Art nature politics : now! : "On sale at the Fondation Maeght" : Hans Haacke's un-American performance art

Hans Haacke's "On sale at the Fondation Maeght" (1970), a performance created four months earlier, anticipates and embodies Gregory Battcock's prescriptions. He executed "On sale" for critic and curator Dore Ashton's "L'art vivant aux États-Unis" (Ju...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
Veröffentlicht in:	Kunstchronik 2020-07, Vol.73 (7), p.396-403
1. Verfasser:	Tyson, John A
Format:	Artikel
Sprache:	eng
Schlagworte:	20th century Art exhibits Ashton, Dore (1928-2017) Conceptual art Contemporary art Curators German culture Haacke, Hans Nature Performance art Politics Visual artists
Online-Zugang:	Volltext
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

container_end_page	403
container_issue	7
container_start_page	396
container_title	Kunstchronik
container_volume	73
creator	Tyson, John A
description	Hans Haacke's "On sale at the Fondation Maeght" (1970), a performance created four months earlier, anticipates and embodies Gregory Battcock's prescriptions. He executed "On sale" for critic and curator Dore Ashton's "L'art vivant aux États-Unis" (July-September 1970), an exhibition of then-contemporary American art held at the Fondation Maeght in St. Paul-de-Vence, France. Striking a markedly different position in relation to poetics from the majority of other artworks, "On sale" disrupted the established, naturalized order of the institution and mounted critiques of various kinds of empires--respectively those of the art dealer Aimé Maeght and of the United States.
format	Article
fullrecord	<record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_2456437410</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2456437410</sourcerecordid><originalsourceid>FETCH-proquest_journals_24564374103</originalsourceid><addsrcrecordid>eNqNjLsOgkAQRbfQxOc_jFpYkaywQGJnjMbG2NiTCY4KwizuDvH33cIPsLmnuCdnoMZax0mUmtyM1MT7Wus0i_NkrOqdE2CU3hF0tqmkKj1sge1nEbC8MHhsCFBAngRHyzeUyjKckR5PWQbnhOzDYPmitYeeo11LriqRoSN3t65FLkPAyUwN79h4mv84Vavj4bo_RZ2z7568FLXtHYeriE2amSQ3G538Z30BskNFHQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2456437410</pqid></control><display><type>article</type><title>Art nature politics : now! : "On sale at the Fondation Maeght" : Hans Haacke's un-American performance art</title><source>ARTbibliographies Modern</source><source>Alma/SFX Local Collection</source><creator>Tyson, John A</creator><creatorcontrib>Tyson, John A</creatorcontrib><description>Hans Haacke's "On sale at the Fondation Maeght" (1970), a performance created four months earlier, anticipates and embodies Gregory Battcock's prescriptions. He executed "On sale" for critic and curator Dore Ashton's "L'art vivant aux États-Unis" (July-September 1970), an exhibition of then-contemporary American art held at the Fondation Maeght in St. Paul-de-Vence, France. Striking a markedly different position in relation to poetics from the majority of other artworks, "On sale" disrupted the established, naturalized order of the institution and mounted critiques of various kinds of empires--respectively those of the art dealer Aimé Maeght and of the United States.</description><identifier>ISSN: 0023-5474</identifier><language>eng</language><publisher>Nürnberg: Fachverlag Hans Carl</publisher><subject>20th century ; Art exhibits ; Ashton, Dore (1928-2017) ; Conceptual art ; Contemporary art ; Curators ; German culture ; Haacke, Hans ; Nature ; Performance art ; Politics ; Visual artists</subject><ispartof>Kunstchronik, 2020-07, Vol.73 (7), p.396-403</ispartof><rights>Copyright Fachverlag Hans Carl Jul 2020</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,30972</link.rule.ids></links><search><creatorcontrib>Tyson, John A</creatorcontrib><title>Art nature politics : now! : "On sale at the Fondation Maeght" : Hans Haacke's un-American performance art</title><title>Kunstchronik</title><description>Hans Haacke's "On sale at the Fondation Maeght" (1970), a performance created four months earlier, anticipates and embodies Gregory Battcock's prescriptions. He executed "On sale" for critic and curator Dore Ashton's "L'art vivant aux États-Unis" (July-September 1970), an exhibition of then-contemporary American art held at the Fondation Maeght in St. Paul-de-Vence, France. Striking a markedly different position in relation to poetics from the majority of other artworks, "On sale" disrupted the established, naturalized order of the institution and mounted critiques of various kinds of empires--respectively those of the art dealer Aimé Maeght and of the United States.</description><subject>20th century</subject><subject>Art exhibits</subject><subject>Ashton, Dore (1928-2017)</subject><subject>Conceptual art</subject><subject>Contemporary art</subject><subject>Curators</subject><subject>German culture</subject><subject>Haacke, Hans</subject><subject>Nature</subject><subject>Performance art</subject><subject>Politics</subject><subject>Visual artists</subject><issn>0023-5474</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><sourceid>7QI</sourceid><recordid>eNqNjLsOgkAQRbfQxOc_jFpYkaywQGJnjMbG2NiTCY4KwizuDvH33cIPsLmnuCdnoMZax0mUmtyM1MT7Wus0i_NkrOqdE2CU3hF0tqmkKj1sge1nEbC8MHhsCFBAngRHyzeUyjKckR5PWQbnhOzDYPmitYeeo11LriqRoSN3t65FLkPAyUwN79h4mv84Vavj4bo_RZ2z7568FLXtHYeriE2amSQ3G538Z30BskNFHQ</recordid><startdate>20200701</startdate><enddate>20200701</enddate><creator>Tyson, John A</creator><general>Fachverlag Hans Carl</general><scope>7QI</scope><scope>8XN</scope></search><sort><creationdate>20200701</creationdate><title>Art nature politics : now! : "On sale at the Fondation Maeght" : Hans Haacke's un-American performance art</title><author>Tyson, John A</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_24564374103</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>20th century</topic><topic>Art exhibits</topic><topic>Ashton, Dore (1928-2017)</topic><topic>Conceptual art</topic><topic>Contemporary art</topic><topic>Curators</topic><topic>German culture</topic><topic>Haacke, Hans</topic><topic>Nature</topic><topic>Performance art</topic><topic>Politics</topic><topic>Visual artists</topic><toplevel>online_resources</toplevel><creatorcontrib>Tyson, John A</creatorcontrib><collection>ARTbibliographies Modern</collection><collection>International Bibliography of Art (IBA)</collection><jtitle>Kunstchronik</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Tyson, John A</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Art nature politics : now! : "On sale at the Fondation Maeght" : Hans Haacke's un-American performance art</atitle><jtitle>Kunstchronik</jtitle><date>2020-07-01</date><risdate>2020</risdate><volume>73</volume><issue>7</issue><spage>396</spage><epage>403</epage><pages>396-403</pages><issn>0023-5474</issn><abstract>Hans Haacke's "On sale at the Fondation Maeght" (1970), a performance created four months earlier, anticipates and embodies Gregory Battcock's prescriptions. He executed "On sale" for critic and curator Dore Ashton's "L'art vivant aux États-Unis" (July-September 1970), an exhibition of then-contemporary American art held at the Fondation Maeght in St. Paul-de-Vence, France. Striking a markedly different position in relation to poetics from the majority of other artworks, "On sale" disrupted the established, naturalized order of the institution and mounted critiques of various kinds of empires--respectively those of the art dealer Aimé Maeght and of the United States.</abstract><cop>Nürnberg</cop><pub>Fachverlag Hans Carl</pub></addata></record>
fulltext	fulltext
identifier	ISSN: 0023-5474
ispartof	Kunstchronik, 2020-07, Vol.73 (7), p.396-403
issn	0023-5474
language	eng
recordid	cdi_proquest_journals_2456437410
source	ARTbibliographies Modern; Alma/SFX Local Collection
subjects	20th century Art exhibits Ashton, Dore (1928-2017) Conceptual art Contemporary art Curators German culture Haacke, Hans Nature Performance art Politics Visual artists
title	Art nature politics : now! : "On sale at the Fondation Maeght" : Hans Haacke's un-American performance art
url	https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-07T16%3A25%3A39IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Art%20nature%20politics%20:%20now!%20:%20%22On%20sale%20at%20the%20Fondation%20Maeght%22%20:%20Hans%20Haacke's%20un-American%20performance%20art&rft.jtitle=Kunstchronik&rft.au=Tyson,%20John%20A&rft.date=2020-07-01&rft.volume=73&rft.issue=7&rft.spage=396&rft.epage=403&rft.pages=396-403&rft.issn=0023-5474&rft_id=info:doi/&rft_dat=%3Cproquest%3E2456437410%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2456437410&rft_id=info:pmid/&rfr_iscdi=true