The Mass Image: A Social History of Photomechanical Reproduction in Victorian London, and: The Haunted Gallery: Painting, Photography, Film c. 1900 (review)
The study's first and second chapters establish a theoretical framework for Beegan's notion of late-Victorian society as distinctly modern, with particular consideration of the diverse periodicals that helped members of the middle class imagine and fashion themselves as part of a "flu...
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| Veröffentlicht in: | Victorian review 2009-04, Vol.35 (1), p.253-256 |
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| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
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| Online-Zugang: | Volltext |
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