Communications
In the previous issue of this journal, Kevin Korsyn criticizes my review of his book Decentering Music: A Critique of Contemporary Musical Research.1 He draws attention to an article I wrote for a 2005 special issue on deconstruction and music in Muzikoloski Zbornik / Musicological Annual, "Mus...
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Veröffentlicht in: | Journal of the American Musicological Society 2007-10, Vol.60 (3), p.715 |
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description | In the previous issue of this journal, Kevin Korsyn criticizes my review of his book Decentering Music: A Critique of Contemporary Musical Research.1 He draws attention to an article I wrote for a 2005 special issue on deconstruction and music in Muzikoloski Zbornik / Musicological Annual, "Music in the Thought of Deconstruction / Deconstruction in the Thought of Music (For Joseph Dubiel)" (henceforth "Deconstruction" in MZ);2 his response to that article;3 and my reply to him.4 The article, which is not primarily concerned witii Korsyn's work, describes a resonance between musical thought and Derrida's model of language in the context of various musical analyses. 7 This logic, suggesting that noting a grain of truth in an argument should signal a wholesale conversion to it, is odd in the context of a debate grounded in dialectical thought (which far from rendering antitheses null and void acknowledges their productive valence). |
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special issue on deconstruction and music in Muzikoloski Zbornik / Musicological Annual, "Music in the Thought of Deconstruction / Deconstruction in the Thought of Music (For Joseph Dubiel)" (henceforth "Deconstruction" in MZ);2 his response to that article;3 and my reply to him.4 The article, which is not primarily concerned witii Korsyn's work, describes a resonance between musical thought and Derrida's model of language in the context of various musical analyses. 7 This logic, suggesting that noting a grain of truth in an argument should signal a wholesale conversion to it, is odd in the context of a debate grounded in dialectical thought (which far from rendering antitheses null and void acknowledges their productive valence).</description><identifier>ISSN: 0003-0139</identifier><identifier>EISSN: 1547-3848</identifier><language>eng</language><publisher>Richmond: University of California Press Books Division</publisher><subject>Context ; Editors ; Logic ; Murders & murder attempts 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Deconstruction in the Thought of Music (For Joseph Dubiel)" (henceforth "Deconstruction" in MZ);2 his response to that article;3 and my reply to him.4 The article, which is not primarily concerned witii Korsyn's work, describes a resonance between musical thought and Derrida's model of language in the context of various musical analyses. 7 This logic, suggesting that noting a grain of truth in an argument should signal a wholesale conversion to it, is odd in the context of a debate grounded in dialectical thought (which far from rendering antitheses null and void acknowledges their productive valence).</description><subject>Context</subject><subject>Editors</subject><subject>Logic</subject><subject>Murders & murder 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subjects | Context Editors Logic Murders & murder attempts Music Truth Valence |
title | Communications |
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