour and profundity in personal interactions and the way humans navigate physical space – an improvisational act that can invoke a ballet, a dinner party or a demolition derby. On 19 November 2019, a cold evening in Berlin, Jessie welcomed me into her apartment, where we sat down at her kitchen table for a pre-dinner chat. [...]that's where I leave the station because it actually goes somewhat against the idea of the club, that we are all in this community space. |
| doi_str_mv | 10.1017/S0040298222000857 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0040-2982 |
| ispartof | Tempo (London), 2023-01, Vol.77 (303), p.114-121 |
| issn | 0040-2982 1478-2286 |
| language | eng |
| recordid | cdi_proquest_journals_2763254339 |
| source | Cambridge Journals |
| subjects | Acoustics Clubs DeMarinis, Paul Musical composition PROFILE Sound Teaching |
| title | PROFILE – JESSIE MARINO |
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