Point and Two-dimensional Mapping Analyses of the Paintings in Nara-ehon “Taketori Monogatari” by an X-ray Analytical Microscope
For the four paintings in the first volume of the Nara-ehon “Taketori Monogatari”, made in the early Edo period (1661-1681), point and two-dimensional analyses were carried out with an X-ray analytical microscope at room temperature under atmospheric conditions. The fluorescent X-ray spectrum of the...
Gespeichert in:
Veröffentlicht in: | BUNSEKI KAGAKU 2020/09/05, Vol.69(9), pp.505-513 |
---|---|
Hauptverfasser: | , , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 513 |
---|---|
container_issue | 9 |
container_start_page | 505 |
container_title | BUNSEKI KAGAKU |
container_volume | 69 |
creator | UEDA, Tomoya ENAMI, Kazuyuki FUJIWARA, Manabu |
description | For the four paintings in the first volume of the Nara-ehon “Taketori Monogatari”, made in the early Edo period (1661-1681), point and two-dimensional analyses were carried out with an X-ray analytical microscope at room temperature under atmospheric conditions. The fluorescent X-ray spectrum of the washi used confirmed the presence of small amounts of Si, P, S and K, and it was very similar to that of a Torinoko-gami that was quite expensive but common in Japan of the Edo era. By point analyses of the four paintings, various pigments, such as vermillion (HgS), minium (Pb3O4), marachite (Cu2CO3(OH)2), azurite (Cu3(CO3)2(OH)2), chalk (CaCO3), gold and silver, were found to be used. The point analyses were performed on the eight gray-blue areas in the four paintings. In all parts Co was detected together with Si, Fe and As. These results suggest that a cobalt ore with a high probability of smalt was selected for coloring gray-blue. There are three types of blue colorants in the fourth painting: azurite, indigo as a dye and the cobalt ore. It was confirmed that the production period of the Nara-ehon “Taketori Monogatari” was in the early Edo period consistent with its appraisal. |
doi_str_mv | 10.2116/bunsekikagaku.69.505 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2466070821</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2466070821</sourcerecordid><originalsourceid>FETCH-LOGICAL-c2345-36d8cf4e31e827ef2e4b0f29b467c28812ef6f36575d01493d7ef348331395b43</originalsourceid><addsrcrecordid>eNplkMtOwzAQRbMAifL4AxaWWKf4FTdZogoKEo8uisTOmiST1n3YwU6FumPBZ8DP8SW4KqqEWI1m5p6rmZsk54z2OWPqslzbgAuzgCks1n1V9DOaHSQ9mvEsZYVgR8lxCHNKeZyzXvIxdsZ2BGxNJm8urc0KbTDOwpI8QNsaOyVXsdkEDMQ1pJshGUMk4iIQY8kjeEhx5iz5fv-cwAI75w15cNZNoQNvvt-_SLmJ_uQl9bDZmXWm2vqbyrtQuRZPk8MGlgHPfutJ8nxzPRnepvdPo7vh1X1acSGzVKg6rxqJgmHOB9hwlCVteFFKNah4njOOjWqEygZZTZksRB1FQuZCMFFkpRQnycXOt_XudY2h03O39vGioLlUig5ozllUyZ1qe17w2OjWmxX4jWZUbzPWfzLWqtAxy4iNdtg8dDDFPQQ-vrvE_1DxS-4V1Qy8Rit-ALlNkwM</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2466070821</pqid></control><display><type>article</type><title>Point and Two-dimensional Mapping Analyses of the Paintings in Nara-ehon “Taketori Monogatari” by an X-ray Analytical Microscope</title><source>EZB-FREE-00999 freely available EZB journals</source><source>Free Full-Text Journals in Chemistry</source><creator>UEDA, Tomoya ; ENAMI, Kazuyuki ; FUJIWARA, Manabu</creator><creatorcontrib>UEDA, Tomoya ; ENAMI, Kazuyuki ; FUJIWARA, Manabu</creatorcontrib><description>For the four paintings in the first volume of the Nara-ehon “Taketori Monogatari”, made in the early Edo period (1661-1681), point and two-dimensional analyses were carried out with an X-ray analytical microscope at room temperature under atmospheric conditions. The fluorescent X-ray spectrum of the washi used confirmed the presence of small amounts of Si, P, S and K, and it was very similar to that of a Torinoko-gami that was quite expensive but common in Japan of the Edo era. By point analyses of the four paintings, various pigments, such as vermillion (HgS), minium (Pb3O4), marachite (Cu2CO3(OH)2), azurite (Cu3(CO3)2(OH)2), chalk (CaCO3), gold and silver, were found to be used. The point analyses were performed on the eight gray-blue areas in the four paintings. In all parts Co was detected together with Si, Fe and As. These results suggest that a cobalt ore with a high probability of smalt was selected for coloring gray-blue. There are three types of blue colorants in the fourth painting: azurite, indigo as a dye and the cobalt ore. It was confirmed that the production period of the Nara-ehon “Taketori Monogatari” was in the early Edo period consistent with its appraisal.</description><identifier>ISSN: 0525-1931</identifier><identifier>DOI: 10.2116/bunsekikagaku.69.505</identifier><language>eng</language><publisher>Tokyo: The Japan Society for Analytical Chemistry</publisher><subject>Calcium carbonate ; Chalk ; Cobalt ; cobalt ore ; Coloring agents ; Dyes ; Fluorescence ; Gold ; Indigo ; Iron ; Lead oxides ; Mathematical analysis ; Nara-ehon ; Pigments ; point analysis ; Room temperature ; Silver ; Two dimensional analysis ; X ray spectra ; X-ray analytical microscope</subject><ispartof>BUNSEKI KAGAKU, 2020/09/05, Vol.69(9), pp.505-513</ispartof><rights>2020 The Japan Society for Analytical Chemistry</rights><rights>Copyright Japan Science and Technology Agency 2020</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c2345-36d8cf4e31e827ef2e4b0f29b467c28812ef6f36575d01493d7ef348331395b43</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,27924,27925</link.rule.ids></links><search><creatorcontrib>UEDA, Tomoya</creatorcontrib><creatorcontrib>ENAMI, Kazuyuki</creatorcontrib><creatorcontrib>FUJIWARA, Manabu</creatorcontrib><title>Point and Two-dimensional Mapping Analyses of the Paintings in Nara-ehon “Taketori Monogatari” by an X-ray Analytical Microscope</title><title>BUNSEKI KAGAKU</title><addtitle>BUNSEKI KAGAKU</addtitle><description>For the four paintings in the first volume of the Nara-ehon “Taketori Monogatari”, made in the early Edo period (1661-1681), point and two-dimensional analyses were carried out with an X-ray analytical microscope at room temperature under atmospheric conditions. The fluorescent X-ray spectrum of the washi used confirmed the presence of small amounts of Si, P, S and K, and it was very similar to that of a Torinoko-gami that was quite expensive but common in Japan of the Edo era. By point analyses of the four paintings, various pigments, such as vermillion (HgS), minium (Pb3O4), marachite (Cu2CO3(OH)2), azurite (Cu3(CO3)2(OH)2), chalk (CaCO3), gold and silver, were found to be used. The point analyses were performed on the eight gray-blue areas in the four paintings. In all parts Co was detected together with Si, Fe and As. These results suggest that a cobalt ore with a high probability of smalt was selected for coloring gray-blue. There are three types of blue colorants in the fourth painting: azurite, indigo as a dye and the cobalt ore. It was confirmed that the production period of the Nara-ehon “Taketori Monogatari” was in the early Edo period consistent with its appraisal.</description><subject>Calcium carbonate</subject><subject>Chalk</subject><subject>Cobalt</subject><subject>cobalt ore</subject><subject>Coloring agents</subject><subject>Dyes</subject><subject>Fluorescence</subject><subject>Gold</subject><subject>Indigo</subject><subject>Iron</subject><subject>Lead oxides</subject><subject>Mathematical analysis</subject><subject>Nara-ehon</subject><subject>Pigments</subject><subject>point analysis</subject><subject>Room temperature</subject><subject>Silver</subject><subject>Two dimensional analysis</subject><subject>X ray spectra</subject><subject>X-ray analytical microscope</subject><issn>0525-1931</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><recordid>eNplkMtOwzAQRbMAifL4AxaWWKf4FTdZogoKEo8uisTOmiST1n3YwU6FumPBZ8DP8SW4KqqEWI1m5p6rmZsk54z2OWPqslzbgAuzgCks1n1V9DOaHSQ9mvEsZYVgR8lxCHNKeZyzXvIxdsZ2BGxNJm8urc0KbTDOwpI8QNsaOyVXsdkEDMQ1pJshGUMk4iIQY8kjeEhx5iz5fv-cwAI75w15cNZNoQNvvt-_SLmJ_uQl9bDZmXWm2vqbyrtQuRZPk8MGlgHPfutJ8nxzPRnepvdPo7vh1X1acSGzVKg6rxqJgmHOB9hwlCVteFFKNah4njOOjWqEygZZTZksRB1FQuZCMFFkpRQnycXOt_XudY2h03O39vGioLlUig5ozllUyZ1qe17w2OjWmxX4jWZUbzPWfzLWqtAxy4iNdtg8dDDFPQQ-vrvE_1DxS-4V1Qy8Rit-ALlNkwM</recordid><startdate>20200905</startdate><enddate>20200905</enddate><creator>UEDA, Tomoya</creator><creator>ENAMI, Kazuyuki</creator><creator>FUJIWARA, Manabu</creator><general>The Japan Society for Analytical Chemistry</general><general>Japan Science and Technology Agency</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7U5</scope><scope>8FD</scope><scope>L7M</scope></search><sort><creationdate>20200905</creationdate><title>Point and Two-dimensional Mapping Analyses of the Paintings in Nara-ehon “Taketori Monogatari” by an X-ray Analytical Microscope</title><author>UEDA, Tomoya ; ENAMI, Kazuyuki ; FUJIWARA, Manabu</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2345-36d8cf4e31e827ef2e4b0f29b467c28812ef6f36575d01493d7ef348331395b43</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>Calcium carbonate</topic><topic>Chalk</topic><topic>Cobalt</topic><topic>cobalt ore</topic><topic>Coloring agents</topic><topic>Dyes</topic><topic>Fluorescence</topic><topic>Gold</topic><topic>Indigo</topic><topic>Iron</topic><topic>Lead oxides</topic><topic>Mathematical analysis</topic><topic>Nara-ehon</topic><topic>Pigments</topic><topic>point analysis</topic><topic>Room temperature</topic><topic>Silver</topic><topic>Two dimensional analysis</topic><topic>X ray spectra</topic><topic>X-ray analytical microscope</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>UEDA, Tomoya</creatorcontrib><creatorcontrib>ENAMI, Kazuyuki</creatorcontrib><creatorcontrib>FUJIWARA, Manabu</creatorcontrib><collection>CrossRef</collection><collection>Solid State and Superconductivity Abstracts</collection><collection>Technology Research Database</collection><collection>Advanced Technologies Database with Aerospace</collection><jtitle>BUNSEKI KAGAKU</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>UEDA, Tomoya</au><au>ENAMI, Kazuyuki</au><au>FUJIWARA, Manabu</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Point and Two-dimensional Mapping Analyses of the Paintings in Nara-ehon “Taketori Monogatari” by an X-ray Analytical Microscope</atitle><jtitle>BUNSEKI KAGAKU</jtitle><addtitle>BUNSEKI KAGAKU</addtitle><date>2020-09-05</date><risdate>2020</risdate><volume>69</volume><issue>9</issue><spage>505</spage><epage>513</epage><pages>505-513</pages><issn>0525-1931</issn><abstract>For the four paintings in the first volume of the Nara-ehon “Taketori Monogatari”, made in the early Edo period (1661-1681), point and two-dimensional analyses were carried out with an X-ray analytical microscope at room temperature under atmospheric conditions. The fluorescent X-ray spectrum of the washi used confirmed the presence of small amounts of Si, P, S and K, and it was very similar to that of a Torinoko-gami that was quite expensive but common in Japan of the Edo era. By point analyses of the four paintings, various pigments, such as vermillion (HgS), minium (Pb3O4), marachite (Cu2CO3(OH)2), azurite (Cu3(CO3)2(OH)2), chalk (CaCO3), gold and silver, were found to be used. The point analyses were performed on the eight gray-blue areas in the four paintings. In all parts Co was detected together with Si, Fe and As. These results suggest that a cobalt ore with a high probability of smalt was selected for coloring gray-blue. There are three types of blue colorants in the fourth painting: azurite, indigo as a dye and the cobalt ore. It was confirmed that the production period of the Nara-ehon “Taketori Monogatari” was in the early Edo period consistent with its appraisal.</abstract><cop>Tokyo</cop><pub>The Japan Society for Analytical Chemistry</pub><doi>10.2116/bunsekikagaku.69.505</doi><tpages>9</tpages><oa>free_for_read</oa></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0525-1931 |
ispartof | BUNSEKI KAGAKU, 2020/09/05, Vol.69(9), pp.505-513 |
issn | 0525-1931 |
language | eng |
recordid | cdi_proquest_journals_2466070821 |
source | EZB-FREE-00999 freely available EZB journals; Free Full-Text Journals in Chemistry |
subjects | Calcium carbonate Chalk Cobalt cobalt ore Coloring agents Dyes Fluorescence Gold Indigo Iron Lead oxides Mathematical analysis Nara-ehon Pigments point analysis Room temperature Silver Two dimensional analysis X ray spectra X-ray analytical microscope |
title | Point and Two-dimensional Mapping Analyses of the Paintings in Nara-ehon “Taketori Monogatari” by an X-ray Analytical Microscope |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-29T12%3A28%3A51IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Point%20and%20Two-dimensional%20Mapping%20Analyses%20of%20the%20Paintings%20in%20Nara-ehon%20%E2%80%9CTaketori%20Monogatari%E2%80%9D%20by%20an%20X-ray%20Analytical%20Microscope&rft.jtitle=BUNSEKI%20KAGAKU&rft.au=UEDA,%20Tomoya&rft.date=2020-09-05&rft.volume=69&rft.issue=9&rft.spage=505&rft.epage=513&rft.pages=505-513&rft.issn=0525-1931&rft_id=info:doi/10.2116/bunsekikagaku.69.505&rft_dat=%3Cproquest_cross%3E2466070821%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2466070821&rft_id=info:pmid/&rfr_iscdi=true |