Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter
Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their auth...
Gespeichert in:
Veröffentlicht in: | Barnboken 2016-01, Vol.39 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | swe |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | |
---|---|
container_issue | |
container_start_page | |
container_title | Barnboken |
container_volume | 39 |
creator | Kärrholm, Sara |
description | Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their authorship for adults be used in order to market books for other age groups and to what extent do the authors use this possibility? This article specifically addresses three authors writing for both young and adults: Anna Jansson, Kristina Ohlsson and Åsa Larsson. Their novels for a younger audience are analysed based on how they are packaged and marketed through paratexts such as covers, illustrations, and other texts, using Gérard Genette’s theory of paratexts and theories of genre and marketing. The analysis shows that these authors and their publishers use similar, but also different strategies to hold on to their former target group while also reaching out to new readers. The adult crime genre has an indirect influence over the market of mystery books for children, which is also seen in how different aspects of the crime market for adult crime fiction have become more important on the book market for children, involving agents, events and tourism. |
doi_str_mv | 10.14811/clr.v39i0.256 |
format | Article |
fullrecord | <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_2442602796</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2442602796</sourcerecordid><originalsourceid>FETCH-proquest_journals_24426027963</originalsourceid><addsrcrecordid>eNqNjM0OwUAUhScSCcHW-ibW6nb6Q22FWNmwb4ZMq9R03Ok0HohX8AJ9MRPxAFbnnHwnH2NjHz0_XPj-7FSS1wRJgR6P4g7rc0SchsEi6bGRMRe3MEaMknmfib1un0oVKjdlUdeSRG0JsvZNcBSkoDqdobEPJZawa58Et_ZV5mS1lvRluVTk6rUiIwwU0Ei6SmVAC2eSDyccsm4mSiNHvxywyWZ9WG2nmqq7laZOL5Ul5VDKw5DHyOdJHPz3-gBYlE5F</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2442602796</pqid></control><display><type>article</type><title>Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter</title><source>DOAJ Directory of Open Access Journals</source><source>EZB-FREE-00999 freely available EZB journals</source><creator>Kärrholm, Sara</creator><creatorcontrib>Kärrholm, Sara</creatorcontrib><description>Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their authorship for adults be used in order to market books for other age groups and to what extent do the authors use this possibility? This article specifically addresses three authors writing for both young and adults: Anna Jansson, Kristina Ohlsson and Åsa Larsson. Their novels for a younger audience are analysed based on how they are packaged and marketed through paratexts such as covers, illustrations, and other texts, using Gérard Genette’s theory of paratexts and theories of genre and marketing. The analysis shows that these authors and their publishers use similar, but also different strategies to hold on to their former target group while also reaching out to new readers. The adult crime genre has an indirect influence over the market of mystery books for children, which is also seen in how different aspects of the crime market for adult crime fiction have become more important on the book market for children, involving agents, events and tourism.</description><identifier>EISSN: 2000-4389</identifier><identifier>DOI: 10.14811/clr.v39i0.256</identifier><language>swe</language><publisher>Stockholm: The Swedish Institute for Children’s Books</publisher><subject>Adults ; Aesthetics ; Authorship ; Childrens literature ; Crime drama ; Crime fiction ; Epic literature ; Fiction ; Genre ; Larsson, Asa (1966- ) ; Literary criticism ; Literary devices ; Literary influences ; Literary translation ; Literature ; Manga ; Marketing ; Narrative techniques ; Novels ; Paratext ; Publishing ; Publishing industry ; Readers ; Thrillers ; Tourism ; Writers</subject><ispartof>Barnboken, 2016-01, Vol.39</ispartof><rights>2016. This work is published under http://creativecommons.org/licenses/by-nc/3.0 (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,860,27901,27902</link.rule.ids></links><search><creatorcontrib>Kärrholm, Sara</creatorcontrib><title>Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter</title><title>Barnboken</title><description>Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their authorship for adults be used in order to market books for other age groups and to what extent do the authors use this possibility? This article specifically addresses three authors writing for both young and adults: Anna Jansson, Kristina Ohlsson and Åsa Larsson. Their novels for a younger audience are analysed based on how they are packaged and marketed through paratexts such as covers, illustrations, and other texts, using Gérard Genette’s theory of paratexts and theories of genre and marketing. The analysis shows that these authors and their publishers use similar, but also different strategies to hold on to their former target group while also reaching out to new readers. The adult crime genre has an indirect influence over the market of mystery books for children, which is also seen in how different aspects of the crime market for adult crime fiction have become more important on the book market for children, involving agents, events and tourism.</description><subject>Adults</subject><subject>Aesthetics</subject><subject>Authorship</subject><subject>Childrens literature</subject><subject>Crime drama</subject><subject>Crime fiction</subject><subject>Epic literature</subject><subject>Fiction</subject><subject>Genre</subject><subject>Larsson, Asa (1966- )</subject><subject>Literary criticism</subject><subject>Literary devices</subject><subject>Literary influences</subject><subject>Literary translation</subject><subject>Literature</subject><subject>Manga</subject><subject>Marketing</subject><subject>Narrative techniques</subject><subject>Novels</subject><subject>Paratext</subject><subject>Publishing</subject><subject>Publishing industry</subject><subject>Readers</subject><subject>Thrillers</subject><subject>Tourism</subject><subject>Writers</subject><issn>2000-4389</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><sourceid>PAF</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><recordid>eNqNjM0OwUAUhScSCcHW-ibW6nb6Q22FWNmwb4ZMq9R03Ok0HohX8AJ9MRPxAFbnnHwnH2NjHz0_XPj-7FSS1wRJgR6P4g7rc0SchsEi6bGRMRe3MEaMknmfib1un0oVKjdlUdeSRG0JsvZNcBSkoDqdobEPJZawa58Et_ZV5mS1lvRluVTk6rUiIwwU0Ei6SmVAC2eSDyccsm4mSiNHvxywyWZ9WG2nmqq7laZOL5Ul5VDKw5DHyOdJHPz3-gBYlE5F</recordid><startdate>20160101</startdate><enddate>20160101</enddate><creator>Kärrholm, Sara</creator><general>The Swedish Institute for Children’s Books</general><scope>AIMQZ</scope><scope>CLO</scope><scope>LIQON</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQLNA</scope><scope>PROLI</scope></search><sort><creationdate>20160101</creationdate><title>Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter</title><author>Kärrholm, Sara</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_24426027963</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>swe</language><creationdate>2016</creationdate><topic>Adults</topic><topic>Aesthetics</topic><topic>Authorship</topic><topic>Childrens literature</topic><topic>Crime drama</topic><topic>Crime fiction</topic><topic>Epic literature</topic><topic>Fiction</topic><topic>Genre</topic><topic>Larsson, Asa (1966- )</topic><topic>Literary criticism</topic><topic>Literary devices</topic><topic>Literary influences</topic><topic>Literary translation</topic><topic>Literature</topic><topic>Manga</topic><topic>Marketing</topic><topic>Narrative techniques</topic><topic>Novels</topic><topic>Paratext</topic><topic>Publishing</topic><topic>Publishing industry</topic><topic>Readers</topic><topic>Thrillers</topic><topic>Tourism</topic><topic>Writers</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Kärrholm, Sara</creatorcontrib><collection>ProQuest One Literature</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>One Literature (ProQuest)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>Literature Online (LION)</collection><jtitle>Barnboken</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Kärrholm, Sara</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter</atitle><jtitle>Barnboken</jtitle><date>2016-01-01</date><risdate>2016</risdate><volume>39</volume><eissn>2000-4389</eissn><abstract>Many of the established Swedish crime writers write for both adults and young readers. These authors are successful in the two literary market segments that are dominating the contemporary Swedish book market: crime literature and children’s literature. Can certain developed trademarks in their authorship for adults be used in order to market books for other age groups and to what extent do the authors use this possibility? This article specifically addresses three authors writing for both young and adults: Anna Jansson, Kristina Ohlsson and Åsa Larsson. Their novels for a younger audience are analysed based on how they are packaged and marketed through paratexts such as covers, illustrations, and other texts, using Gérard Genette’s theory of paratexts and theories of genre and marketing. The analysis shows that these authors and their publishers use similar, but also different strategies to hold on to their former target group while also reaching out to new readers. The adult crime genre has an indirect influence over the market of mystery books for children, which is also seen in how different aspects of the crime market for adult crime fiction have become more important on the book market for children, involving agents, events and tourism.</abstract><cop>Stockholm</cop><pub>The Swedish Institute for Children’s Books</pub><doi>10.14811/clr.v39i0.256</doi></addata></record> |
fulltext | fulltext |
identifier | EISSN: 2000-4389 |
ispartof | Barnboken, 2016-01, Vol.39 |
issn | 2000-4389 |
language | swe |
recordid | cdi_proquest_journals_2442602796 |
source | DOAJ Directory of Open Access Journals; EZB-FREE-00999 freely available EZB journals |
subjects | Adults Aesthetics Authorship Childrens literature Crime drama Crime fiction Epic literature Fiction Genre Larsson, Asa (1966- ) Literary criticism Literary devices Literary influences Literary translation Literature Manga Marketing Narrative techniques Novels Paratext Publishing Publishing industry Readers Thrillers Tourism Writers |
title | Spänningslitteratur för barn och vuxna: När målgrupper och genrer korsas i verkens paratexter |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-29T04%3A42%3A28IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Sp%C3%A4nningslitteratur%20f%C3%B6r%20barn%20och%20vuxna:%20N%C3%A4r%20m%C3%A5lgrupper%20och%20genrer%20korsas%20i%20verkens%20paratexter&rft.jtitle=Barnboken&rft.au=K%C3%A4rrholm,%20Sara&rft.date=2016-01-01&rft.volume=39&rft.eissn=2000-4389&rft_id=info:doi/10.14811/clr.v39i0.256&rft_dat=%3Cproquest%3E2442602796%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2442602796&rft_id=info:pmid/&rfr_iscdi=true |