Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory, Naples
The Museo Storico Musicale of the San Pietro a Majella Conservatory of Music in Naples owns a collection of over 200 musical instruments of considerable historical importance. Within the collection, 30 bowed and plucked instruments representative of the Neapolitan violin‐making tradition were analys...
Gespeichert in:
Veröffentlicht in: | Archaeometry 2023-02, Vol.65 (1), p.151-164 |
---|---|
Hauptverfasser: | , , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 164 |
---|---|
container_issue | 1 |
container_start_page | 151 |
container_title | Archaeometry |
container_volume | 65 |
creator | Bernabei, Mauro Bontadi, Jarno Sisto, Luigi |
description | The Museo Storico Musicale of the San Pietro a Majella Conservatory of Music in Naples owns a collection of over 200 musical instruments of considerable historical importance. Within the collection, 30 bowed and plucked instruments representative of the Neapolitan violin‐making tradition were analysed dendrochronologically to date them, estimate the provenance of the wood and investigate the instruments’ construction characteristics. The values of the statistical cross‐dating tests were generally high and allowed 26 instruments to be dated. In all but one case, the dates were consistent with those of the catalogue. From the perspective of wood selection, we noted an unusual use of very old spruce wood, well beyond simple seasoning. The construction technique of the soundboard and other characteristics show good similarities with instruments analysed in other Italian collections. Thus, even in Neapolitan instruments, the growth rings are smaller in small instruments and larger in cellos or double basses. In conclusion, the Neapolitan violin‐making school has shown great care in the choice of wood, most coming from regions as far away as Germany or Switzerland, thus confirming the existence of an active large‐scale trade in wood for the production of musical instruments. |
doi_str_mv | 10.1111/arcm.12808 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2761838384</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2761838384</sourcerecordid><originalsourceid>FETCH-LOGICAL-c2268-a199d4aa78f8e9dbcc8dc4a988dd039f2b086dced2f5e8dd04d9fd096ce8cf6c3</originalsourceid><addsrcrecordid>eNp9kMlOwzAQhi0EEqVw4QkscUOk2EmaOscqrFILiEXiZk290BQnDnZClbfHJZyZ0WgWfTPS_AidUjKhwS7BiWpCY0bYHhrRdDaNQqT7aEQISSJGk_dDdOT9JrRZmpIRaq5ULZ0Va2dra-xHKcBgqMH0vvTYaryyWyXDROLGdOIz1GXtW9dVqm491s5WuF0r_AI1fipV6ywGvISNMgZwYWuv3De01vUX-AEao_wxOtBgvDr5y2P0dnP9WtxFi8fb-2K-iEQcZywCmucyBZgxzVQuV0IwKVLIGZOSJLmOV4RlUigZ66nazVKZa0nyTCgmdCaSMTob7jbOfnXKt3xjOxce8zyeZZQlwdNAnQ-UcNZ7pzRvXFmB6zklfKco3ynKfxUNMB3gbWlU_w_J58_Fctj5Ad-se9E</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2761838384</pqid></control><display><type>article</type><title>Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory, Naples</title><source>Wiley Online Library Journals Frontfile Complete</source><creator>Bernabei, Mauro ; Bontadi, Jarno ; Sisto, Luigi</creator><creatorcontrib>Bernabei, Mauro ; Bontadi, Jarno ; Sisto, Luigi</creatorcontrib><description>The Museo Storico Musicale of the San Pietro a Majella Conservatory of Music in Naples owns a collection of over 200 musical instruments of considerable historical importance. Within the collection, 30 bowed and plucked instruments representative of the Neapolitan violin‐making tradition were analysed dendrochronologically to date them, estimate the provenance of the wood and investigate the instruments’ construction characteristics. The values of the statistical cross‐dating tests were generally high and allowed 26 instruments to be dated. In all but one case, the dates were consistent with those of the catalogue. From the perspective of wood selection, we noted an unusual use of very old spruce wood, well beyond simple seasoning. The construction technique of the soundboard and other characteristics show good similarities with instruments analysed in other Italian collections. Thus, even in Neapolitan instruments, the growth rings are smaller in small instruments and larger in cellos or double basses. In conclusion, the Neapolitan violin‐making school has shown great care in the choice of wood, most coming from regions as far away as Germany or Switzerland, thus confirming the existence of an active large‐scale trade in wood for the production of musical instruments.</description><identifier>ISSN: 0003-813X</identifier><identifier>EISSN: 1475-4754</identifier><identifier>DOI: 10.1111/arcm.12808</identifier><language>eng</language><publisher>Oxford: Wiley Subscription Services, Inc</publisher><subject>Conservatorio di San Pietro a Majella ; dendrochronology ; dendroprovenancing ; Musical instruments ; Naples ; Neapolitan lutherie ; violin</subject><ispartof>Archaeometry, 2023-02, Vol.65 (1), p.151-164</ispartof><rights>2022 The Authors. published by John Wiley & Sons Ltd on behalf of University of Oxford.</rights><rights>2022. This article is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c2268-a199d4aa78f8e9dbcc8dc4a988dd039f2b086dced2f5e8dd04d9fd096ce8cf6c3</cites><orcidid>0000-0001-8567-9275 ; 0000-0003-0489-5828 ; 0000-0002-5218-3844</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://onlinelibrary.wiley.com/doi/pdf/10.1111%2Farcm.12808$$EPDF$$P50$$Gwiley$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://onlinelibrary.wiley.com/doi/full/10.1111%2Farcm.12808$$EHTML$$P50$$Gwiley$$Hfree_for_read</linktohtml><link.rule.ids>314,776,780,1411,27903,27904,45553,45554</link.rule.ids></links><search><creatorcontrib>Bernabei, Mauro</creatorcontrib><creatorcontrib>Bontadi, Jarno</creatorcontrib><creatorcontrib>Sisto, Luigi</creatorcontrib><title>Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory, Naples</title><title>Archaeometry</title><description>The Museo Storico Musicale of the San Pietro a Majella Conservatory of Music in Naples owns a collection of over 200 musical instruments of considerable historical importance. Within the collection, 30 bowed and plucked instruments representative of the Neapolitan violin‐making tradition were analysed dendrochronologically to date them, estimate the provenance of the wood and investigate the instruments’ construction characteristics. The values of the statistical cross‐dating tests were generally high and allowed 26 instruments to be dated. In all but one case, the dates were consistent with those of the catalogue. From the perspective of wood selection, we noted an unusual use of very old spruce wood, well beyond simple seasoning. The construction technique of the soundboard and other characteristics show good similarities with instruments analysed in other Italian collections. Thus, even in Neapolitan instruments, the growth rings are smaller in small instruments and larger in cellos or double basses. In conclusion, the Neapolitan violin‐making school has shown great care in the choice of wood, most coming from regions as far away as Germany or Switzerland, thus confirming the existence of an active large‐scale trade in wood for the production of musical instruments.</description><subject>Conservatorio di San Pietro a Majella</subject><subject>dendrochronology</subject><subject>dendroprovenancing</subject><subject>Musical instruments</subject><subject>Naples</subject><subject>Neapolitan lutherie</subject><subject>violin</subject><issn>0003-813X</issn><issn>1475-4754</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><sourceid>24P</sourceid><sourceid>WIN</sourceid><recordid>eNp9kMlOwzAQhi0EEqVw4QkscUOk2EmaOscqrFILiEXiZk290BQnDnZClbfHJZyZ0WgWfTPS_AidUjKhwS7BiWpCY0bYHhrRdDaNQqT7aEQISSJGk_dDdOT9JrRZmpIRaq5ULZ0Va2dra-xHKcBgqMH0vvTYaryyWyXDROLGdOIz1GXtW9dVqm491s5WuF0r_AI1fipV6ywGvISNMgZwYWuv3De01vUX-AEao_wxOtBgvDr5y2P0dnP9WtxFi8fb-2K-iEQcZywCmucyBZgxzVQuV0IwKVLIGZOSJLmOV4RlUigZ66nazVKZa0nyTCgmdCaSMTob7jbOfnXKt3xjOxce8zyeZZQlwdNAnQ-UcNZ7pzRvXFmB6zklfKco3ynKfxUNMB3gbWlU_w_J58_Fctj5Ad-se9E</recordid><startdate>202302</startdate><enddate>202302</enddate><creator>Bernabei, Mauro</creator><creator>Bontadi, Jarno</creator><creator>Sisto, Luigi</creator><general>Wiley Subscription Services, Inc</general><scope>24P</scope><scope>WIN</scope><scope>AAYXX</scope><scope>CITATION</scope><orcidid>https://orcid.org/0000-0001-8567-9275</orcidid><orcidid>https://orcid.org/0000-0003-0489-5828</orcidid><orcidid>https://orcid.org/0000-0002-5218-3844</orcidid></search><sort><creationdate>202302</creationdate><title>Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory, Naples</title><author>Bernabei, Mauro ; Bontadi, Jarno ; Sisto, Luigi</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2268-a199d4aa78f8e9dbcc8dc4a988dd039f2b086dced2f5e8dd04d9fd096ce8cf6c3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2023</creationdate><topic>Conservatorio di San Pietro a Majella</topic><topic>dendrochronology</topic><topic>dendroprovenancing</topic><topic>Musical instruments</topic><topic>Naples</topic><topic>Neapolitan lutherie</topic><topic>violin</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Bernabei, Mauro</creatorcontrib><creatorcontrib>Bontadi, Jarno</creatorcontrib><creatorcontrib>Sisto, Luigi</creatorcontrib><collection>Wiley Online Library Open Access</collection><collection>Wiley Free Content</collection><collection>CrossRef</collection><jtitle>Archaeometry</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Bernabei, Mauro</au><au>Bontadi, Jarno</au><au>Sisto, Luigi</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory, Naples</atitle><jtitle>Archaeometry</jtitle><date>2023-02</date><risdate>2023</risdate><volume>65</volume><issue>1</issue><spage>151</spage><epage>164</epage><pages>151-164</pages><issn>0003-813X</issn><eissn>1475-4754</eissn><abstract>The Museo Storico Musicale of the San Pietro a Majella Conservatory of Music in Naples owns a collection of over 200 musical instruments of considerable historical importance. Within the collection, 30 bowed and plucked instruments representative of the Neapolitan violin‐making tradition were analysed dendrochronologically to date them, estimate the provenance of the wood and investigate the instruments’ construction characteristics. The values of the statistical cross‐dating tests were generally high and allowed 26 instruments to be dated. In all but one case, the dates were consistent with those of the catalogue. From the perspective of wood selection, we noted an unusual use of very old spruce wood, well beyond simple seasoning. The construction technique of the soundboard and other characteristics show good similarities with instruments analysed in other Italian collections. Thus, even in Neapolitan instruments, the growth rings are smaller in small instruments and larger in cellos or double basses. In conclusion, the Neapolitan violin‐making school has shown great care in the choice of wood, most coming from regions as far away as Germany or Switzerland, thus confirming the existence of an active large‐scale trade in wood for the production of musical instruments.</abstract><cop>Oxford</cop><pub>Wiley Subscription Services, Inc</pub><doi>10.1111/arcm.12808</doi><tpages>14</tpages><orcidid>https://orcid.org/0000-0001-8567-9275</orcidid><orcidid>https://orcid.org/0000-0003-0489-5828</orcidid><orcidid>https://orcid.org/0000-0002-5218-3844</orcidid><oa>free_for_read</oa></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0003-813X |
ispartof | Archaeometry, 2023-02, Vol.65 (1), p.151-164 |
issn | 0003-813X 1475-4754 |
language | eng |
recordid | cdi_proquest_journals_2761838384 |
source | Wiley Online Library Journals Frontfile Complete |
subjects | Conservatorio di San Pietro a Majella dendrochronology dendroprovenancing Musical instruments Naples Neapolitan lutherie violin |
title | Dendrochronological analysis of bowed and plucked instruments from the San Pietro a Majella Conservatory, Naples |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-21T19%3A21%3A40IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Dendrochronological%20analysis%20of%20bowed%20and%20plucked%20instruments%20from%20the%20San%20Pietro%20a%20Majella%20Conservatory,%20Naples&rft.jtitle=Archaeometry&rft.au=Bernabei,%20Mauro&rft.date=2023-02&rft.volume=65&rft.issue=1&rft.spage=151&rft.epage=164&rft.pages=151-164&rft.issn=0003-813X&rft.eissn=1475-4754&rft_id=info:doi/10.1111/arcm.12808&rft_dat=%3Cproquest_cross%3E2761838384%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2761838384&rft_id=info:pmid/&rfr_iscdi=true |