A Second Place to Dwell: John Huston’s Film Adaptation of The Night of the Iguana
Like a number of Williams’s leading characters (for example, Blanche in A Streetcar Named Desire or Chance Wayne in Sweet Bird of Youth), he enters the play emotionally at the end of his rope, a state of mind reinforced by his symbolic connection to the iguana of the title, which is tethered to the...
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Veröffentlicht in: | The Tennessee Williams annual review 2016-01 (15), p.37-52 |
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Format: | Artikel |
Sprache: | eng |
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