Social media and the visibility of horrific violence

Abstract Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Inst...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:International affairs (London) 2020-05, Vol.96 (3), p.609-629
1. Verfasser: Duncombe, Constance
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 629
container_issue 3
container_start_page 609
container_title International affairs (London)
container_volume 96
creator Duncombe, Constance
description Abstract Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.
doi_str_mv 10.1093/ia/iiaa055
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2502816172</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><oup_id>10.1093/ia/iiaa055</oup_id><sourcerecordid>2502816172</sourcerecordid><originalsourceid>FETCH-LOGICAL-c289t-55e692f5d4069e08d3feb6c900d26eec719915539bf2b2350cfa706058fc0df73</originalsourceid><addsrcrecordid>eNp90MFLwzAUBvAgCtbpxb-gIF6EupekSZujDKfCwIN6DmmasDe6pSatsP_eSnf29MHHj_fgI-SWwiMFxZdolojGgBBnJKOlrAvGS3lOMgAGhagFXJKrlHYAQDlXGSk_gkXT5XvXosnNoc2Hrct_MGGDHQ7HPPh8G2JEj3aqQ-cO1l2TC2-65G5OuSBf6-fP1WuxeX95Wz1tCstqNRRCOKmYF20JUjmoW-5dI60CaJl0zlZUKSoEV41nDeMCrDcVSBC1t9D6ii_I3Xy3j-F7dGnQuzDGw_RSMwGsppJWbFIPs7IxpBSd133EvYlHTUH_raLR6NMqE76fcRj7_9wvKIRg3w</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2502816172</pqid></control><display><type>article</type><title>Social media and the visibility of horrific violence</title><source>Oxford University Press Journals Current</source><source>Political Science Complete</source><source>PAIS Index</source><source>Worldwide Political Science Abstracts</source><source>EBSCOhost Business Source Complete</source><creator>Duncombe, Constance</creator><creatorcontrib>Duncombe, Constance</creatorcontrib><description>Abstract Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.</description><identifier>ISSN: 0020-5850</identifier><identifier>EISSN: 1468-2346</identifier><identifier>DOI: 10.1093/ia/iiaa055</identifier><language>eng</language><publisher>Oxford: Oxford University Press</publisher><subject>Atrocities ; Audiences ; Cartoons ; Censorship ; Emotional responses ; Emotions ; Frame analysis ; Imagery ; Mass media ; Mass media effects ; Mass media images ; Media violence ; News media ; Policy making ; Political communication ; Property ; Social media ; Social networks ; Terrorism ; Violence ; Visibility</subject><ispartof>International affairs (London), 2020-05, Vol.96 (3), p.609-629</ispartof><rights>The Author(s) 2020. Published by Oxford University Press on behalf of The Royal Institute of International Affairs. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com . 2020</rights><rights>The Author(s) 2020. Published by Oxford University Press on behalf of The Royal Institute of International Affairs. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c289t-55e692f5d4069e08d3feb6c900d26eec719915539bf2b2350cfa706058fc0df73</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,1578,27843,27901,27902</link.rule.ids></links><search><creatorcontrib>Duncombe, Constance</creatorcontrib><title>Social media and the visibility of horrific violence</title><title>International affairs (London)</title><description>Abstract Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.</description><subject>Atrocities</subject><subject>Audiences</subject><subject>Cartoons</subject><subject>Censorship</subject><subject>Emotional responses</subject><subject>Emotions</subject><subject>Frame analysis</subject><subject>Imagery</subject><subject>Mass media</subject><subject>Mass media effects</subject><subject>Mass media images</subject><subject>Media violence</subject><subject>News media</subject><subject>Policy making</subject><subject>Political communication</subject><subject>Property</subject><subject>Social media</subject><subject>Social networks</subject><subject>Terrorism</subject><subject>Violence</subject><subject>Visibility</subject><issn>0020-5850</issn><issn>1468-2346</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><sourceid>7TQ</sourceid><sourceid>7UB</sourceid><recordid>eNp90MFLwzAUBvAgCtbpxb-gIF6EupekSZujDKfCwIN6DmmasDe6pSatsP_eSnf29MHHj_fgI-SWwiMFxZdolojGgBBnJKOlrAvGS3lOMgAGhagFXJKrlHYAQDlXGSk_gkXT5XvXosnNoc2Hrct_MGGDHQ7HPPh8G2JEj3aqQ-cO1l2TC2-65G5OuSBf6-fP1WuxeX95Wz1tCstqNRRCOKmYF20JUjmoW-5dI60CaJl0zlZUKSoEV41nDeMCrDcVSBC1t9D6ii_I3Xy3j-F7dGnQuzDGw_RSMwGsppJWbFIPs7IxpBSd133EvYlHTUH_raLR6NMqE76fcRj7_9wvKIRg3w</recordid><startdate>20200501</startdate><enddate>20200501</enddate><creator>Duncombe, Constance</creator><general>Oxford University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7TQ</scope><scope>7UB</scope><scope>8BJ</scope><scope>DHY</scope><scope>DON</scope><scope>FQK</scope><scope>JBE</scope></search><sort><creationdate>20200501</creationdate><title>Social media and the visibility of horrific violence</title><author>Duncombe, Constance</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c289t-55e692f5d4069e08d3feb6c900d26eec719915539bf2b2350cfa706058fc0df73</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>Atrocities</topic><topic>Audiences</topic><topic>Cartoons</topic><topic>Censorship</topic><topic>Emotional responses</topic><topic>Emotions</topic><topic>Frame analysis</topic><topic>Imagery</topic><topic>Mass media</topic><topic>Mass media effects</topic><topic>Mass media images</topic><topic>Media violence</topic><topic>News media</topic><topic>Policy making</topic><topic>Political communication</topic><topic>Property</topic><topic>Social media</topic><topic>Social networks</topic><topic>Terrorism</topic><topic>Violence</topic><topic>Visibility</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Duncombe, Constance</creatorcontrib><collection>CrossRef</collection><collection>PAIS Index</collection><collection>Worldwide Political Science Abstracts</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>PAIS International</collection><collection>PAIS International (Ovid)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><jtitle>International affairs (London)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Duncombe, Constance</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Social media and the visibility of horrific violence</atitle><jtitle>International affairs (London)</jtitle><date>2020-05-01</date><risdate>2020</risdate><volume>96</volume><issue>3</issue><spage>609</spage><epage>629</epage><pages>609-629</pages><issn>0020-5850</issn><eissn>1468-2346</eissn><abstract>Abstract Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.</abstract><cop>Oxford</cop><pub>Oxford University Press</pub><doi>10.1093/ia/iiaa055</doi><tpages>21</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0020-5850
ispartof International affairs (London), 2020-05, Vol.96 (3), p.609-629
issn 0020-5850
1468-2346
language eng
recordid cdi_proquest_journals_2502816172
source Oxford University Press Journals Current; Political Science Complete; PAIS Index; Worldwide Political Science Abstracts; EBSCOhost Business Source Complete
subjects Atrocities
Audiences
Cartoons
Censorship
Emotional responses
Emotions
Frame analysis
Imagery
Mass media
Mass media effects
Mass media images
Media violence
News media
Policy making
Political communication
Property
Social media
Social networks
Terrorism
Violence
Visibility
title Social media and the visibility of horrific violence
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-14T06%3A47%3A48IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Social%20media%20and%20the%20visibility%20of%20horrific%20violence&rft.jtitle=International%20affairs%20(London)&rft.au=Duncombe,%20Constance&rft.date=2020-05-01&rft.volume=96&rft.issue=3&rft.spage=609&rft.epage=629&rft.pages=609-629&rft.issn=0020-5850&rft.eissn=1468-2346&rft_id=info:doi/10.1093/ia/iiaa055&rft_dat=%3Cproquest_cross%3E2502816172%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2502816172&rft_id=info:pmid/&rft_oup_id=10.1093/ia/iiaa055&rfr_iscdi=true