Ballads as Vessels for Collective Cultural Memory: A Critical Comparison of Alfred Noyes's "The Highwayman" and Federico García Lorca's "Romance sonámbulo"
Alfred Noyes’s “The Highwayman” (1906) and Federico García Lorca’s “Romance sonámbulo” (1928), two early twentieth-century ballad poems, serve as literary vessels for the collective memory of historical periods and share aesthetic and narrative similarities. Common images and colors (red, green) als...
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| description | Alfred Noyes’s “The Highwayman” (1906) and Federico García Lorca’s “Romance sonámbulo” (1928), two early twentieth-century ballad poems, serve as literary vessels for the collective memory of historical periods and share aesthetic and narrative similarities. Common images and colors (red, green) also illustrate both texts. The shared imagery calls attention to the ballads’ roles in preserving and transmitting collective memories. This study references the way that ballads stabilize in cultural memory, in line with David Rubin’s assessments of memory and literature in Memory in Oral Traditions (1995), as well as the studies of other scholars (e.g., Benjamin, Boyd, Connerton). |
| doi_str_mv | 10.24197/ersies.42.2021.55-79 |
| format | Article |
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Common images and colors (red, green) also illustrate both texts. The shared imagery calls attention to the ballads’ roles in preserving and transmitting collective memories. 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| source | DOAJ Directory of Open Access Journals; Alma/SFX Local Collection |
| subjects | 20th century Aesthetics Allusion Authoritarianism Autobiographies Ballads Childrens literature Collective memory Cultural heritage Culture E-books English literature Epic literature Folklore Garcia Lorca, Federico (1898-1936) Heroism & heroes Imagery Literary characters Literary criticism Literary devices Literary translation Narrative techniques Narratives Noyes, Alfred (1880-1958) Oral tradition Plot (Narrative) Poetry Poets Popular culture Readers Rubin, David Spanish literature |
| title | Ballads as Vessels for Collective Cultural Memory: A Critical Comparison of Alfred Noyes's "The Highwayman" and Federico García Lorca's "Romance sonámbulo" |
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