Larissa Fassler
At first glance, the drawings and paintings of Larissa Fassler, a Canadian artist living and working in Berlin, Germany, look like scientific studies, and, in fact, they are the result of detailed analyses of the movements and micro-events that take place in high-traffic areas of large cities. Yet w...
Gespeichert in:
Veröffentlicht in: | Esse 2018-03, Vol.93 (93), p.88-91 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 91 |
---|---|
container_issue | 93 |
container_start_page | 88 |
container_title | Esse |
container_volume | 93 |
creator | Morisset, Vanessa |
description | At first glance, the drawings and paintings of Larissa Fassler, a Canadian artist living and working in Berlin, Germany, look like scientific studies, and, in fact, they are the result of detailed analyses of the movements and micro-events that take place in high-traffic areas of large cities. Yet when one looks more closely at the details, an entirely subjective poetry begins to emerge. No doubt because Fassler's observations and surveys have no aim or because movement and life have been frozen in graphic representations, in contemplating them we experience the melancholy inherent to considering vanitas. This is particularly true for the preparatory drawings done in ink or pencil on paper, in which the movement is rendered almost perceptible by the fragility of the line. Similarly, in Fassler's drawings, one can expect things to start moving at any moment. |
format | Article |
fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_2395883146</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A539646035</galeid><sourcerecordid>A539646035</sourcerecordid><originalsourceid>FETCH-LOGICAL-g1676-e48c7c10294358714a3e3e40e447ca8cc526f57cba0e3fae5a41d8cd8d273c6b3</originalsourceid><addsrcrecordid>eNpt0EtLxDAQAOAgCpZ18S8InjxE8k56XIq7CoW9KHgL2em0dOm22rTgzzegoIXNHALDNw_mgmQ8FzmV2tpLkjEnOXU6f78m6xiPLD3LhHYiI7dlGNsYw902xNjheEOu6tBFXP_-K_K2fXotnmm5370Um5I23FhDUTmwwJnIldTOchUkSlQMlbIQHIAWptYWDoGhrAPqoHjloHKVsBLMQa7I_U_fj3H4nDFO_jjMY59GeiFz7dLGyvypJnTo274epjHAqY3gN1rmRhkmdVKPZ1SKCk8tDD3WbcovCh4WBclM-DU1YY7Ru125tPSchaHrsEGfjlLs__tvdKNsag</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2395883146</pqid></control><display><type>article</type><title>Larissa Fassler</title><source>Érudit</source><source>Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals</source><source>REPÈRE - Free</source><creator>Morisset, Vanessa</creator><creatorcontrib>Morisset, Vanessa</creatorcontrib><description>At first glance, the drawings and paintings of Larissa Fassler, a Canadian artist living and working in Berlin, Germany, look like scientific studies, and, in fact, they are the result of detailed analyses of the movements and micro-events that take place in high-traffic areas of large cities. Yet when one looks more closely at the details, an entirely subjective poetry begins to emerge. No doubt because Fassler's observations and surveys have no aim or because movement and life have been frozen in graphic representations, in contemplating them we experience the melancholy inherent to considering vanitas. This is particularly true for the preparatory drawings done in ink or pencil on paper, in which the movement is rendered almost perceptible by the fragility of the line. Similarly, in Fassler's drawings, one can expect things to start moving at any moment.</description><identifier>ISSN: 0831-859X</identifier><identifier>EISSN: 1929-3577</identifier><language>eng</language><publisher>Montreal: Les editions esse</publisher><subject>Artists ; Criticism and interpretation ; Exhibitions ; Fassler, Larissa ; Painting (Art) ; Works</subject><ispartof>Esse, 2018-03, Vol.93 (93), p.88-91</ispartof><rights>COPYRIGHT 2018 Les editions esse</rights><rights>COPYRIGHT 2018 Les editions esse</rights><rights>Copyright Les Éditions esse Spring 2018</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780</link.rule.ids></links><search><creatorcontrib>Morisset, Vanessa</creatorcontrib><title>Larissa Fassler</title><title>Esse</title><addtitle>Esse: Arts + Opinions</addtitle><description>At first glance, the drawings and paintings of Larissa Fassler, a Canadian artist living and working in Berlin, Germany, look like scientific studies, and, in fact, they are the result of detailed analyses of the movements and micro-events that take place in high-traffic areas of large cities. Yet when one looks more closely at the details, an entirely subjective poetry begins to emerge. No doubt because Fassler's observations and surveys have no aim or because movement and life have been frozen in graphic representations, in contemplating them we experience the melancholy inherent to considering vanitas. This is particularly true for the preparatory drawings done in ink or pencil on paper, in which the movement is rendered almost perceptible by the fragility of the line. Similarly, in Fassler's drawings, one can expect things to start moving at any moment.</description><subject>Artists</subject><subject>Criticism and interpretation</subject><subject>Exhibitions</subject><subject>Fassler, Larissa</subject><subject>Painting (Art)</subject><subject>Works</subject><issn>0831-859X</issn><issn>1929-3577</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2018</creationdate><recordtype>article</recordtype><sourceid>AVQMV</sourceid><sourceid>BENPR</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><recordid>eNpt0EtLxDAQAOAgCpZ18S8InjxE8k56XIq7CoW9KHgL2em0dOm22rTgzzegoIXNHALDNw_mgmQ8FzmV2tpLkjEnOXU6f78m6xiPLD3LhHYiI7dlGNsYw902xNjheEOu6tBFXP_-K_K2fXotnmm5370Um5I23FhDUTmwwJnIldTOchUkSlQMlbIQHIAWptYWDoGhrAPqoHjloHKVsBLMQa7I_U_fj3H4nDFO_jjMY59GeiFz7dLGyvypJnTo274epjHAqY3gN1rmRhkmdVKPZ1SKCk8tDD3WbcovCh4WBclM-DU1YY7Ru125tPSchaHrsEGfjlLs__tvdKNsag</recordid><startdate>20180322</startdate><enddate>20180322</enddate><creator>Morisset, Vanessa</creator><general>Les editions esse</general><general>Les Éditions esse</general><scope>8GL</scope><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8FQ</scope><scope>8FV</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>K50</scope><scope>M1D</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20180322</creationdate><title>Larissa Fassler</title><author>Morisset, Vanessa</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g1676-e48c7c10294358714a3e3e40e447ca8cc526f57cba0e3fae5a41d8cd8d273c6b3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2018</creationdate><topic>Artists</topic><topic>Criticism and interpretation</topic><topic>Exhibitions</topic><topic>Fassler, Larissa</topic><topic>Painting (Art)</topic><topic>Works</topic><toplevel>online_resources</toplevel><creatorcontrib>Morisset, Vanessa</creatorcontrib><collection>Gale In Context: High School</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Canadian Business & Current Affairs Database</collection><collection>Canadian Business & Current Affairs Database (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>Art, Design & Architecture Collection</collection><collection>Arts & Humanities Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><jtitle>Esse</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Morisset, Vanessa</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Larissa Fassler</atitle><jtitle>Esse</jtitle><addtitle>Esse: Arts + Opinions</addtitle><date>2018-03-22</date><risdate>2018</risdate><volume>93</volume><issue>93</issue><spage>88</spage><epage>91</epage><pages>88-91</pages><issn>0831-859X</issn><eissn>1929-3577</eissn><abstract>At first glance, the drawings and paintings of Larissa Fassler, a Canadian artist living and working in Berlin, Germany, look like scientific studies, and, in fact, they are the result of detailed analyses of the movements and micro-events that take place in high-traffic areas of large cities. Yet when one looks more closely at the details, an entirely subjective poetry begins to emerge. No doubt because Fassler's observations and surveys have no aim or because movement and life have been frozen in graphic representations, in contemplating them we experience the melancholy inherent to considering vanitas. This is particularly true for the preparatory drawings done in ink or pencil on paper, in which the movement is rendered almost perceptible by the fragility of the line. Similarly, in Fassler's drawings, one can expect things to start moving at any moment.</abstract><cop>Montreal</cop><pub>Les editions esse</pub><tpages>4</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0831-859X |
ispartof | Esse, 2018-03, Vol.93 (93), p.88-91 |
issn | 0831-859X 1929-3577 |
language | eng |
recordid | cdi_proquest_journals_2395883146 |
source | Érudit; Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals; REPÈRE - Free |
subjects | Artists Criticism and interpretation Exhibitions Fassler, Larissa Painting (Art) Works |
title | Larissa Fassler |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-05T11%3A31%3A19IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Larissa%20Fassler&rft.jtitle=Esse&rft.au=Morisset,%20Vanessa&rft.date=2018-03-22&rft.volume=93&rft.issue=93&rft.spage=88&rft.epage=91&rft.pages=88-91&rft.issn=0831-859X&rft.eissn=1929-3577&rft_id=info:doi/&rft_dat=%3Cgale_proqu%3EA539646035%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2395883146&rft_id=info:pmid/&rft_galeid=A539646035&rfr_iscdi=true |