“BAJO EL EXTERIOR DE UN POBRE PROVINCIANO...”. MARTÍN RIVAS, DE ALBERTO BLEST GANA
Convergen en esta lectura de Martín Rivas tres líneas de interpretación. La primera la proporciona el contexto histórico-social chileno de mediados del siglo XIX, que no solo determina la novela sino que está presente en su interior, por ejemplo en su develamiento de la estructura de clases de la ép...
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description | Convergen en esta lectura de Martín Rivas tres líneas de interpretación. La primera la proporciona el contexto histórico-social chileno de mediados del siglo XIX, que no solo determina la novela sino que está presente en su interior, por ejemplo en su develamiento de la estructura de clases de la época. La segunda línea surge de la confrontación seria de la novela de Blest Gana con sus antecedentes en la novelística europea de la primera mitad del siglo XIX: Scott, Stendhal y Balzac principalmente. La tercera línea, reconociendo el valor de los aportes de la crítica previa, Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno y varios más, intenta despejar los equívocos concernientes a la composición de la obra, siendo el principal de ellos el relativo a su eje central, el que a mi juicio no está constituido por las vicisitudes “del corazón” del joven Rivas sino por el proceso de su instalación y ascenso social en un Santiago premoderno pero ya en camino hacia la modernidad.
Three approaches of interpretation converge in this reading by Martín Rivas. The first is provided by the Chilean socio-historical context of the mid-nineteenth century, which not only determines the novel, but is present within it, as seen in its unveiling of the class structure of the time. The second approach arises from the serious confrontation of Blest Ganaʼs novel with its antecedents in the European novels of the first half of the 19th century: Scott, Stendhal and Balzac mainly. The third approach, recognizing the value of the contributions of previous criticisms by Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno and several others, tries to clear up the misunderstandings related to the composition of the work, the main one being with respect to its central axis. In my opinion this is not constituted by the vicissitudes “of the heart” of young Rivas but by the process of his entry and social ascent in a pre-modern Santiago which was already on its way to modernity. |
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Three approaches of interpretation converge in this reading by Martín Rivas. The first is provided by the Chilean socio-historical context of the mid-nineteenth century, which not only determines the novel, but is present within it, as seen in its unveiling of the class structure of the time. The second approach arises from the serious confrontation of Blest Ganaʼs novel with its antecedents in the European novels of the first half of the 19th century: Scott, Stendhal and Balzac mainly. The third approach, recognizing the value of the contributions of previous criticisms by Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno and several others, tries to clear up the misunderstandings related to the composition of the work, the main one being with respect to its central axis. In my opinion this is not constituted by the vicissitudes “of the heart” of young Rivas but by the process of his entry and social ascent in a pre-modern Santiago which was already on its way to modernity.</description><identifier>ISSN: 0048-7651</identifier><identifier>EISSN: 0718-2295</identifier><identifier>DOI: 10.4067/S0718-22952020000200189</identifier><language>spa</language><publisher>Santiago: Universidad de Chile</publisher><subject>19th century ; Balzac, Honore de (1799-1850) ; Bildungsroman ; Blest Gana, Alberto ; Chilean literature ; Clases sociales ; Comparative literature ; Crítica literaria ; EN DIÁLOGO CON LAS LITERATURAS DE AMÉRICA LATINA ; Escritores ; European literature ; French literature ; Literary criticism ; Literatura chilena ; Literatura comparada ; Literatura francesa ; Literatura y sociedad ; Literature and society ; Modernidad ; Modernity ; Novela de aprendizaje ; Novels ; Public spaces ; Siglo XIX ; Social classes ; Stendhal (Marie Henri Beyle) (1783-1842) ; Writers</subject><ispartof>Revista chilena de literatura, 2020-11 (102), p.189-220</ispartof><rights>COPYRIGHT 2020 Universidad de Chile, Facultad de Filosofia y Humanidades</rights><rights>2020. This work is published under https://creativecommons.org/licenses/by-nc-nd/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/26954638$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/26954638$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27924,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>Rojo, Grínor</creatorcontrib><title>“BAJO EL EXTERIOR DE UN POBRE PROVINCIANO...”. MARTÍN RIVAS, DE ALBERTO BLEST GANA</title><title>Revista chilena de literatura</title><description>Convergen en esta lectura de Martín Rivas tres líneas de interpretación. La primera la proporciona el contexto histórico-social chileno de mediados del siglo XIX, que no solo determina la novela sino que está presente en su interior, por ejemplo en su develamiento de la estructura de clases de la época. La segunda línea surge de la confrontación seria de la novela de Blest Gana con sus antecedentes en la novelística europea de la primera mitad del siglo XIX: Scott, Stendhal y Balzac principalmente. La tercera línea, reconociendo el valor de los aportes de la crítica previa, Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno y varios más, intenta despejar los equívocos concernientes a la composición de la obra, siendo el principal de ellos el relativo a su eje central, el que a mi juicio no está constituido por las vicisitudes “del corazón” del joven Rivas sino por el proceso de su instalación y ascenso social en un Santiago premoderno pero ya en camino hacia la modernidad.
Three approaches of interpretation converge in this reading by Martín Rivas. The first is provided by the Chilean socio-historical context of the mid-nineteenth century, which not only determines the novel, but is present within it, as seen in its unveiling of the class structure of the time. The second approach arises from the serious confrontation of Blest Ganaʼs novel with its antecedents in the European novels of the first half of the 19th century: Scott, Stendhal and Balzac mainly. The third approach, recognizing the value of the contributions of previous criticisms by Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno and several others, tries to clear up the misunderstandings related to the composition of the work, the main one being with respect to its central axis. In my opinion this is not constituted by the vicissitudes “of the heart” of young Rivas but by the process of his entry and social ascent in a pre-modern Santiago which was already on its way to modernity.</description><subject>19th century</subject><subject>Balzac, Honore de (1799-1850)</subject><subject>Bildungsroman</subject><subject>Blest Gana, Alberto</subject><subject>Chilean literature</subject><subject>Clases sociales</subject><subject>Comparative literature</subject><subject>Crítica literaria</subject><subject>EN DIÁLOGO CON LAS LITERATURAS DE AMÉRICA LATINA</subject><subject>Escritores</subject><subject>European literature</subject><subject>French literature</subject><subject>Literary criticism</subject><subject>Literatura chilena</subject><subject>Literatura comparada</subject><subject>Literatura francesa</subject><subject>Literatura y sociedad</subject><subject>Literature and society</subject><subject>Modernidad</subject><subject>Modernity</subject><subject>Novela de aprendizaje</subject><subject>Novels</subject><subject>Public spaces</subject><subject>Siglo XIX</subject><subject>Social classes</subject><subject>Stendhal (Marie Henri Beyle) (1783-1842)</subject><subject>Writers</subject><issn>0048-7651</issn><issn>0718-2295</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><recordid>eNptjl1Og0AQx4nRxFo9gnETXwWX_d7HpWLFIDSUVt8IpdDQtKUCffCtF_AGehpv0pO4pkZj4kwyM5n5_WfGMC5saBHI-PUQcluYCEmKIILadLCFPDA6P4NDXUMiTM6ofWycNM1cU0hC1jEed9s3R92HwPWB-xS7kRdG4MYFowAMQidywSAKx17Q81QQWpa1275b4EFF8cdrACJvrIZXX7TyHTeKQ-D47jAGfRWoU-OoSBdNfvadu8bo1o17d6Yf9r2e8s2ZLXhrMoJSlLNCP5Zl0i5SnNIpnrBC6oc5ZBROOCWIQikFlkTanDNGMyiLjOQFg7hrXO73ruvqeZM3bTKvNvVKn0wQYYJyijH9pWbpIk_KVVG1dZotyyZLFIdCEBsKrCnrH0r7NF-WWbXKi1L3_wjO94J501Z1sq7LZVq_JIhJShgW-BOEcXIS</recordid><startdate>20201101</startdate><enddate>20201101</enddate><creator>Rojo, Grínor</creator><general>Universidad de Chile</general><general>Universidad de Chile, Facultad de Filosofia y Humanidades</general><general>Universidad de Chile, Facultad de Filosophia y Humanidades</general><scope>INF</scope><scope>4T-</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AZQEC</scope><scope>BCQ</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLZPN</scope><scope>DWQXO</scope><scope>LIQON</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope></search><sort><creationdate>20201101</creationdate><title>“BAJO EL EXTERIOR DE UN POBRE PROVINCIANO...”. MARTÍN RIVAS, DE ALBERTO BLEST GANA</title><author>Rojo, Grínor</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g187t-642a2e6f651cc91fa3a5d3b6f900470650b7542509983949177665c09fc4ef603</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>spa</language><creationdate>2020</creationdate><topic>19th century</topic><topic>Balzac, Honore de (1799-1850)</topic><topic>Bildungsroman</topic><topic>Blest Gana, Alberto</topic><topic>Chilean literature</topic><topic>Clases sociales</topic><topic>Comparative literature</topic><topic>Crítica literaria</topic><topic>EN DIÁLOGO CON LAS LITERATURAS DE AMÉRICA LATINA</topic><topic>Escritores</topic><topic>European literature</topic><topic>French literature</topic><topic>Literary criticism</topic><topic>Literatura chilena</topic><topic>Literatura comparada</topic><topic>Literatura francesa</topic><topic>Literatura y sociedad</topic><topic>Literature and society</topic><topic>Modernidad</topic><topic>Modernity</topic><topic>Novela de aprendizaje</topic><topic>Novels</topic><topic>Public spaces</topic><topic>Siglo XIX</topic><topic>Social classes</topic><topic>Stendhal (Marie Henri Beyle) (1783-1842)</topic><topic>Writers</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Rojo, Grínor</creatorcontrib><collection>Gale OneFile: Informe Academico</collection><collection>Docstoc</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>ProQuest Central Essentials</collection><collection>Bibliografía de la Literatura Española</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Latin America & Iberia Database</collection><collection>ProQuest Central Korea</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Access via ProQuest (Open Access)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><jtitle>Revista chilena de literatura</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Rojo, Grínor</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>“BAJO EL EXTERIOR DE UN POBRE PROVINCIANO...”. MARTÍN RIVAS, DE ALBERTO BLEST GANA</atitle><jtitle>Revista chilena de literatura</jtitle><date>2020-11-01</date><risdate>2020</risdate><issue>102</issue><spage>189</spage><epage>220</epage><pages>189-220</pages><issn>0048-7651</issn><eissn>0718-2295</eissn><abstract>Convergen en esta lectura de Martín Rivas tres líneas de interpretación. La primera la proporciona el contexto histórico-social chileno de mediados del siglo XIX, que no solo determina la novela sino que está presente en su interior, por ejemplo en su develamiento de la estructura de clases de la época. La segunda línea surge de la confrontación seria de la novela de Blest Gana con sus antecedentes en la novelística europea de la primera mitad del siglo XIX: Scott, Stendhal y Balzac principalmente. La tercera línea, reconociendo el valor de los aportes de la crítica previa, Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno y varios más, intenta despejar los equívocos concernientes a la composición de la obra, siendo el principal de ellos el relativo a su eje central, el que a mi juicio no está constituido por las vicisitudes “del corazón” del joven Rivas sino por el proceso de su instalación y ascenso social en un Santiago premoderno pero ya en camino hacia la modernidad.
Three approaches of interpretation converge in this reading by Martín Rivas. The first is provided by the Chilean socio-historical context of the mid-nineteenth century, which not only determines the novel, but is present within it, as seen in its unveiling of the class structure of the time. The second approach arises from the serious confrontation of Blest Ganaʼs novel with its antecedents in the European novels of the first half of the 19th century: Scott, Stendhal and Balzac mainly. The third approach, recognizing the value of the contributions of previous criticisms by Latcham, Goic, Kirkwood y Faletto, Araya, Concha, Hosiasson, Montes, Salerno and several others, tries to clear up the misunderstandings related to the composition of the work, the main one being with respect to its central axis. In my opinion this is not constituted by the vicissitudes “of the heart” of young Rivas but by the process of his entry and social ascent in a pre-modern Santiago which was already on its way to modernity.</abstract><cop>Santiago</cop><pub>Universidad de Chile</pub><doi>10.4067/S0718-22952020000200189</doi><tpages>32</tpages><oa>free_for_read</oa></addata></record> |
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subjects | 19th century Balzac, Honore de (1799-1850) Bildungsroman Blest Gana, Alberto Chilean literature Clases sociales Comparative literature Crítica literaria EN DIÁLOGO CON LAS LITERATURAS DE AMÉRICA LATINA Escritores European literature French literature Literary criticism Literatura chilena Literatura comparada Literatura francesa Literatura y sociedad Literature and society Modernidad Modernity Novela de aprendizaje Novels Public spaces Siglo XIX Social classes Stendhal (Marie Henri Beyle) (1783-1842) Writers |
title | “BAJO EL EXTERIOR DE UN POBRE PROVINCIANO...”. MARTÍN RIVAS, DE ALBERTO BLEST GANA |
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