Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence

A. Ernaux and É. Louis – writers of the real, between silence and noise In A. Ernaux’s steps, É. Louis writes to account for truth, to bear witness for the real. They experience sounds, noises and silences as particularly meaningful signs of the social classes that they live in. Their original, popu...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Cahiers ERTA 2021-01, Vol.2021 (26), p.35
1. Verfasser: Edy, Delphine
Format: Artikel
Sprache:fre
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue 26
container_start_page 35
container_title Cahiers ERTA
container_volume 2021
creator Edy, Delphine
description A. Ernaux and É. Louis – writers of the real, between silence and noise In A. Ernaux’s steps, É. Louis writes to account for truth, to bear witness for the real. They experience sounds, noises and silences as particularly meaningful signs of the social classes that they live in. Their original, popular environment is made of constant noise, whether coming from inside the body or the surrounding working-place. Later as they rise socially, they realise that more privileged classes live in a filtered, muffled world. But being loud may also be a move toward freedom, an expression of the lived experience. The theatre stage is a particularly apt media for the telling of É. Louis’s stories as it enables the varied experiences to be heard and felt through their vibrations, and all noises on stage make sense.
doi_str_mv 10.4467/23538953CE.21.026.13998
format Article
fullrecord <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_2674420256</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2674420256</sourcerecordid><originalsourceid>FETCH-proquest_journals_26744202563</originalsourceid><addsrcrecordid>eNqNTUsKwjAUDKKgqGcw4EYXrS-fxtadSEXQpftS9QmRkGrSgFfwKJ7Di9mCB3A1f4aQCYNYSrVccJGINEvEJo85i4GrmIksSztk0CZRG3VbDhBJlbI-GXt_AwCWSlA8GZD92lqNNHe2DE-KNf28LlUo3YUeqqA9XTXG2WmH1CB1nzcairZu5MkFXc_8vN14bdCecUR619J4HP9wSKbb_LjZRXdXPQL6urhVoTkyvuBqKSUHnijxX-sLeGJF1w</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2674420256</pqid></control><display><type>article</type><title>Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence</title><source>DOAJ Directory of Open Access Journals</source><source>Alma/SFX Local Collection</source><creator>Edy, Delphine</creator><creatorcontrib>Edy, Delphine</creatorcontrib><description>A. Ernaux and É. Louis – writers of the real, between silence and noise In A. Ernaux’s steps, É. Louis writes to account for truth, to bear witness for the real. They experience sounds, noises and silences as particularly meaningful signs of the social classes that they live in. Their original, popular environment is made of constant noise, whether coming from inside the body or the surrounding working-place. Later as they rise socially, they realise that more privileged classes live in a filtered, muffled world. But being loud may also be a move toward freedom, an expression of the lived experience. The theatre stage is a particularly apt media for the telling of É. Louis’s stories as it enables the varied experiences to be heard and felt through their vibrations, and all noises on stage make sense.</description><identifier>ISSN: 2300-4681</identifier><identifier>EISSN: 2353-8953</identifier><identifier>DOI: 10.4467/23538953CE.21.026.13998</identifier><language>fre</language><publisher>Gdańsk: Jagiellonian University-Jagiellonian University Press</publisher><subject>Ernaux, Annie (1940- )</subject><ispartof>Cahiers ERTA, 2021-01, Vol.2021 (26), p.35</ispartof><rights>2021. This work is published under https://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,778,782,862,27911,27912</link.rule.ids></links><search><creatorcontrib>Edy, Delphine</creatorcontrib><title>Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence</title><title>Cahiers ERTA</title><description>A. Ernaux and É. Louis – writers of the real, between silence and noise In A. Ernaux’s steps, É. Louis writes to account for truth, to bear witness for the real. They experience sounds, noises and silences as particularly meaningful signs of the social classes that they live in. Their original, popular environment is made of constant noise, whether coming from inside the body or the surrounding working-place. Later as they rise socially, they realise that more privileged classes live in a filtered, muffled world. But being loud may also be a move toward freedom, an expression of the lived experience. The theatre stage is a particularly apt media for the telling of É. Louis’s stories as it enables the varied experiences to be heard and felt through their vibrations, and all noises on stage make sense.</description><subject>Ernaux, Annie (1940- )</subject><issn>2300-4681</issn><issn>2353-8953</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2021</creationdate><recordtype>article</recordtype><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><recordid>eNqNTUsKwjAUDKKgqGcw4EYXrS-fxtadSEXQpftS9QmRkGrSgFfwKJ7Di9mCB3A1f4aQCYNYSrVccJGINEvEJo85i4GrmIksSztk0CZRG3VbDhBJlbI-GXt_AwCWSlA8GZD92lqNNHe2DE-KNf28LlUo3YUeqqA9XTXG2WmH1CB1nzcairZu5MkFXc_8vN14bdCecUR619J4HP9wSKbb_LjZRXdXPQL6urhVoTkyvuBqKSUHnijxX-sLeGJF1w</recordid><startdate>20210101</startdate><enddate>20210101</enddate><creator>Edy, Delphine</creator><general>Jagiellonian University-Jagiellonian University Press</general><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope></search><sort><creationdate>20210101</creationdate><title>Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence</title><author>Edy, Delphine</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_26744202563</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>fre</language><creationdate>2021</creationdate><topic>Ernaux, Annie (1940- )</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Edy, Delphine</creatorcontrib><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><jtitle>Cahiers ERTA</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Edy, Delphine</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence</atitle><jtitle>Cahiers ERTA</jtitle><date>2021-01-01</date><risdate>2021</risdate><volume>2021</volume><issue>26</issue><spage>35</spage><pages>35-</pages><issn>2300-4681</issn><eissn>2353-8953</eissn><abstract>A. Ernaux and É. Louis – writers of the real, between silence and noise In A. Ernaux’s steps, É. Louis writes to account for truth, to bear witness for the real. They experience sounds, noises and silences as particularly meaningful signs of the social classes that they live in. Their original, popular environment is made of constant noise, whether coming from inside the body or the surrounding working-place. Later as they rise socially, they realise that more privileged classes live in a filtered, muffled world. But being loud may also be a move toward freedom, an expression of the lived experience. The theatre stage is a particularly apt media for the telling of É. Louis’s stories as it enables the varied experiences to be heard and felt through their vibrations, and all noises on stage make sense.</abstract><cop>Gdańsk</cop><pub>Jagiellonian University-Jagiellonian University Press</pub><doi>10.4467/23538953CE.21.026.13998</doi><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier ISSN: 2300-4681
ispartof Cahiers ERTA, 2021-01, Vol.2021 (26), p.35
issn 2300-4681
2353-8953
language fre
recordid cdi_proquest_journals_2674420256
source DOAJ Directory of Open Access Journals; Alma/SFX Local Collection
subjects Ernaux, Annie (1940- )
title Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-16T00%3A50%3A17IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Annie%20Ernaux%20et%20%C3%89douard%20Louis%20:%20%C3%89crire%20le%20r%C3%A9el%20entre%20bruit(s)%20et%20silence&rft.jtitle=Cahiers%20ERTA&rft.au=Edy,%20Delphine&rft.date=2021-01-01&rft.volume=2021&rft.issue=26&rft.spage=35&rft.pages=35-&rft.issn=2300-4681&rft.eissn=2353-8953&rft_id=info:doi/10.4467/23538953CE.21.026.13998&rft_dat=%3Cproquest%3E2674420256%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2674420256&rft_id=info:pmid/&rfr_iscdi=true