Furrows of steel
The career of Joe Butler shows a total dedication to his pursuit of open, direct metal sculpture. Through Butler's career, there is a recurrence of birds, horses and icons of the human figure, suggesting influences from this natal period of his life. Out of this childhood world emerged the arti...
Gespeichert in:
Veröffentlicht in: | Irish arts review (2002) 2020-01, Vol.37 (3), p.86 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | The career of Joe Butler shows a total dedication to his pursuit of open, direct metal sculpture. Through Butler's career, there is a recurrence of birds, horses and icons of the human figure, suggesting influences from this natal period of his life. Out of this childhood world emerged the artist. Having attended Gowran primary school, he enrolled in Kilkenny technical school, where he responded quickly to the teaching of George Vaughan. Vaughan gave pep talks before classes, which consisted of drawing, painting and lino cuts. He also inspired in Butler a love of van Gogh and the Impressionist painters. Enthused by Vaughan's teaching, Butler enrolled at NCAD in 1973, graduating in 1978. Before he set out for Dublin, however, he had a visit from the local parish priest. He was worried about Butler's participation in life classes, where his morals might be corrupted by the sight of a female figure. Undaunted, Butler headed to Dublin, emerging from a childhood world of innocence where he served as an altar boy in his local community. |
---|---|
ISSN: | 1649-217X |