What Remains of the Past: Diegetic Music in the Star Trek Series as Reference to the Cultural Heritage of Humanity
The diegetic music used in the different Star Trek series belongs to a whole network referring to different products of human art, and therefore representing the quintessence of culture as a repository of society’s most valuable and priceless treasures. This network is highly significant for the Sta...
Gespeichert in:
Veröffentlicht in: | Lied und populäre Kultur 2019-01, Vol.64, p.141-154 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 154 |
---|---|
container_issue | |
container_start_page | 141 |
container_title | Lied und populäre Kultur |
container_volume | 64 |
creator | Drees, Stefan |
description | The diegetic music used in the different Star Trek series belongs to a whole network referring to different products of human art, and therefore representing the quintessence of culture as a repository of society’s most valuable and priceless treasures. This network is highly significant for the Star Trek universe: it states that the fine and performative arts are an important part of human education, necessary for the refinement of one’s character as well as a condition for the evolved state of humanity as primarily peaceful race in a non-dystopian future. Based on a selection of examples from the different series, the paper questions the repertoire, the performance practice and the use of human music framing the cultural background of living in the future. By looking closer at one special episode, it also examines the importance of opera music as representative of the classical music culture. |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_2348350380</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>27106982</jstor_id><sourcerecordid>27106982</sourcerecordid><originalsourceid>FETCH-LOGICAL-j205t-12eaad96de4657ec5181c0b4f99f86608812af95707e5570d6ed61ede9f20eae3</originalsourceid><addsrcrecordid>eNotjU1rAjEURbOoULXdd1MYcD3w8vUmWRZpqyAo0tLl8Gpe0KE6NomL_vsO6ObczeGeOzGWKH0N1rh7Mcm5A9DWGByLp689lWrLRzqcctXHquy52lAuD2IU6Sfz422n4vPt9WO-qFfr9-X8ZVV3CmyppWKi4DGwQdvwzkond_BtovfRIYJzUlH0toGG7cCAHFByYB8VMLGeitn195z63wvn0nb9JZ2GZKu0cdqCdjBYz1ery6VP7TkdjpT-WtVIQO-U_gdk9T6G</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2348350380</pqid></control><display><type>article</type><title>What Remains of the Past: Diegetic Music in the Star Trek Series as Reference to the Cultural Heritage of Humanity</title><source>JSTOR Archive Collection A-Z Listing</source><creator>Drees, Stefan</creator><creatorcontrib>Drees, Stefan</creatorcontrib><description>The diegetic music used in the different Star Trek series belongs to a whole network referring to different products of human art, and therefore representing the quintessence of culture as a repository of society’s most valuable and priceless treasures. This network is highly significant for the Star Trek universe: it states that the fine and performative arts are an important part of human education, necessary for the refinement of one’s character as well as a condition for the evolved state of humanity as primarily peaceful race in a non-dystopian future. Based on a selection of examples from the different series, the paper questions the repertoire, the performance practice and the use of human music framing the cultural background of living in the future. By looking closer at one special episode, it also examines the importance of opera music as representative of the classical music culture.</description><identifier>ISSN: 1619-0548</identifier><language>eng</language><publisher>Münster: Zentrum für Populäre Kultur und Musik</publisher><subject>Alzheimer's disease ; Ambient music ; Berman, Michael ; Classical music ; Cultural heritage ; Culture ; Fiction ; Motion pictures ; Music ; Musical performances ; MUSIK IN DER SCIENCE-FICTION – MUSIC IN SCIENCE FICTION ; Repertoire ; Science fiction & fantasy ; Universe</subject><ispartof>Lied und populäre Kultur, 2019-01, Vol.64, p.141-154</ispartof><rights>Copyright Waxmann Verlag GmbH 2019</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/27106982$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/27106982$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>315,782,786,805,58024,58257</link.rule.ids></links><search><creatorcontrib>Drees, Stefan</creatorcontrib><title>What Remains of the Past: Diegetic Music in the Star Trek Series as Reference to the Cultural Heritage of Humanity</title><title>Lied und populäre Kultur</title><description>The diegetic music used in the different Star Trek series belongs to a whole network referring to different products of human art, and therefore representing the quintessence of culture as a repository of society’s most valuable and priceless treasures. This network is highly significant for the Star Trek universe: it states that the fine and performative arts are an important part of human education, necessary for the refinement of one’s character as well as a condition for the evolved state of humanity as primarily peaceful race in a non-dystopian future. Based on a selection of examples from the different series, the paper questions the repertoire, the performance practice and the use of human music framing the cultural background of living in the future. By looking closer at one special episode, it also examines the importance of opera music as representative of the classical music culture.</description><subject>Alzheimer's disease</subject><subject>Ambient music</subject><subject>Berman, Michael</subject><subject>Classical music</subject><subject>Cultural heritage</subject><subject>Culture</subject><subject>Fiction</subject><subject>Motion pictures</subject><subject>Music</subject><subject>Musical performances</subject><subject>MUSIK IN DER SCIENCE-FICTION – MUSIC IN SCIENCE FICTION</subject><subject>Repertoire</subject><subject>Science fiction & fantasy</subject><subject>Universe</subject><issn>1619-0548</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2019</creationdate><recordtype>article</recordtype><sourceid>A3D</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><recordid>eNotjU1rAjEURbOoULXdd1MYcD3w8vUmWRZpqyAo0tLl8Gpe0KE6NomL_vsO6ObczeGeOzGWKH0N1rh7Mcm5A9DWGByLp689lWrLRzqcctXHquy52lAuD2IU6Sfz422n4vPt9WO-qFfr9-X8ZVV3CmyppWKi4DGwQdvwzkond_BtovfRIYJzUlH0toGG7cCAHFByYB8VMLGeitn195z63wvn0nb9JZ2GZKu0cdqCdjBYz1ery6VP7TkdjpT-WtVIQO-U_gdk9T6G</recordid><startdate>20190101</startdate><enddate>20190101</enddate><creator>Drees, Stefan</creator><general>Zentrum für Populäre Kultur und Musik</general><general>Waxmann Verlag GmbH</general><scope>4T-</scope><scope>4U-</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>BENPR</scope><scope>BFMQW</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>LIQON</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope></search><sort><creationdate>20190101</creationdate><title>What Remains of the Past</title><author>Drees, Stefan</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j205t-12eaad96de4657ec5181c0b4f99f86608812af95707e5570d6ed61ede9f20eae3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2019</creationdate><topic>Alzheimer's disease</topic><topic>Ambient music</topic><topic>Berman, Michael</topic><topic>Classical music</topic><topic>Cultural heritage</topic><topic>Culture</topic><topic>Fiction</topic><topic>Motion pictures</topic><topic>Music</topic><topic>Musical performances</topic><topic>MUSIK IN DER SCIENCE-FICTION – MUSIC IN SCIENCE FICTION</topic><topic>Repertoire</topic><topic>Science fiction & fantasy</topic><topic>Universe</topic><toplevel>online_resources</toplevel><creatorcontrib>Drees, Stefan</creatorcontrib><collection>Docstoc</collection><collection>University Readers</collection><collection>Music Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central</collection><collection>Continental Europe Database</collection><collection>ProQuest One Community College</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><jtitle>Lied und populäre Kultur</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Drees, Stefan</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>What Remains of the Past: Diegetic Music in the Star Trek Series as Reference to the Cultural Heritage of Humanity</atitle><jtitle>Lied und populäre Kultur</jtitle><date>2019-01-01</date><risdate>2019</risdate><volume>64</volume><spage>141</spage><epage>154</epage><pages>141-154</pages><issn>1619-0548</issn><abstract>The diegetic music used in the different Star Trek series belongs to a whole network referring to different products of human art, and therefore representing the quintessence of culture as a repository of society’s most valuable and priceless treasures. This network is highly significant for the Star Trek universe: it states that the fine and performative arts are an important part of human education, necessary for the refinement of one’s character as well as a condition for the evolved state of humanity as primarily peaceful race in a non-dystopian future. Based on a selection of examples from the different series, the paper questions the repertoire, the performance practice and the use of human music framing the cultural background of living in the future. By looking closer at one special episode, it also examines the importance of opera music as representative of the classical music culture.</abstract><cop>Münster</cop><pub>Zentrum für Populäre Kultur und Musik</pub><tpages>14</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1619-0548 |
ispartof | Lied und populäre Kultur, 2019-01, Vol.64, p.141-154 |
issn | 1619-0548 |
language | eng |
recordid | cdi_proquest_journals_2348350380 |
source | JSTOR Archive Collection A-Z Listing |
subjects | Alzheimer's disease Ambient music Berman, Michael Classical music Cultural heritage Culture Fiction Motion pictures Music Musical performances MUSIK IN DER SCIENCE-FICTION – MUSIC IN SCIENCE FICTION Repertoire Science fiction & fantasy Universe |
title | What Remains of the Past: Diegetic Music in the Star Trek Series as Reference to the Cultural Heritage of Humanity |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-05T00%3A10%3A02IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=What%20Remains%20of%20the%20Past:%20Diegetic%20Music%20in%20the%20Star%20Trek%20Series%20as%20Reference%20to%20the%20Cultural%20Heritage%20of%20Humanity&rft.jtitle=Lied%20und%20popul%C3%A4re%20Kultur&rft.au=Drees,%20Stefan&rft.date=2019-01-01&rft.volume=64&rft.spage=141&rft.epage=154&rft.pages=141-154&rft.issn=1619-0548&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E27106982%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2348350380&rft_id=info:pmid/&rft_jstor_id=27106982&rfr_iscdi=true |