COPYRIGHT AND THE CREATIVE PROCESS

Copyright is typically described as a mechanism for encouraging the production of creative works. On this view, copyright protection should he granted to genuinely creative works but denied to non-creative ones. Yet that is not how the law works. Instead, almost anything--from test answer sheets to...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Notre Dame law review 2021-11, Vol.97 (1), p.357
1. Verfasser: Bartholomew, Mark
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue 1
container_start_page 357
container_title The Notre Dame law review
container_volume 97
creator Bartholomew, Mark
description Copyright is typically described as a mechanism for encouraging the production of creative works. On this view, copyright protection should he granted to genuinely creative works but denied to non-creative ones. Yet that is not how the law works. Instead, almost anything--from test answer sheets to instruction manuals to replicas of items in the public domain--is deemed creative and therefore eligible for copyright protection. This is the consequence of a century of copyright doctrine assuming that artistic creativity is incapable of measurement, unaffected by personal motivation, and incomprehensible to novices and experts alike. Recent neuroscientific research contradicts these assumptions. It turns out that creativity can be partially measured, that authorial intent is critical to creative production, and that expertise and creative output are highly correlated. If copyright law's goal is truly to promote creativity, it should define that foundational concept to accord with scientific fact.
format Article
fullrecord <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_2620026901</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A693213691</galeid><sourcerecordid>A693213691</sourcerecordid><originalsourceid>FETCH-LOGICAL-g325t-558a8af5f47211db7a4416508f35434046df7adb186e54f787ec590e6d35eb783</originalsourceid><addsrcrecordid>eNptzd9LhEAQB3AfCrqu_gep14z9veujmJ3CkYdnQU-y6q7t4Wm5-v-fUdAFMjADw-c7c-GsACfUwxTSK-fa2gMAgCFIVs5dmO7es2QT527w8uTmceSGWRTkyVvk7rI0jPb7G-dSy9aq29-5dl6fozyMvW26ScJg6zUY0dGjVEghNdWEIwjrkktCIKNAaEwJJoCwWnNZl1AwRYnmgquK-kCxGlNVcoHXzv3P3c-h_5qUHYtDPw3d_LJADAGAmA_gn2pkqwrT6X4cZHU0tioC5mMEMfO_lbegGtWpQbZ9p7SZ1__844Kfq1ZHUy0GHs4C5WRNp-zcrGk-RtvIydpzfgICtW8s</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2620026901</pqid></control><display><type>article</type><title>COPYRIGHT AND THE CREATIVE PROCESS</title><source>EZB-FREE-00999 freely available EZB journals</source><source>HeinOnline Law Journal Library</source><creator>Bartholomew, Mark</creator><creatorcontrib>Bartholomew, Mark</creatorcontrib><description>Copyright is typically described as a mechanism for encouraging the production of creative works. On this view, copyright protection should he granted to genuinely creative works but denied to non-creative ones. Yet that is not how the law works. Instead, almost anything--from test answer sheets to instruction manuals to replicas of items in the public domain--is deemed creative and therefore eligible for copyright protection. This is the consequence of a century of copyright doctrine assuming that artistic creativity is incapable of measurement, unaffected by personal motivation, and incomprehensible to novices and experts alike. Recent neuroscientific research contradicts these assumptions. It turns out that creativity can be partially measured, that authorial intent is critical to creative production, and that expertise and creative output are highly correlated. If copyright law's goal is truly to promote creativity, it should define that foundational concept to accord with scientific fact.</description><identifier>ISSN: 0745-3515</identifier><language>eng</language><publisher>Notre Dame: University of Notre Dame Law School</publisher><subject>Analysis ; Copyright ; Copyright law ; Creative ability ; Creativity ; Evaluation ; Neurosciences ; Patent law</subject><ispartof>The Notre Dame law review, 2021-11, Vol.97 (1), p.357</ispartof><rights>COPYRIGHT 2021 University of Notre Dame Law School</rights><rights>Copyright Notre Dame Law Review 2021</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780</link.rule.ids></links><search><creatorcontrib>Bartholomew, Mark</creatorcontrib><title>COPYRIGHT AND THE CREATIVE PROCESS</title><title>The Notre Dame law review</title><description>Copyright is typically described as a mechanism for encouraging the production of creative works. On this view, copyright protection should he granted to genuinely creative works but denied to non-creative ones. Yet that is not how the law works. Instead, almost anything--from test answer sheets to instruction manuals to replicas of items in the public domain--is deemed creative and therefore eligible for copyright protection. This is the consequence of a century of copyright doctrine assuming that artistic creativity is incapable of measurement, unaffected by personal motivation, and incomprehensible to novices and experts alike. Recent neuroscientific research contradicts these assumptions. It turns out that creativity can be partially measured, that authorial intent is critical to creative production, and that expertise and creative output are highly correlated. If copyright law's goal is truly to promote creativity, it should define that foundational concept to accord with scientific fact.</description><subject>Analysis</subject><subject>Copyright</subject><subject>Copyright law</subject><subject>Creative ability</subject><subject>Creativity</subject><subject>Evaluation</subject><subject>Neurosciences</subject><subject>Patent law</subject><issn>0745-3515</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2021</creationdate><recordtype>article</recordtype><sourceid>N95</sourceid><recordid>eNptzd9LhEAQB3AfCrqu_gep14z9veujmJ3CkYdnQU-y6q7t4Wm5-v-fUdAFMjADw-c7c-GsACfUwxTSK-fa2gMAgCFIVs5dmO7es2QT527w8uTmceSGWRTkyVvk7rI0jPb7G-dSy9aq29-5dl6fozyMvW26ScJg6zUY0dGjVEghNdWEIwjrkktCIKNAaEwJJoCwWnNZl1AwRYnmgquK-kCxGlNVcoHXzv3P3c-h_5qUHYtDPw3d_LJADAGAmA_gn2pkqwrT6X4cZHU0tioC5mMEMfO_lbegGtWpQbZ9p7SZ1__844Kfq1ZHUy0GHs4C5WRNp-zcrGk-RtvIydpzfgICtW8s</recordid><startdate>20211101</startdate><enddate>20211101</enddate><creator>Bartholomew, Mark</creator><general>University of Notre Dame Law School</general><general>Notre Dame Law Review</general><scope>N95</scope><scope>XI7</scope><scope>ILT</scope><scope>K7.</scope></search><sort><creationdate>20211101</creationdate><title>COPYRIGHT AND THE CREATIVE PROCESS</title><author>Bartholomew, Mark</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g325t-558a8af5f47211db7a4416508f35434046df7adb186e54f787ec590e6d35eb783</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2021</creationdate><topic>Analysis</topic><topic>Copyright</topic><topic>Copyright law</topic><topic>Creative ability</topic><topic>Creativity</topic><topic>Evaluation</topic><topic>Neurosciences</topic><topic>Patent law</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Bartholomew, Mark</creatorcontrib><collection>Gale Business: Insights</collection><collection>Business Insights: Essentials</collection><collection>Gale OneFile: LegalTrac</collection><collection>ProQuest Criminal Justice (Alumni)</collection><jtitle>The Notre Dame law review</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Bartholomew, Mark</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>COPYRIGHT AND THE CREATIVE PROCESS</atitle><jtitle>The Notre Dame law review</jtitle><date>2021-11-01</date><risdate>2021</risdate><volume>97</volume><issue>1</issue><spage>357</spage><pages>357-</pages><issn>0745-3515</issn><abstract>Copyright is typically described as a mechanism for encouraging the production of creative works. On this view, copyright protection should he granted to genuinely creative works but denied to non-creative ones. Yet that is not how the law works. Instead, almost anything--from test answer sheets to instruction manuals to replicas of items in the public domain--is deemed creative and therefore eligible for copyright protection. This is the consequence of a century of copyright doctrine assuming that artistic creativity is incapable of measurement, unaffected by personal motivation, and incomprehensible to novices and experts alike. Recent neuroscientific research contradicts these assumptions. It turns out that creativity can be partially measured, that authorial intent is critical to creative production, and that expertise and creative output are highly correlated. If copyright law's goal is truly to promote creativity, it should define that foundational concept to accord with scientific fact.</abstract><cop>Notre Dame</cop><pub>University of Notre Dame Law School</pub></addata></record>
fulltext fulltext
identifier ISSN: 0745-3515
ispartof The Notre Dame law review, 2021-11, Vol.97 (1), p.357
issn 0745-3515
language eng
recordid cdi_proquest_journals_2620026901
source EZB-FREE-00999 freely available EZB journals; HeinOnline Law Journal Library
subjects Analysis
Copyright
Copyright law
Creative ability
Creativity
Evaluation
Neurosciences
Patent law
title COPYRIGHT AND THE CREATIVE PROCESS
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-04T12%3A48%3A13IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=COPYRIGHT%20AND%20THE%20CREATIVE%20PROCESS&rft.jtitle=The%20Notre%20Dame%20law%20review&rft.au=Bartholomew,%20Mark&rft.date=2021-11-01&rft.volume=97&rft.issue=1&rft.spage=357&rft.pages=357-&rft.issn=0745-3515&rft_id=info:doi/&rft_dat=%3Cgale_proqu%3EA693213691%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2620026901&rft_id=info:pmid/&rft_galeid=A693213691&rfr_iscdi=true