The Past is Never Past: The Call and Response between Marvel's Black Panther and Early Black Speculative Fiction
Many reviews of the film Black Panther (2018) source its popularity to its Afrofuturism. Contemporary ardency might also stem from the movie's resonance with past ideas, as well. Black Panther engages long‐established Afrofuturist themes and owes a debt to the nineteenth- and turn‐of‐the‐twenti...
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| Veröffentlicht in: | African American review 2020-06, Vol.53 (2), p.95-109 |
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| creator | Babb, Valerie |
| description | Many reviews of the film Black Panther (2018) source its popularity to its Afrofuturism. Contemporary ardency might also stem from the movie's resonance with past ideas, as well. Black Panther engages long‐established Afrofuturist themes and owes a debt to the nineteenth- and turn‐of‐the‐twentieth‐century black speculative fiction of Martin R. Delany's Blake; or, The Huts of America (1859‐62), John Edward Bruce's The Black Sleuth (1907‐09), Pauline Hopkins's Of One Blood. Or, The Hidden Self (1901‐03). The movie illuminates a continuum between past and present ideas of homeland, diaspora, and racial identities. |
| doi_str_mv | 10.1353/afa.2020.0015 |
| format | Article |
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| fulltext | fulltext |
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| ispartof | African American review, 2020-06, Vol.53 (2), p.95-109 |
| issn | 1062-4783 1945-6182 1945-6182 |
| language | eng |
| recordid | cdi_proquest_journals_2419140289 |
| source | JSTOR Archive Collection A-Z Listing; EBSCOhost Education Source |
| subjects | African American literature Afrofuturism American literature Black literature Delany, Martin Robison (1812-1885) Diaspora Double consciousness Fiction Motion pictures Novels Responses Speculative fiction Traditions |
| title | The Past is Never Past: The Call and Response between Marvel's Black Panther and Early Black Speculative Fiction |
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