Interpreting ‘Filler Pause’ in Interpersonal Communication: A Study of Situational Comedy The Big Bang Theory

Humour as represented vis-à-vis situational comedy in general forms an important aspect of interpersonal communication. Though the reception of humour is often ascribed to personal taste, the extent to which an audience will find something humorous depends upon a multitude of factors, including benc...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Journal of creative communications 2017-07, Vol.12 (2), p.122-133
1. Verfasser: Chakravarty, Urjani
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 133
container_issue 2
container_start_page 122
container_title Journal of creative communications
container_volume 12
creator Chakravarty, Urjani
description Humour as represented vis-à-vis situational comedy in general forms an important aspect of interpersonal communication. Though the reception of humour is often ascribed to personal taste, the extent to which an audience will find something humorous depends upon a multitude of factors, including benchmarks of culture and context. Regardless of the factors, it is observed that situational comedies elicit laughter through non-linguistic strategies. ‘Fillers’ mark one of the non-linguistic strategies of interpersonal communication. These have varied functions in all possible socio-cultural environments as well as in discourse construction. In addition to being universal in nature, ‘Fillers’ also facilitate the interpretation process and understanding. Using Sperber and Wilson’s Relevance Theory (2002), the study examines the selective communication situations with their interpretation process and understanding (cognitive effects) between the characters of American sitcom The Big Bang Theory. The article contends that ‘filler pause’ (termed as such in this article) used in a situational comedy have a function to play, namely, they tend to break down the formal barrier in an interpersonal communication and act as a humour trigger.
doi_str_mv 10.1177/0973258617708370
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2442633365</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sage_id>10.1177_0973258617708370</sage_id><sourcerecordid>2442633365</sourcerecordid><originalsourceid>FETCH-LOGICAL-c262t-8049c0b66c759485f9396f9f2a6a49052304f6e1f142b493a664c4d80ac685b13</originalsourceid><addsrcrecordid>eNp1kM9KAzEQxoMoWKt3jwHPq_m32cRbW6wWCgqt5yW7TWrKdtMmu4fe-hj6en0SU1cUBE_zzcdvPmYGgGuMbjHOsjskM0pSwaNGgmboBPSOVkJSyU5_tODn4CKEFUKMC0x6YDupG-03Xje2XsLD_n1sq0p7-KLaoA_7D2hr2CHaB1erCo7cet3WtlSNdfU9HMBZ0y520Bk4s0375XaUju78TcOhXcKhiumxcX53Cc6MqoK--q598Dp-mI-ekunz42Q0mCYl4aRJBGKyRAXnZRYvEKmRVHIjDVFcMYlSQhEzXGODGSmYpIpzVrKFQKrkIi0w7YObLnfj3bbVoclXrvVxt5ATxginlPI0UqijSu9C8NrkG2_Xyu9yjPLjY_O_j40jSTcS1FL_hv7LfwJMtXjJ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2442633365</pqid></control><display><type>article</type><title>Interpreting ‘Filler Pause’ in Interpersonal Communication: A Study of Situational Comedy The Big Bang Theory</title><source>SAGE Complete A-Z List</source><creator>Chakravarty, Urjani</creator><creatorcontrib>Chakravarty, Urjani</creatorcontrib><description>Humour as represented vis-à-vis situational comedy in general forms an important aspect of interpersonal communication. Though the reception of humour is often ascribed to personal taste, the extent to which an audience will find something humorous depends upon a multitude of factors, including benchmarks of culture and context. Regardless of the factors, it is observed that situational comedies elicit laughter through non-linguistic strategies. ‘Fillers’ mark one of the non-linguistic strategies of interpersonal communication. These have varied functions in all possible socio-cultural environments as well as in discourse construction. In addition to being universal in nature, ‘Fillers’ also facilitate the interpretation process and understanding. Using Sperber and Wilson’s Relevance Theory (2002), the study examines the selective communication situations with their interpretation process and understanding (cognitive effects) between the characters of American sitcom The Big Bang Theory. The article contends that ‘filler pause’ (termed as such in this article) used in a situational comedy have a function to play, namely, they tend to break down the formal barrier in an interpersonal communication and act as a humour trigger.</description><identifier>ISSN: 0973-2586</identifier><identifier>EISSN: 0973-2594</identifier><identifier>DOI: 10.1177/0973258617708370</identifier><language>eng</language><publisher>New Delhi, India: SAGE Publications</publisher><subject>Ascription ; Comedy ; Communication ; Humor ; Interpersonal communication ; Laughter ; Taste</subject><ispartof>Journal of creative communications, 2017-07, Vol.12 (2), p.122-133</ispartof><rights>2017 Mudra Institute of Communications, Ahmedabad, India</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c262t-8049c0b66c759485f9396f9f2a6a49052304f6e1f142b493a664c4d80ac685b13</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://journals.sagepub.com/doi/pdf/10.1177/0973258617708370$$EPDF$$P50$$Gsage$$H</linktopdf><linktohtml>$$Uhttps://journals.sagepub.com/doi/10.1177/0973258617708370$$EHTML$$P50$$Gsage$$H</linktohtml><link.rule.ids>314,780,784,21819,27924,27925,43621,43622</link.rule.ids></links><search><creatorcontrib>Chakravarty, Urjani</creatorcontrib><title>Interpreting ‘Filler Pause’ in Interpersonal Communication: A Study of Situational Comedy The Big Bang Theory</title><title>Journal of creative communications</title><description>Humour as represented vis-à-vis situational comedy in general forms an important aspect of interpersonal communication. Though the reception of humour is often ascribed to personal taste, the extent to which an audience will find something humorous depends upon a multitude of factors, including benchmarks of culture and context. Regardless of the factors, it is observed that situational comedies elicit laughter through non-linguistic strategies. ‘Fillers’ mark one of the non-linguistic strategies of interpersonal communication. These have varied functions in all possible socio-cultural environments as well as in discourse construction. In addition to being universal in nature, ‘Fillers’ also facilitate the interpretation process and understanding. Using Sperber and Wilson’s Relevance Theory (2002), the study examines the selective communication situations with their interpretation process and understanding (cognitive effects) between the characters of American sitcom The Big Bang Theory. The article contends that ‘filler pause’ (termed as such in this article) used in a situational comedy have a function to play, namely, they tend to break down the formal barrier in an interpersonal communication and act as a humour trigger.</description><subject>Ascription</subject><subject>Comedy</subject><subject>Communication</subject><subject>Humor</subject><subject>Interpersonal communication</subject><subject>Laughter</subject><subject>Taste</subject><issn>0973-2586</issn><issn>0973-2594</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2017</creationdate><recordtype>article</recordtype><recordid>eNp1kM9KAzEQxoMoWKt3jwHPq_m32cRbW6wWCgqt5yW7TWrKdtMmu4fe-hj6en0SU1cUBE_zzcdvPmYGgGuMbjHOsjskM0pSwaNGgmboBPSOVkJSyU5_tODn4CKEFUKMC0x6YDupG-03Xje2XsLD_n1sq0p7-KLaoA_7D2hr2CHaB1erCo7cet3WtlSNdfU9HMBZ0y520Bk4s0375XaUju78TcOhXcKhiumxcX53Cc6MqoK--q598Dp-mI-ekunz42Q0mCYl4aRJBGKyRAXnZRYvEKmRVHIjDVFcMYlSQhEzXGODGSmYpIpzVrKFQKrkIi0w7YObLnfj3bbVoclXrvVxt5ATxginlPI0UqijSu9C8NrkG2_Xyu9yjPLjY_O_j40jSTcS1FL_hv7LfwJMtXjJ</recordid><startdate>201707</startdate><enddate>201707</enddate><creator>Chakravarty, Urjani</creator><general>SAGE Publications</general><general>SAGE PUBLICATIONS, INC</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8BJ</scope><scope>FQK</scope><scope>JBE</scope></search><sort><creationdate>201707</creationdate><title>Interpreting ‘Filler Pause’ in Interpersonal Communication: A Study of Situational Comedy The Big Bang Theory</title><author>Chakravarty, Urjani</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c262t-8049c0b66c759485f9396f9f2a6a49052304f6e1f142b493a664c4d80ac685b13</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2017</creationdate><topic>Ascription</topic><topic>Comedy</topic><topic>Communication</topic><topic>Humor</topic><topic>Interpersonal communication</topic><topic>Laughter</topic><topic>Taste</topic><toplevel>online_resources</toplevel><creatorcontrib>Chakravarty, Urjani</creatorcontrib><collection>CrossRef</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><jtitle>Journal of creative communications</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Chakravarty, Urjani</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Interpreting ‘Filler Pause’ in Interpersonal Communication: A Study of Situational Comedy The Big Bang Theory</atitle><jtitle>Journal of creative communications</jtitle><date>2017-07</date><risdate>2017</risdate><volume>12</volume><issue>2</issue><spage>122</spage><epage>133</epage><pages>122-133</pages><issn>0973-2586</issn><eissn>0973-2594</eissn><abstract>Humour as represented vis-à-vis situational comedy in general forms an important aspect of interpersonal communication. Though the reception of humour is often ascribed to personal taste, the extent to which an audience will find something humorous depends upon a multitude of factors, including benchmarks of culture and context. Regardless of the factors, it is observed that situational comedies elicit laughter through non-linguistic strategies. ‘Fillers’ mark one of the non-linguistic strategies of interpersonal communication. These have varied functions in all possible socio-cultural environments as well as in discourse construction. In addition to being universal in nature, ‘Fillers’ also facilitate the interpretation process and understanding. Using Sperber and Wilson’s Relevance Theory (2002), the study examines the selective communication situations with their interpretation process and understanding (cognitive effects) between the characters of American sitcom The Big Bang Theory. The article contends that ‘filler pause’ (termed as such in this article) used in a situational comedy have a function to play, namely, they tend to break down the formal barrier in an interpersonal communication and act as a humour trigger.</abstract><cop>New Delhi, India</cop><pub>SAGE Publications</pub><doi>10.1177/0973258617708370</doi><tpages>12</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0973-2586
ispartof Journal of creative communications, 2017-07, Vol.12 (2), p.122-133
issn 0973-2586
0973-2594
language eng
recordid cdi_proquest_journals_2442633365
source SAGE Complete A-Z List
subjects Ascription
Comedy
Communication
Humor
Interpersonal communication
Laughter
Taste
title Interpreting ‘Filler Pause’ in Interpersonal Communication: A Study of Situational Comedy The Big Bang Theory
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-06T11%3A19%3A03IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Interpreting%20%E2%80%98Filler%20Pause%E2%80%99%20in%20Interpersonal%20Communication:%20A%20Study%20of%20Situational%20Comedy%20The%20Big%20Bang%20Theory&rft.jtitle=Journal%20of%20creative%20communications&rft.au=Chakravarty,%20Urjani&rft.date=2017-07&rft.volume=12&rft.issue=2&rft.spage=122&rft.epage=133&rft.pages=122-133&rft.issn=0973-2586&rft.eissn=0973-2594&rft_id=info:doi/10.1177/0973258617708370&rft_dat=%3Cproquest_cross%3E2442633365%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2442633365&rft_id=info:pmid/&rft_sage_id=10.1177_0973258617708370&rfr_iscdi=true