Production and consumption of gentrification aesthetics in Shanghai’s M50
The transformation of artist communities into cultural consumption sites is a notable trend in many post‐reform Chinese cities. Once enclaves for creative freelancers, artist communities have seen an influx of tourists, cultural commodification, and socio‐spatial changes. While much has been written...
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Veröffentlicht in: | Transactions - Institute of British Geographers (1965) 2022-03, Vol.47 (1), p.184-199 |
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Format: | Artikel |
Sprache: | eng |
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