Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: colorimetry and interferometric microscopy of gilded models
In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can influence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in...
Gespeichert in:
| Veröffentlicht in: | Heritage science 2020-11, Vol.8 (1), Article 118 |
|---|---|
| Hauptverfasser: | , , , , , , , |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | |
|---|---|
| container_issue | 1 |
| container_start_page | |
| container_title | Heritage science |
| container_volume | 8 |
| creator | Wu, Qing Hauldenschild, Meret Rösner, Benedikt Lombardo, Tiziana Schmidt-Ott, Katharina Watts, Benjamin Nolting, Frithjof Ganz, David |
| description | In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can influence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in this paper (Part I) analytical techniques such as colorimetry and interferometric microscopy are implemented on models made from modern gold leaves. This study demonstrates that the substrate colour is not perceptible for gold leaf of at least 100 nm thickness, however the surface burnishing can greatly alter the visual appearance of a gold surface, and the quality of the burnishing is dependent on the substrate materials. Additionally, surface roughness and texture of the substrate can play supplementary roles, which can be visually observed through digital microscopy and quantified through interferometric microscopy. The findings in this paper will form the basis for the study of gold leaf samples taken from medieval European gilded sculptures in Part II. |
| doi_str_mv | 10.1186/s40494-020-00463-3 |
| format | Article |
| fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2473384408</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2473384408</sourcerecordid><originalsourceid>FETCH-LOGICAL-c363t-93e76acc89aafb3172312346cafd63d789424a2211d4df1ccfaf7f2c846ee3c73</originalsourceid><addsrcrecordid>eNp9UU1LAzEQDaJgqf0DngKeV_PV_fAiUr8KBT3oOaTJpG7ZbtYkW-gP8f-adgV7ci4zzLz3ZoaH0CUl15SW-U0QRFQiI4xkhIicZ_wEjRiZkqwQYnp6VJ-jSQhrkqKqOMuLEfp-cBBw6JchehUBa9e43mNlLeiI4yfgbR161WDVdaC8ajVgZ_GqbgwYvAFTwzZNg-6bLvYewh1-Uz7i-e1BytcbiH6HVWtw3UbwFrzbt2qNN7X2LmjX7Y4VnYEmXKAzq5oAk988Rh9Pj--zl2zx-jyf3S8yzXMes4pDkSuty0opu-S0YJwyLnKtrMm5KcpKMKEYo9QIY6nWVtnCMl2KHIDrgo_R1aDbeffVQ4hynb5v00rJRMF5KQQpE4oNqP29wYOVXfpL-Z2kRO4dkIMDMjkgDw5Inkh8IIUEblfg_6T_Yf0AXJ-Mjw</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2473384408</pqid></control><display><type>article</type><title>Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: colorimetry and interferometric microscopy of gilded models</title><source>Nature Free</source><source>DOAJ Directory of Open Access Journals</source><source>EZB-FREE-00999 freely available EZB journals</source><source>Springer Nature OA Free Journals</source><creator>Wu, Qing ; Hauldenschild, Meret ; Rösner, Benedikt ; Lombardo, Tiziana ; Schmidt-Ott, Katharina ; Watts, Benjamin ; Nolting, Frithjof ; Ganz, David</creator><creatorcontrib>Wu, Qing ; Hauldenschild, Meret ; Rösner, Benedikt ; Lombardo, Tiziana ; Schmidt-Ott, Katharina ; Watts, Benjamin ; Nolting, Frithjof ; Ganz, David</creatorcontrib><description>In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can influence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in this paper (Part I) analytical techniques such as colorimetry and interferometric microscopy are implemented on models made from modern gold leaves. This study demonstrates that the substrate colour is not perceptible for gold leaf of at least 100 nm thickness, however the surface burnishing can greatly alter the visual appearance of a gold surface, and the quality of the burnishing is dependent on the substrate materials. Additionally, surface roughness and texture of the substrate can play supplementary roles, which can be visually observed through digital microscopy and quantified through interferometric microscopy. The findings in this paper will form the basis for the study of gold leaf samples taken from medieval European gilded sculptures in Part II.</description><identifier>ISSN: 2050-7445</identifier><identifier>EISSN: 2050-7445</identifier><identifier>DOI: 10.1186/s40494-020-00463-3</identifier><language>eng</language><publisher>Cham: Springer International Publishing</publisher><subject>Burnishing ; Chemistry and Materials Science ; Color ; Colorimetry ; Gilding ; Gold ; Interferometry ; Materials Science ; Microscopy ; Research Article ; Statuary ; Substrates ; Surface layers ; Surface roughness</subject><ispartof>Heritage science, 2020-11, Vol.8 (1), Article 118</ispartof><rights>The Author(s) 2020. corrected publication 2022</rights><rights>The Author(s) 2020. corrected publication 2022. This work is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c363t-93e76acc89aafb3172312346cafd63d789424a2211d4df1ccfaf7f2c846ee3c73</citedby><cites>FETCH-LOGICAL-c363t-93e76acc89aafb3172312346cafd63d789424a2211d4df1ccfaf7f2c846ee3c73</cites><orcidid>0000-0001-5337-0396</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://link.springer.com/content/pdf/10.1186/s40494-020-00463-3$$EPDF$$P50$$Gspringer$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://doi.org/10.1186/s40494-020-00463-3$$EHTML$$P50$$Gspringer$$Hfree_for_read</linktohtml><link.rule.ids>314,777,781,861,27905,27906,41101,42170,51557</link.rule.ids></links><search><creatorcontrib>Wu, Qing</creatorcontrib><creatorcontrib>Hauldenschild, Meret</creatorcontrib><creatorcontrib>Rösner, Benedikt</creatorcontrib><creatorcontrib>Lombardo, Tiziana</creatorcontrib><creatorcontrib>Schmidt-Ott, Katharina</creatorcontrib><creatorcontrib>Watts, Benjamin</creatorcontrib><creatorcontrib>Nolting, Frithjof</creatorcontrib><creatorcontrib>Ganz, David</creatorcontrib><title>Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: colorimetry and interferometric microscopy of gilded models</title><title>Heritage science</title><addtitle>Herit Sci</addtitle><description>In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can influence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in this paper (Part I) analytical techniques such as colorimetry and interferometric microscopy are implemented on models made from modern gold leaves. This study demonstrates that the substrate colour is not perceptible for gold leaf of at least 100 nm thickness, however the surface burnishing can greatly alter the visual appearance of a gold surface, and the quality of the burnishing is dependent on the substrate materials. Additionally, surface roughness and texture of the substrate can play supplementary roles, which can be visually observed through digital microscopy and quantified through interferometric microscopy. The findings in this paper will form the basis for the study of gold leaf samples taken from medieval European gilded sculptures in Part II.</description><subject>Burnishing</subject><subject>Chemistry and Materials Science</subject><subject>Color</subject><subject>Colorimetry</subject><subject>Gilding</subject><subject>Gold</subject><subject>Interferometry</subject><subject>Materials Science</subject><subject>Microscopy</subject><subject>Research Article</subject><subject>Statuary</subject><subject>Substrates</subject><subject>Surface layers</subject><subject>Surface roughness</subject><issn>2050-7445</issn><issn>2050-7445</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><sourceid>C6C</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><recordid>eNp9UU1LAzEQDaJgqf0DngKeV_PV_fAiUr8KBT3oOaTJpG7ZbtYkW-gP8f-adgV7ci4zzLz3ZoaH0CUl15SW-U0QRFQiI4xkhIicZ_wEjRiZkqwQYnp6VJ-jSQhrkqKqOMuLEfp-cBBw6JchehUBa9e43mNlLeiI4yfgbR161WDVdaC8ajVgZ_GqbgwYvAFTwzZNg-6bLvYewh1-Uz7i-e1BytcbiH6HVWtw3UbwFrzbt2qNN7X2LmjX7Y4VnYEmXKAzq5oAk988Rh9Pj--zl2zx-jyf3S8yzXMes4pDkSuty0opu-S0YJwyLnKtrMm5KcpKMKEYo9QIY6nWVtnCMl2KHIDrgo_R1aDbeffVQ4hynb5v00rJRMF5KQQpE4oNqP29wYOVXfpL-Z2kRO4dkIMDMjkgDw5Inkh8IIUEblfg_6T_Yf0AXJ-Mjw</recordid><startdate>20201123</startdate><enddate>20201123</enddate><creator>Wu, Qing</creator><creator>Hauldenschild, Meret</creator><creator>Rösner, Benedikt</creator><creator>Lombardo, Tiziana</creator><creator>Schmidt-Ott, Katharina</creator><creator>Watts, Benjamin</creator><creator>Nolting, Frithjof</creator><creator>Ganz, David</creator><general>Springer International Publishing</general><general>Springer Nature B.V</general><scope>C6C</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>8FE</scope><scope>8FG</scope><scope>ABJCF</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BGLVJ</scope><scope>CCPQU</scope><scope>D1I</scope><scope>DWQXO</scope><scope>HCIFZ</scope><scope>KB.</scope><scope>PDBOC</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><orcidid>https://orcid.org/0000-0001-5337-0396</orcidid></search><sort><creationdate>20201123</creationdate><title>Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: colorimetry and interferometric microscopy of gilded models</title><author>Wu, Qing ; Hauldenschild, Meret ; Rösner, Benedikt ; Lombardo, Tiziana ; Schmidt-Ott, Katharina ; Watts, Benjamin ; Nolting, Frithjof ; Ganz, David</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c363t-93e76acc89aafb3172312346cafd63d789424a2211d4df1ccfaf7f2c846ee3c73</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>Burnishing</topic><topic>Chemistry and Materials Science</topic><topic>Color</topic><topic>Colorimetry</topic><topic>Gilding</topic><topic>Gold</topic><topic>Interferometry</topic><topic>Materials Science</topic><topic>Microscopy</topic><topic>Research Article</topic><topic>Statuary</topic><topic>Substrates</topic><topic>Surface layers</topic><topic>Surface roughness</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Wu, Qing</creatorcontrib><creatorcontrib>Hauldenschild, Meret</creatorcontrib><creatorcontrib>Rösner, Benedikt</creatorcontrib><creatorcontrib>Lombardo, Tiziana</creatorcontrib><creatorcontrib>Schmidt-Ott, Katharina</creatorcontrib><creatorcontrib>Watts, Benjamin</creatorcontrib><creatorcontrib>Nolting, Frithjof</creatorcontrib><creatorcontrib>Ganz, David</creatorcontrib><collection>Springer Nature OA Free Journals</collection><collection>CrossRef</collection><collection>ProQuest SciTech Collection</collection><collection>ProQuest Technology Collection</collection><collection>Materials Science & Engineering Collection</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>Technology Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Materials Science Collection</collection><collection>ProQuest Central</collection><collection>SciTech Premium Collection (Proquest) (PQ_SDU_P3)</collection><collection>https://resources.nclive.org/materials</collection><collection>Materials science collection</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><jtitle>Heritage science</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Wu, Qing</au><au>Hauldenschild, Meret</au><au>Rösner, Benedikt</au><au>Lombardo, Tiziana</au><au>Schmidt-Ott, Katharina</au><au>Watts, Benjamin</au><au>Nolting, Frithjof</au><au>Ganz, David</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: colorimetry and interferometric microscopy of gilded models</atitle><jtitle>Heritage science</jtitle><stitle>Herit Sci</stitle><date>2020-11-23</date><risdate>2020</risdate><volume>8</volume><issue>1</issue><artnum>118</artnum><issn>2050-7445</issn><eissn>2050-7445</eissn><abstract>In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can influence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in this paper (Part I) analytical techniques such as colorimetry and interferometric microscopy are implemented on models made from modern gold leaves. This study demonstrates that the substrate colour is not perceptible for gold leaf of at least 100 nm thickness, however the surface burnishing can greatly alter the visual appearance of a gold surface, and the quality of the burnishing is dependent on the substrate materials. Additionally, surface roughness and texture of the substrate can play supplementary roles, which can be visually observed through digital microscopy and quantified through interferometric microscopy. The findings in this paper will form the basis for the study of gold leaf samples taken from medieval European gilded sculptures in Part II.</abstract><cop>Cham</cop><pub>Springer International Publishing</pub><doi>10.1186/s40494-020-00463-3</doi><orcidid>https://orcid.org/0000-0001-5337-0396</orcidid><oa>free_for_read</oa></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 2050-7445 |
| ispartof | Heritage science, 2020-11, Vol.8 (1), Article 118 |
| issn | 2050-7445 2050-7445 |
| language | eng |
| recordid | cdi_proquest_journals_2473384408 |
| source | Nature Free; DOAJ Directory of Open Access Journals; EZB-FREE-00999 freely available EZB journals; Springer Nature OA Free Journals |
| subjects | Burnishing Chemistry and Materials Science Color Colorimetry Gilding Gold Interferometry Materials Science Microscopy Research Article Statuary Substrates Surface layers Surface roughness |
| title | Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: colorimetry and interferometric microscopy of gilded models |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-17T19%3A02%3A31IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Does%20substrate%20colour%20affect%20the%20visual%20appearance%20of%20gilded%20medieval%20sculptures?%20Part%20I:%20colorimetry%20and%20interferometric%20microscopy%20of%20gilded%20models&rft.jtitle=Heritage%20science&rft.au=Wu,%20Qing&rft.date=2020-11-23&rft.volume=8&rft.issue=1&rft.artnum=118&rft.issn=2050-7445&rft.eissn=2050-7445&rft_id=info:doi/10.1186/s40494-020-00463-3&rft_dat=%3Cproquest_cross%3E2473384408%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2473384408&rft_id=info:pmid/&rfr_iscdi=true |