Branding Angelica: Reputation Management in Late Eighteenth‐Century England
Reputation management is a contemporary offshoot of public relations, but reputation has long had economic currency in British culture. Less well studied is the way commercial reputation consolidated around ideas of the brand. This case study of the London career of the Swiss‐born artist Angelica Ka...
Gespeichert in:
Veröffentlicht in: | Journal for eighteenth-century studies 2020-03, Vol.43 (1), p.3-24 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 24 |
---|---|
container_issue | 1 |
container_start_page | 3 |
container_title | Journal for eighteenth-century studies |
container_volume | 43 |
creator | Vickery, Amanda |
description | Reputation management is a contemporary offshoot of public relations, but reputation has long had economic currency in British culture. Less well studied is the way commercial reputation consolidated around ideas of the brand. This case study of the London career of the Swiss‐born artist Angelica Kauffman (1741‐1807) examines the development of the ‘Angelica' brand: from stage‐managed debut, studio establishment and performance, and self‐promotion through self‐portraiture to market positioning, diffusion lines and pricing strategy. It tests the success of Kauffman's efforts by examining critical reception, consumer response and, finally, damage limitation, concluding that the Angelica brand was the painter's cleverest creation. |
doi_str_mv | 10.1111/1754-0208.12667 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2352541070</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2352541070</sourcerecordid><originalsourceid>FETCH-LOGICAL-c3577-54669377a37b3eb6a67f3c7e12dc7ffaacbb90db553acad931c983d3a6963f13</originalsourceid><addsrcrecordid>eNqFkM1OwzAQhC0EEqVw5hqJc1r_xHbDrUThT62QoHdr4zipq9QpTiLUG4_AM_IkpAS4spdZjWZ2pQ-hS4InpJ8pkTwKMcWzCaFCyCM0-nOOf3cSR6forGk2GAsqMR2h5Y0Hl1tXBnNXmspquA6eza5robW1C5bgoDRb49rAumABrQlSW65b0zvrz_ePpNfO74PUlVV_5xydFFA15uJHx2h1m66S-3DxdPeQzBehZlzKkEdCxExKYDJjJhMgZMG0NITmWhYFgM6yGOcZ5ww05DEjOp6xnIGIBSsIG6Or4ezO16-daVq1qTvv-o-KMk55RLDEfWo6pLSvm8abQu283YLfK4LVAZk6QFEHQOobWd8QQ-PNVmb_X1w9psnLUPwCXS5uew</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2352541070</pqid></control><display><type>article</type><title>Branding Angelica: Reputation Management in Late Eighteenth‐Century England</title><source>Wiley Online Library Journals Frontfile Complete</source><creator>Vickery, Amanda</creator><creatorcontrib>Vickery, Amanda</creatorcontrib><description>Reputation management is a contemporary offshoot of public relations, but reputation has long had economic currency in British culture. Less well studied is the way commercial reputation consolidated around ideas of the brand. This case study of the London career of the Swiss‐born artist Angelica Kauffman (1741‐1807) examines the development of the ‘Angelica' brand: from stage‐managed debut, studio establishment and performance, and self‐promotion through self‐portraiture to market positioning, diffusion lines and pricing strategy. It tests the success of Kauffman's efforts by examining critical reception, consumer response and, finally, damage limitation, concluding that the Angelica brand was the painter's cleverest creation.</description><identifier>ISSN: 1754-0194</identifier><identifier>EISSN: 1754-0208</identifier><identifier>DOI: 10.1111/1754-0208.12667</identifier><language>eng</language><publisher>Hatfield: Wiley Subscription Services, Inc</publisher><subject>18th century ; Angelica Kauffman ; Corporate image ; female artists ; Kauffmann, Angelica (1741-1807) ; Market positioning ; neo‐classism ; public and private ; Reputation management ; reputation, celebrity and brand ; scandal and risk ; taste ; women in business</subject><ispartof>Journal for eighteenth-century studies, 2020-03, Vol.43 (1), p.3-24</ispartof><rights>2019 The Authors. Journal for Eighteenth‐Century Studies published by John Wiley & Sons Ltd on behalf of British Society for Eighteenth‐Century Studies</rights><rights>2020 John Wiley & Sons, Ltd.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c3577-54669377a37b3eb6a67f3c7e12dc7ffaacbb90db553acad931c983d3a6963f13</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://onlinelibrary.wiley.com/doi/pdf/10.1111%2F1754-0208.12667$$EPDF$$P50$$Gwiley$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://onlinelibrary.wiley.com/doi/full/10.1111%2F1754-0208.12667$$EHTML$$P50$$Gwiley$$Hfree_for_read</linktohtml><link.rule.ids>314,776,780,1411,27901,27902,45550,45551</link.rule.ids></links><search><creatorcontrib>Vickery, Amanda</creatorcontrib><title>Branding Angelica: Reputation Management in Late Eighteenth‐Century England</title><title>Journal for eighteenth-century studies</title><description>Reputation management is a contemporary offshoot of public relations, but reputation has long had economic currency in British culture. Less well studied is the way commercial reputation consolidated around ideas of the brand. This case study of the London career of the Swiss‐born artist Angelica Kauffman (1741‐1807) examines the development of the ‘Angelica' brand: from stage‐managed debut, studio establishment and performance, and self‐promotion through self‐portraiture to market positioning, diffusion lines and pricing strategy. It tests the success of Kauffman's efforts by examining critical reception, consumer response and, finally, damage limitation, concluding that the Angelica brand was the painter's cleverest creation.</description><subject>18th century</subject><subject>Angelica Kauffman</subject><subject>Corporate image</subject><subject>female artists</subject><subject>Kauffmann, Angelica (1741-1807)</subject><subject>Market positioning</subject><subject>neo‐classism</subject><subject>public and private</subject><subject>Reputation management</subject><subject>reputation, celebrity and brand</subject><subject>scandal and risk</subject><subject>taste</subject><subject>women in business</subject><issn>1754-0194</issn><issn>1754-0208</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><sourceid>24P</sourceid><recordid>eNqFkM1OwzAQhC0EEqVw5hqJc1r_xHbDrUThT62QoHdr4zipq9QpTiLUG4_AM_IkpAS4spdZjWZ2pQ-hS4InpJ8pkTwKMcWzCaFCyCM0-nOOf3cSR6forGk2GAsqMR2h5Y0Hl1tXBnNXmspquA6eza5robW1C5bgoDRb49rAumABrQlSW65b0zvrz_ePpNfO74PUlVV_5xydFFA15uJHx2h1m66S-3DxdPeQzBehZlzKkEdCxExKYDJjJhMgZMG0NITmWhYFgM6yGOcZ5ww05DEjOp6xnIGIBSsIG6Or4ezO16-daVq1qTvv-o-KMk55RLDEfWo6pLSvm8abQu283YLfK4LVAZk6QFEHQOobWd8QQ-PNVmb_X1w9psnLUPwCXS5uew</recordid><startdate>202003</startdate><enddate>202003</enddate><creator>Vickery, Amanda</creator><general>Wiley Subscription Services, Inc</general><scope>24P</scope><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>202003</creationdate><title>Branding Angelica: Reputation Management in Late Eighteenth‐Century England</title><author>Vickery, Amanda</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c3577-54669377a37b3eb6a67f3c7e12dc7ffaacbb90db553acad931c983d3a6963f13</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>18th century</topic><topic>Angelica Kauffman</topic><topic>Corporate image</topic><topic>female artists</topic><topic>Kauffmann, Angelica (1741-1807)</topic><topic>Market positioning</topic><topic>neo‐classism</topic><topic>public and private</topic><topic>Reputation management</topic><topic>reputation, celebrity and brand</topic><topic>scandal and risk</topic><topic>taste</topic><topic>women in business</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Vickery, Amanda</creatorcontrib><collection>Wiley Online Library Open Access</collection><collection>CrossRef</collection><jtitle>Journal for eighteenth-century studies</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Vickery, Amanda</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Branding Angelica: Reputation Management in Late Eighteenth‐Century England</atitle><jtitle>Journal for eighteenth-century studies</jtitle><date>2020-03</date><risdate>2020</risdate><volume>43</volume><issue>1</issue><spage>3</spage><epage>24</epage><pages>3-24</pages><issn>1754-0194</issn><eissn>1754-0208</eissn><abstract>Reputation management is a contemporary offshoot of public relations, but reputation has long had economic currency in British culture. Less well studied is the way commercial reputation consolidated around ideas of the brand. This case study of the London career of the Swiss‐born artist Angelica Kauffman (1741‐1807) examines the development of the ‘Angelica' brand: from stage‐managed debut, studio establishment and performance, and self‐promotion through self‐portraiture to market positioning, diffusion lines and pricing strategy. It tests the success of Kauffman's efforts by examining critical reception, consumer response and, finally, damage limitation, concluding that the Angelica brand was the painter's cleverest creation.</abstract><cop>Hatfield</cop><pub>Wiley Subscription Services, Inc</pub><doi>10.1111/1754-0208.12667</doi><tpages>22</tpages><oa>free_for_read</oa></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1754-0194 |
ispartof | Journal for eighteenth-century studies, 2020-03, Vol.43 (1), p.3-24 |
issn | 1754-0194 1754-0208 |
language | eng |
recordid | cdi_proquest_journals_2352541070 |
source | Wiley Online Library Journals Frontfile Complete |
subjects | 18th century Angelica Kauffman Corporate image female artists Kauffmann, Angelica (1741-1807) Market positioning neo‐classism public and private Reputation management reputation, celebrity and brand scandal and risk taste women in business |
title | Branding Angelica: Reputation Management in Late Eighteenth‐Century England |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-10T04%3A57%3A42IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Branding%20Angelica:%20Reputation%20Management%20in%20Late%20Eighteenth%E2%80%90Century%20England&rft.jtitle=Journal%20for%20eighteenth-century%20studies&rft.au=Vickery,%20Amanda&rft.date=2020-03&rft.volume=43&rft.issue=1&rft.spage=3&rft.epage=24&rft.pages=3-24&rft.issn=1754-0194&rft.eissn=1754-0208&rft_id=info:doi/10.1111/1754-0208.12667&rft_dat=%3Cproquest_cross%3E2352541070%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2352541070&rft_id=info:pmid/&rfr_iscdi=true |