Evaluation of stage acoustic parameters of Grha Sepuluh Nopember room
The quality of the performance is determined by the stage acoustic condition. The parameter will determine the harmonization of performances as well as communication media between musicians. There are some acoustic parameters that determine the stage acoustics, which are ST early, ST late, reverbera...
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| creator | Suyatno Alfianti, Dita Aulia Basworo, Mudito Tejo Prajitno, Gontjang Indrawati, Susilo |
| description | The quality of the performance is determined by the stage acoustic condition. The parameter will determine the harmonization of performances as well as communication media between musicians. There are some acoustic parameters that determine the stage acoustics, which are ST early, ST late, reverberation time and clarity of music (C80). The study evaluated the stage acoustic parameters in Grha Sepuluh Nopember. The evaluation has done by measuring the impulse response to obtain some acoustic parameters such as the direct sound energy, the first reflection energy and the final reflection energy of the sound heard by each position of the musician. Based on the measurement and analysis, the value of reverberation time is ranged from 0.8-2.9s, ST early has a range of -10dB - 6dB at each frequency, ST late has a range of -8dB - 3dB at each frequency and C80 has a range of -2dB - 7dB at each frequency. So, the stage of Grha Sepuluh November cannot be said to be good as music (space) room or concert hall, but it is more suitable to be used as speech room. Therefore, it should have some improvement in order to make it functioned as performance room or concert hall. |
| doi_str_mv | 10.1088/1742-6596/1153/1/012006 |
| format | Article |
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The parameter will determine the harmonization of performances as well as communication media between musicians. There are some acoustic parameters that determine the stage acoustics, which are ST early, ST late, reverberation time and clarity of music (C80). The study evaluated the stage acoustic parameters in Grha Sepuluh Nopember. The evaluation has done by measuring the impulse response to obtain some acoustic parameters such as the direct sound energy, the first reflection energy and the final reflection energy of the sound heard by each position of the musician. Based on the measurement and analysis, the value of reverberation time is ranged from 0.8-2.9s, ST early has a range of -10dB - 6dB at each frequency, ST late has a range of -8dB - 3dB at each frequency and C80 has a range of -2dB - 7dB at each frequency. So, the stage of Grha Sepuluh November cannot be said to be good as music (space) room or concert hall, but it is more suitable to be used as speech room. 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Conference series</title><addtitle>J. Phys.: Conf. Ser</addtitle><description>The quality of the performance is determined by the stage acoustic condition. The parameter will determine the harmonization of performances as well as communication media between musicians. There are some acoustic parameters that determine the stage acoustics, which are ST early, ST late, reverberation time and clarity of music (C80). The study evaluated the stage acoustic parameters in Grha Sepuluh Nopember. The evaluation has done by measuring the impulse response to obtain some acoustic parameters such as the direct sound energy, the first reflection energy and the final reflection energy of the sound heard by each position of the musician. Based on the measurement and analysis, the value of reverberation time is ranged from 0.8-2.9s, ST early has a range of -10dB - 6dB at each frequency, ST late has a range of -8dB - 3dB at each frequency and C80 has a range of -2dB - 7dB at each frequency. 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Therefore, it should have some improvement in order to make it functioned as performance room or concert hall.</description><subject>Acoustic measurement</subject><subject>Acoustic properties</subject><subject>Acoustics</subject><subject>Impulse response</subject><subject>Music</subject><subject>Musical performances</subject><subject>Parameters</subject><subject>Position measurement</subject><subject>Reverberation time</subject><subject>Sound</subject><issn>1742-6588</issn><issn>1742-6596</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2019</creationdate><recordtype>article</recordtype><sourceid>O3W</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><recordid>eNqFkF9LwzAUxYMoOKefwYBvQm3S_O2jjDmVocL0OaRJ6jrWpSatsG9vS2UiCF4u3Av3nHPhB8AlRjcYSZliQbOEs5ynGDOS4hThDCF-BCaHy_Fhl_IUnMW4QYj0JSZgPv_U2063ld9BX8LY6ncHtfFdbCsDGx107VoX4nBchLWGK9d0224Nn3zj6sIFGLyvz8FJqbfRXXzPKXi7m7_O7pPl8-JhdrtMDMWkTUqSUVNwhpklVNJCSIK0MJk1VpsCUSJKyZnJnSVC6pwWxAnuECO274JbMgVXY24T_EfnYqs2vgu7_qXKGGeE5lSIXiVGlQk-xuBK1YSq1mGvMFIDMzXQUAMZNTBTWI3MeicZnZVvfqL_d13_4Xp8ma1-C1VjS_IFJUp7Jw</recordid><startdate>20190201</startdate><enddate>20190201</enddate><creator>Suyatno</creator><creator>Alfianti, Dita Aulia</creator><creator>Basworo, Mudito Tejo</creator><creator>Prajitno, Gontjang</creator><creator>Indrawati, Susilo</creator><general>IOP Publishing</general><scope>O3W</scope><scope>TSCCA</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>8FD</scope><scope>8FE</scope><scope>8FG</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>ARAPS</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BGLVJ</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>H8D</scope><scope>HCIFZ</scope><scope>L7M</scope><scope>P5Z</scope><scope>P62</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope></search><sort><creationdate>20190201</creationdate><title>Evaluation of stage acoustic parameters of Grha Sepuluh Nopember room</title><author>Suyatno ; Alfianti, Dita Aulia ; Basworo, Mudito Tejo ; Prajitno, Gontjang ; Indrawati, Susilo</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c413t-f324cb6515d3484b7830a7c2dcdacb0437f865c9ed378a94b3e76e053d53db6d3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2019</creationdate><topic>Acoustic measurement</topic><topic>Acoustic properties</topic><topic>Acoustics</topic><topic>Impulse response</topic><topic>Music</topic><topic>Musical performances</topic><topic>Parameters</topic><topic>Position measurement</topic><topic>Reverberation time</topic><topic>Sound</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Suyatno</creatorcontrib><creatorcontrib>Alfianti, Dita Aulia</creatorcontrib><creatorcontrib>Basworo, Mudito Tejo</creatorcontrib><creatorcontrib>Prajitno, Gontjang</creatorcontrib><creatorcontrib>Indrawati, Susilo</creatorcontrib><collection>IOP Publishing Free Content</collection><collection>IOPscience (Open Access)</collection><collection>CrossRef</collection><collection>Technology Research Database</collection><collection>ProQuest SciTech Collection</collection><collection>ProQuest Technology Collection</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>Advanced Technologies & Aerospace Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Technology Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>Aerospace Database</collection><collection>SciTech Premium Collection</collection><collection>Advanced Technologies Database with Aerospace</collection><collection>Advanced Technologies & Aerospace Database</collection><collection>ProQuest Advanced Technologies & Aerospace Collection</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><jtitle>Journal of physics. Conference series</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Suyatno</au><au>Alfianti, Dita Aulia</au><au>Basworo, Mudito Tejo</au><au>Prajitno, Gontjang</au><au>Indrawati, Susilo</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Evaluation of stage acoustic parameters of Grha Sepuluh Nopember room</atitle><jtitle>Journal of physics. Conference series</jtitle><addtitle>J. Phys.: Conf. Ser</addtitle><date>2019-02-01</date><risdate>2019</risdate><volume>1153</volume><issue>1</issue><spage>12006</spage><pages>12006-</pages><issn>1742-6588</issn><eissn>1742-6596</eissn><abstract>The quality of the performance is determined by the stage acoustic condition. The parameter will determine the harmonization of performances as well as communication media between musicians. There are some acoustic parameters that determine the stage acoustics, which are ST early, ST late, reverberation time and clarity of music (C80). The study evaluated the stage acoustic parameters in Grha Sepuluh Nopember. The evaluation has done by measuring the impulse response to obtain some acoustic parameters such as the direct sound energy, the first reflection energy and the final reflection energy of the sound heard by each position of the musician. Based on the measurement and analysis, the value of reverberation time is ranged from 0.8-2.9s, ST early has a range of -10dB - 6dB at each frequency, ST late has a range of -8dB - 3dB at each frequency and C80 has a range of -2dB - 7dB at each frequency. So, the stage of Grha Sepuluh November cannot be said to be good as music (space) room or concert hall, but it is more suitable to be used as speech room. Therefore, it should have some improvement in order to make it functioned as performance room or concert hall.</abstract><cop>Bristol</cop><pub>IOP Publishing</pub><doi>10.1088/1742-6596/1153/1/012006</doi><tpages>5</tpages><oa>free_for_read</oa></addata></record> |
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| subjects | Acoustic measurement Acoustic properties Acoustics Impulse response Music Musical performances Parameters Position measurement Reverberation time Sound |
| title | Evaluation of stage acoustic parameters of Grha Sepuluh Nopember room |
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