Social media and the visibility of horrific violence
Abstract Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Inst...
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Veröffentlicht in: | International affairs (London) 2020-05, Vol.96 (3), p.609-629 |
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Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making. |
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Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.</description><identifier>ISSN: 0020-5850</identifier><identifier>EISSN: 1468-2346</identifier><identifier>DOI: 10.1093/ia/iiaa055</identifier><language>eng</language><publisher>Oxford: Oxford University Press</publisher><subject>Atrocities ; Audiences ; Cartoons ; Censorship ; Emotional responses ; Emotions ; Frame analysis ; Imagery ; Mass media ; Mass media effects ; Mass media images ; Media violence ; News media ; Policy making ; Political communication ; Property ; Social media ; Social networks ; Terrorism ; Violence ; Visibility</subject><ispartof>International affairs (London), 2020-05, Vol.96 (3), p.609-629</ispartof><rights>The Author(s) 2020. Published by Oxford University Press on behalf of The Royal Institute of International Affairs. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com . 2020</rights><rights>The Author(s) 2020. Published by Oxford University Press on behalf of The Royal Institute of International Affairs. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c289t-55e692f5d4069e08d3feb6c900d26eec719915539bf2b2350cfa706058fc0df73</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,1578,27843,27901,27902</link.rule.ids></links><search><creatorcontrib>Duncombe, Constance</creatorcontrib><title>Social media and the visibility of horrific violence</title><title>International affairs (London)</title><description>Abstract
Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.</description><subject>Atrocities</subject><subject>Audiences</subject><subject>Cartoons</subject><subject>Censorship</subject><subject>Emotional responses</subject><subject>Emotions</subject><subject>Frame analysis</subject><subject>Imagery</subject><subject>Mass media</subject><subject>Mass media effects</subject><subject>Mass media images</subject><subject>Media violence</subject><subject>News media</subject><subject>Policy making</subject><subject>Political communication</subject><subject>Property</subject><subject>Social media</subject><subject>Social networks</subject><subject>Terrorism</subject><subject>Violence</subject><subject>Visibility</subject><issn>0020-5850</issn><issn>1468-2346</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><sourceid>7TQ</sourceid><sourceid>7UB</sourceid><recordid>eNp90MFLwzAUBvAgCtbpxb-gIF6EupekSZujDKfCwIN6DmmasDe6pSatsP_eSnf29MHHj_fgI-SWwiMFxZdolojGgBBnJKOlrAvGS3lOMgAGhagFXJKrlHYAQDlXGSk_gkXT5XvXosnNoc2Hrct_MGGDHQ7HPPh8G2JEj3aqQ-cO1l2TC2-65G5OuSBf6-fP1WuxeX95Wz1tCstqNRRCOKmYF20JUjmoW-5dI60CaJl0zlZUKSoEV41nDeMCrDcVSBC1t9D6ii_I3Xy3j-F7dGnQuzDGw_RSMwGsppJWbFIPs7IxpBSd133EvYlHTUH_raLR6NMqE76fcRj7_9wvKIRg3w</recordid><startdate>20200501</startdate><enddate>20200501</enddate><creator>Duncombe, Constance</creator><general>Oxford University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7TQ</scope><scope>7UB</scope><scope>8BJ</scope><scope>DHY</scope><scope>DON</scope><scope>FQK</scope><scope>JBE</scope></search><sort><creationdate>20200501</creationdate><title>Social media and the visibility of horrific violence</title><author>Duncombe, Constance</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c289t-55e692f5d4069e08d3feb6c900d26eec719915539bf2b2350cfa706058fc0df73</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>Atrocities</topic><topic>Audiences</topic><topic>Cartoons</topic><topic>Censorship</topic><topic>Emotional responses</topic><topic>Emotions</topic><topic>Frame analysis</topic><topic>Imagery</topic><topic>Mass media</topic><topic>Mass media effects</topic><topic>Mass media images</topic><topic>Media violence</topic><topic>News media</topic><topic>Policy making</topic><topic>Political communication</topic><topic>Property</topic><topic>Social media</topic><topic>Social networks</topic><topic>Terrorism</topic><topic>Violence</topic><topic>Visibility</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Duncombe, Constance</creatorcontrib><collection>CrossRef</collection><collection>PAIS Index</collection><collection>Worldwide Political Science Abstracts</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>PAIS International</collection><collection>PAIS International (Ovid)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><jtitle>International affairs (London)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Duncombe, Constance</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Social media and the visibility of horrific violence</atitle><jtitle>International affairs (London)</jtitle><date>2020-05-01</date><risdate>2020</risdate><volume>96</volume><issue>3</issue><spage>609</spage><epage>629</epage><pages>609-629</pages><issn>0020-5850</issn><eissn>1468-2346</eissn><abstract>Abstract
Images are central to social media communication. Billions of images are shared across different social media platforms every day: photos, cartoons, GIFs and short video clips are exchanged by users, facilitating or framing discourse on participatory sites such as Twitter, Facebook and Instagram. Many of these images depict events of extreme violence, which circulate uninhibited by the conventional constraints associated with traditional news media censorship. A question arises here as to how such images mobilize public and policy-making responses to atrocities. This article examines the political dynamics of violent social media images. I argue that the particular qualities of social media can play an important role in how the digital visibility of horrific violence influences policy-making as a response to such atrocities. There is an important connection between the properties of social media platforms that allow user images to reach a global audience in real time and the emotional responses that this level of circulation generates. In turn, the pressure created by events made globally visible through the circulation of violent images and the audience responses to those images puts governments in a position where they are forced to act, which has significant implications for policy-making.</abstract><cop>Oxford</cop><pub>Oxford University Press</pub><doi>10.1093/ia/iiaa055</doi><tpages>21</tpages></addata></record> |
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source | Oxford University Press Journals Current; Political Science Complete; PAIS Index; Worldwide Political Science Abstracts; EBSCOhost Business Source Complete |
subjects | Atrocities Audiences Cartoons Censorship Emotional responses Emotions Frame analysis Imagery Mass media Mass media effects Mass media images Media violence News media Policy making Political communication Property Social media Social networks Terrorism Violence Visibility |
title | Social media and the visibility of horrific violence |
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