Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War

The leaked email accounts of Putin’s aide on Ukraine, Vladislav Surkov, are vast primary source collections that shed light on the backstage happenings of the Kremlin’s politics in the Donbas war. Surkov is an excellent dramaturg; he writes scripts, casts actors, analyzes their performance and narra...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Nationalities papers 2019-09, Vol.47 (5), p.750-773
1. Verfasser: Hosaka, Sanshiro
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 773
container_issue 5
container_start_page 750
container_title Nationalities papers
container_volume 47
creator Hosaka, Sanshiro
description The leaked email accounts of Putin’s aide on Ukraine, Vladislav Surkov, are vast primary source collections that shed light on the backstage happenings of the Kremlin’s politics in the Donbas war. Surkov is an excellent dramaturg; he writes scripts, casts actors, analyzes their performance and narratives, runs promotions, and puts the repertoire into motion to achieve intended reactions of the target audience. Methods and resources employed against Ukraine have much in common with political technology that helps the Kremlin to manipulate public opinion as well as election systems using pseudo-experts, technical parties, fake civic organizations and youth movement such as Nashi, and covert media techniques. Moscow tactically promoted the myth of “Novorossiya”—later the circumstances forced Surkov to replace it with “Donbas.” These tactics gave false credibility to “separatists” who would voice Moscow’s objections to any attempts of Ukraine to drift westward, creating an illusion in the domestic and international audience: the separatists are not puppets of Moscow but desperately fight against Kyiv junta for their localized identity, and Russia is just there to offer them a helping hand. The Russian policy toward Ukraine after the 2013 fall is an extension of its “virtual” domestic politics, but not traditional diplomacy at all.
doi_str_mv 10.1017/nps.2019.70
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2546609765</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2546609765</sourcerecordid><originalsourceid>FETCH-LOGICAL-c261t-9fb7cb880b79655923b7458d57d0004b825a4399f259e6d80b5f83e56c684d473</originalsourceid><addsrcrecordid>eNotkEtOwzAYhC0EEqWw4gKWWKKE3_ErZofKUyoCQVGXluM4NCWNi50gdcc1uB4nIVVZzebTzOhD6JRASoDIi3Yd0wyISiXsoRFhgidUZXQfjQAUJFyp7BAdxbgEAEGBjdDj3DXWrxzuPH7tw4f_-v3-iXi2cKZz4RK_9DHWpsXPvqm72poGz5xdtL7x7xtct7hbOHzt28JEPDfhGB1Uponu5D_H6O32Zja5T6ZPdw-Tq2liM0G6RFWFtEWeQyGV4Hx4WEjG85LLcjjGijzjhlGlqowrJ8qB41VOHRdW5Kxkko7R2a53Hfxn72Knl74P7TCpM86EACUFH6jzHWWDjzG4Sq9DvTJhownorS89-NJbX1oC_QOSgl01</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2546609765</pqid></control><display><type>article</type><title>Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War</title><source>Worldwide Political Science Abstracts</source><source>Sociological Abstracts</source><source>Cambridge University Press Journals Complete</source><creator>Hosaka, Sanshiro</creator><creatorcontrib>Hosaka, Sanshiro</creatorcontrib><description>The leaked email accounts of Putin’s aide on Ukraine, Vladislav Surkov, are vast primary source collections that shed light on the backstage happenings of the Kremlin’s politics in the Donbas war. Surkov is an excellent dramaturg; he writes scripts, casts actors, analyzes their performance and narratives, runs promotions, and puts the repertoire into motion to achieve intended reactions of the target audience. Methods and resources employed against Ukraine have much in common with political technology that helps the Kremlin to manipulate public opinion as well as election systems using pseudo-experts, technical parties, fake civic organizations and youth movement such as Nashi, and covert media techniques. Moscow tactically promoted the myth of “Novorossiya”—later the circumstances forced Surkov to replace it with “Donbas.” These tactics gave false credibility to “separatists” who would voice Moscow’s objections to any attempts of Ukraine to drift westward, creating an illusion in the domestic and international audience: the separatists are not puppets of Moscow but desperately fight against Kyiv junta for their localized identity, and Russia is just there to offer them a helping hand. The Russian policy toward Ukraine after the 2013 fall is an extension of its “virtual” domestic politics, but not traditional diplomacy at all.</description><identifier>ISSN: 0090-5992</identifier><identifier>EISSN: 1465-3923</identifier><identifier>DOI: 10.1017/nps.2019.70</identifier><language>eng</language><publisher>Abingdon: Cambridge University Press</publisher><subject>Actors ; Audiences ; British &amp; Irish literature ; Covert ; Credibility ; Diplomacy ; Domestic politics ; Elections ; Email ; English literature ; Foreign policy ; Political appointments ; Political parties ; Politics ; Public opinion ; Scripts ; Separatism ; Shakespeare, William (1564-1616) ; Tactics ; Technology ; Theater ; War ; Youth movements ; Youth organizations</subject><ispartof>Nationalities papers, 2019-09, Vol.47 (5), p.750-773</ispartof><rights>Association for the Study of Nationalities 2019</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c261t-9fb7cb880b79655923b7458d57d0004b825a4399f259e6d80b5f83e56c684d473</citedby><cites>FETCH-LOGICAL-c261t-9fb7cb880b79655923b7458d57d0004b825a4399f259e6d80b5f83e56c684d473</cites><orcidid>0000-0002-3258-0455</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,12843,27342,27922,27923,33772</link.rule.ids></links><search><creatorcontrib>Hosaka, Sanshiro</creatorcontrib><title>Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War</title><title>Nationalities papers</title><description>The leaked email accounts of Putin’s aide on Ukraine, Vladislav Surkov, are vast primary source collections that shed light on the backstage happenings of the Kremlin’s politics in the Donbas war. Surkov is an excellent dramaturg; he writes scripts, casts actors, analyzes their performance and narratives, runs promotions, and puts the repertoire into motion to achieve intended reactions of the target audience. Methods and resources employed against Ukraine have much in common with political technology that helps the Kremlin to manipulate public opinion as well as election systems using pseudo-experts, technical parties, fake civic organizations and youth movement such as Nashi, and covert media techniques. Moscow tactically promoted the myth of “Novorossiya”—later the circumstances forced Surkov to replace it with “Donbas.” These tactics gave false credibility to “separatists” who would voice Moscow’s objections to any attempts of Ukraine to drift westward, creating an illusion in the domestic and international audience: the separatists are not puppets of Moscow but desperately fight against Kyiv junta for their localized identity, and Russia is just there to offer them a helping hand. The Russian policy toward Ukraine after the 2013 fall is an extension of its “virtual” domestic politics, but not traditional diplomacy at all.</description><subject>Actors</subject><subject>Audiences</subject><subject>British &amp; Irish literature</subject><subject>Covert</subject><subject>Credibility</subject><subject>Diplomacy</subject><subject>Domestic politics</subject><subject>Elections</subject><subject>Email</subject><subject>English literature</subject><subject>Foreign policy</subject><subject>Political appointments</subject><subject>Political parties</subject><subject>Politics</subject><subject>Public opinion</subject><subject>Scripts</subject><subject>Separatism</subject><subject>Shakespeare, William (1564-1616)</subject><subject>Tactics</subject><subject>Technology</subject><subject>Theater</subject><subject>War</subject><subject>Youth movements</subject><subject>Youth organizations</subject><issn>0090-5992</issn><issn>1465-3923</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2019</creationdate><recordtype>article</recordtype><sourceid>7UB</sourceid><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>BHHNA</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><recordid>eNotkEtOwzAYhC0EEqWw4gKWWKKE3_ErZofKUyoCQVGXluM4NCWNi50gdcc1uB4nIVVZzebTzOhD6JRASoDIi3Yd0wyISiXsoRFhgidUZXQfjQAUJFyp7BAdxbgEAEGBjdDj3DXWrxzuPH7tw4f_-v3-iXi2cKZz4RK_9DHWpsXPvqm72poGz5xdtL7x7xtct7hbOHzt28JEPDfhGB1Uponu5D_H6O32Zja5T6ZPdw-Tq2liM0G6RFWFtEWeQyGV4Hx4WEjG85LLcjjGijzjhlGlqowrJ8qB41VOHRdW5Kxkko7R2a53Hfxn72Knl74P7TCpM86EACUFH6jzHWWDjzG4Sq9DvTJhownorS89-NJbX1oC_QOSgl01</recordid><startdate>201909</startdate><enddate>201909</enddate><creator>Hosaka, Sanshiro</creator><general>Cambridge University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>0-V</scope><scope>3V.</scope><scope>7U4</scope><scope>7UB</scope><scope>7XB</scope><scope>88J</scope><scope>8BJ</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>ALSLI</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BHHNA</scope><scope>CCPQU</scope><scope>DPSOV</scope><scope>DWI</scope><scope>DWQXO</scope><scope>FQK</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>HEHIP</scope><scope>JBE</scope><scope>KC-</scope><scope>LIQON</scope><scope>M2L</scope><scope>M2O</scope><scope>M2R</scope><scope>M2S</scope><scope>MBDVC</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>Q9U</scope><scope>WZK</scope><orcidid>https://orcid.org/0000-0002-3258-0455</orcidid></search><sort><creationdate>201909</creationdate><title>Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War</title><author>Hosaka, Sanshiro</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c261t-9fb7cb880b79655923b7458d57d0004b825a4399f259e6d80b5f83e56c684d473</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2019</creationdate><topic>Actors</topic><topic>Audiences</topic><topic>British &amp; Irish literature</topic><topic>Covert</topic><topic>Credibility</topic><topic>Diplomacy</topic><topic>Domestic politics</topic><topic>Elections</topic><topic>Email</topic><topic>English literature</topic><topic>Foreign policy</topic><topic>Political appointments</topic><topic>Political parties</topic><topic>Politics</topic><topic>Public opinion</topic><topic>Scripts</topic><topic>Separatism</topic><topic>Shakespeare, William (1564-1616)</topic><topic>Tactics</topic><topic>Technology</topic><topic>Theater</topic><topic>War</topic><topic>Youth movements</topic><topic>Youth organizations</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Hosaka, Sanshiro</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Social Sciences Premium Collection</collection><collection>ProQuest Central (Corporate)</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>Worldwide Political Science Abstracts</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Social Science Database (Alumni Edition)</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Social Science Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Sociological Abstracts</collection><collection>ProQuest One Community College</collection><collection>Politics Collection</collection><collection>Sociological Abstracts</collection><collection>ProQuest Central Korea</collection><collection>International Bibliography of the Social Sciences</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Sociology Collection</collection><collection>International Bibliography of the Social Sciences</collection><collection>ProQuest Politics Collection</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Political Science Database</collection><collection>Research Library</collection><collection>Social Science Database</collection><collection>Sociology Database</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central Basic</collection><collection>Sociological Abstracts (Ovid)</collection><jtitle>Nationalities papers</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Hosaka, Sanshiro</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War</atitle><jtitle>Nationalities papers</jtitle><date>2019-09</date><risdate>2019</risdate><volume>47</volume><issue>5</issue><spage>750</spage><epage>773</epage><pages>750-773</pages><issn>0090-5992</issn><eissn>1465-3923</eissn><abstract>The leaked email accounts of Putin’s aide on Ukraine, Vladislav Surkov, are vast primary source collections that shed light on the backstage happenings of the Kremlin’s politics in the Donbas war. Surkov is an excellent dramaturg; he writes scripts, casts actors, analyzes their performance and narratives, runs promotions, and puts the repertoire into motion to achieve intended reactions of the target audience. Methods and resources employed against Ukraine have much in common with political technology that helps the Kremlin to manipulate public opinion as well as election systems using pseudo-experts, technical parties, fake civic organizations and youth movement such as Nashi, and covert media techniques. Moscow tactically promoted the myth of “Novorossiya”—later the circumstances forced Surkov to replace it with “Donbas.” These tactics gave false credibility to “separatists” who would voice Moscow’s objections to any attempts of Ukraine to drift westward, creating an illusion in the domestic and international audience: the separatists are not puppets of Moscow but desperately fight against Kyiv junta for their localized identity, and Russia is just there to offer them a helping hand. The Russian policy toward Ukraine after the 2013 fall is an extension of its “virtual” domestic politics, but not traditional diplomacy at all.</abstract><cop>Abingdon</cop><pub>Cambridge University Press</pub><doi>10.1017/nps.2019.70</doi><tpages>24</tpages><orcidid>https://orcid.org/0000-0002-3258-0455</orcidid></addata></record>
fulltext fulltext
identifier ISSN: 0090-5992
ispartof Nationalities papers, 2019-09, Vol.47 (5), p.750-773
issn 0090-5992
1465-3923
language eng
recordid cdi_proquest_journals_2546609765
source Worldwide Political Science Abstracts; Sociological Abstracts; Cambridge University Press Journals Complete
subjects Actors
Audiences
British & Irish literature
Covert
Credibility
Diplomacy
Domestic politics
Elections
Email
English literature
Foreign policy
Political appointments
Political parties
Politics
Public opinion
Scripts
Separatism
Shakespeare, William (1564-1616)
Tactics
Technology
Theater
War
Youth movements
Youth organizations
title Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-10T05%3A40%3A31IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Welcome%20to%20Surkov%E2%80%99s%20Theater:%20Russian%20Political%20Technology%20in%20the%20Donbas%20War&rft.jtitle=Nationalities%20papers&rft.au=Hosaka,%20Sanshiro&rft.date=2019-09&rft.volume=47&rft.issue=5&rft.spage=750&rft.epage=773&rft.pages=750-773&rft.issn=0090-5992&rft.eissn=1465-3923&rft_id=info:doi/10.1017/nps.2019.70&rft_dat=%3Cproquest_cross%3E2546609765%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2546609765&rft_id=info:pmid/&rfr_iscdi=true